Élie-Miriam Delaborde (born Eraïm-Miriam Delaborde; 7 February 1839 – 9 December 1913) was a French virtuoso pianist and composer. He was also renowned as a player of the pedal piano.
Early life
His birth was registered under the name of his mother Lina Eraïm Miriam, aged 38, of Nantes, and an unnamed father.[1] Delaborde was generally believed to be the illegitimate son of the composer and pianist Charles-Valentin Alkan and one of his high-class married pupils.[2] Delaborde was the maiden name of Antoinette, mother of George Sand, the author and sometime lover of Alkan's friend Frédéric Chopin. Some writers have seen some significance in this. Alkan's withdrawal from public life had also coincided with the birth and upbringing of Delaborde. Alkan and Delaborde also shared several similarities such as their similar skill in playing the pedal piano and both of them being parrot enthusiasts.[3] It was claimed that the pianist Isidor Philipp averred that Delaborde detested his father,[4] but this seems doubtful as Delaborde played Alkan's music and edited his works.
Delaborde was also a close friend of Georges Bizet and his wife, Geneviève. Delaborde may have been indirectly responsible for Bizet's death, which followed a swimming competition between the two, as a result of which Bizet caught a chill.[9] After Bizet's death, Delaborde formed an alliance with Geneviève. Scholars have speculated that Delaborde and Geneviève were having an affair even before Bizet's death.[6] The two had signed a marriage contract in August 1876, but they never got married.[10] In 1901 he became engaged to a much younger pupil, but it also failed to result in marriage.[1]
Death
Delaborde died on 9 December 1913, aged 74, and was buried at Père Lachaise Cemetery on 11 December.[1]
Compositions
His compositions included a youthful opera Maître Martin,[1] the opéra-comique La Reine dort, the overture Attila, preludes, studies and fantasies for piano (including a Grande Fantaise on Bizet's Carmen),[11] a piano quintet, and songs. There is also a Scherzetto for chromatic harp.[12] He also edited some of Alkan's music.[13][14]
Delaborde's output is significant, but minimal attention has been given to his works. The first acoustic recording in history of one of Delaborde's compositions was Étude d'après une petite Valse de V. Dolmetsch, recorded by Vincenzo Maltempo in 2014, as a part of the Rarities of Piano Music at the "Schloss vor Husum" Festival.
Selected other works
Cadence pour le Finale du concerto pour clavecin en ré mineur de J. S. Bach (1872)
Cadence sur l'Allegro du Concerto en sol, op. 58 de Beethoven. Piano (1878)
Etudes La bémol majeur (1889)
Etudes de concert. Piano. La bémol majeur. No 2 (1872)
Exercices de lecture. Piano. Op. 14, no 4 (1887)
Étude d'après une petite Valse de V. Dolmetsch [nl] (1889)
Fantaisies from 'Carmen' Op. 8 . [Bizet] (1879)
Impromptu-valse Ré bémol majeur (1872)
Ouverture d'Attila (4 mains) (1879)
Paraphrase on Bundeslied Op. 122 [Beethoven] (1872)
^ abWeber, Caroline. Proust's Duchess: How Three Celebrated Women Captured the Imagination of Fin-de-Siecle Paris. United States, Knopf Doubleday Publishing Group, 2018.
^Timbrell, Charles. French pianism: a historical perspective. United States, Amadeus Press, 1999.
