The original 1928 production on Broadway, and a 1930 West End run, both starring Dennis King as d'Artagnan, were successful, but a 1984 attempt at a much-revised Broadway revival flopped.
Plot synopsis
In early 17th century France, the poor but virile d'Artagnan travels to Paris to join the Musketeers (the King's bodyguard). He meets and falls in love with Lady Constance Bonacieux, a lady-in-waiting to Queen Anne. Meanwhile, Cardinal Richelieu learns that the Queen has given a diamond heart brooch, which was a present to her from the King, as a token of love to the Duke of Buckingham. Richelieu suggests that the King ask the Queen to wear it at a planned royal gala. Richelieu dispatches the Comte de Rochefort and Milady de Winter to London to recover the gem, which he plans to unveil at the gala in order to reveal that the Queen has been unfaithful.
The Queen asks her lady-in-waiting, Constance Bonacieux, to involve the Musketeers in the jewel's speedy recovery so that she might foil the plot. But when the Musketeers reach London, they are too late: Lady de Winter has arrived first. D’Artagnan uses his seductive charms upon Milady de Winter and steals the bauble. After a rousing sword fight, the Musketeers kill de Rochefort and rush back to Paris just in time to bring the jewel to the gala. King Louis fastens it to the Queen's shoulder just as he did when he first gave it to her.
Musical numbers
Act I
Summer Time – Villagers
All for One – Aramis, Athos and Porthos
The 'He' for Me – Constance, Girls, Aramis, Athos and Porthos
My Sword – D'Artagnan and Company
Heart of Mine – D'Artagnan and Constance
My Sword and I – D'Artagnan and Villagers
Vesper Bell – The Pensionaires
Dreams – Queen Anne
Te Deum – D'Artagnan and Nuns
March of the Musketeers – D'Artagnan, Athos, Porthos, Aramis and Musketeers
Colonel and Major – Planchet and Girls
Love is the Sun – Queen Anne, Constance and The Duke of Buckingham
Heart of Mine (reprise) – Constance and D'Artagnan
Welcome to the Queen – Ladies and Courtiers
Act II
With Red Wine – Porthos and Company
My Belle – Aramis
Kiss Before I Go – Constance and D'Artagnan
Pages – Albertina Rasch Dancers
Queen of My Heart – The Duke of Buckingham
Gossip – Planchet and Ladies
Until We Say Goodbye – Constance Bonacieux
The 1984 revival deleted many of the original songs, added other Friml songs, and moved others to different positions in the story.[1]
"The Three Musketeers is a good-natured attempt to jazz up Rudolf Friml's Dumas-inspired operetta ... much as the New York Shakespeare Festival retooled The Pirates of Penzance a few seasons ago. But this time the source material is many rungs below Gilbert and Sullivan – and the new accouterments add no wit, style, sexiness or show-biz dazzle. ... Mark Bramble['s]... idea of writing a musical book ... is to minimize the book. The baroque plot of The Three Musketeers is so frenetically and confusingly conveyed that no child is likely to understand who the Duke of Buckingham is, or why Cardinal Richelieu is such a pill, or why everyone is chasing after a diamond brooch throughout Act II. ... The title characters ... often seem like interchangeable stand-ins for the Three Stooges. ... Joe Layton has tried to give the show the illusion of excitement by staging it at a frantic pace and by sending the actors running up and down the aisles ... [but] everyone seems to be scurrying pointlessly about just to keep busy. After a while, the company begins to look like a road troupe of Camelot on amphetamines."[9]
^Patinkin, Sheldon. "Ziegfeld", "No legs, no jokes, no chance", A History of the American Musical Theater, Northwestern University Press, 2008, ISBN0-8101-1994-3, p.178