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Talempong ensemble
Talempong ensemble
Stylistic origins	Music of Indonesia ( Minangkabau )
Cultural origins	Indonesia
Typical instruments	Talempong • Gong • Bonang • Agung • Serunai • Saluang • Gendang

*Talempong*
	Talempong performance in West Sumatra, Indonesia.
Other names	Caklempong, Caklempung
Classification	Percussion instrument; Idiophone; Gong;
Developed	Indonesia (West Sumatra)
Playing range
	Pelog and Slendro scales
Related instruments
	bonang, kenong, canang, keromong, kromong, kethuk, trompong/terompong, rejong, khong wong yai/khong wong lek, khong toch/ khong thom, khong vong, krewaing/krewong
More articles or information
	Gamelan; Kolintang;

Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms.^[1]

A talempong a small kettle gong which gives its name to an ensemble of four or five talempong as well as other gongs and drums. The term can refer to the instrument, the ensemble, or the genre of music. Talempong is in the form of a circle with a diameter of 15 to 17.5 centimeters, with a hollow hole at the bottom while at the top there is a roundabout with a diameter of five centimeters as a place to be hit. Talempong has a different tone. The sound is produced from a pair of wood hammered on its surface.

Around 1970, at the Akademi Seni Karawitan (Academy of Traditional Arts) in Padang Pajang, a Talempong orchestra was developed with approximately 17 musicians.^[2]

In 2019 and 2021, The Talempong Unggan^[3] and The Talempong Pakcik^[4] were recognized as National Intangible Cultural Heritage of Indonesia by the Indonesian Ministry of Education and Culture.

On December 15, 2021, UNESCO officially recognized Gamelan which includes a musical instrument of Talempong as a Masterpiece of the Oral and Intangible Heritage of Humanity, and encouraged the Indonesian people and the Indonesian government to safeguard, transmit, promote performances and to encourage the craftsmanship of the instruments.^[5]

Cultural contexts

Talempong is usually used to accompany dance or welcoming performances, such as the typical Tari Piring, Tari Pasambahan, Tari Alang, Tari Suntiang Pangulu and Tari Gelombang. Talempong is usually performed with an accordion accompaniment, a type of organ supported and played with the right hand played by the player. In addition to the accordion, instruments such as saluang, gandang, serunai and other traditional Minangkabau instruments are also commonly played with talempong.

Talempong can be used to play a wide variety of music traditional and modern. Talempong have been used in some experimental gamelan pieces composed at Sekolah Tinggi Seni Indonesia Surakarta, which has West Sumatran instructors and students.^[6]

Outside Indonesia

In Malaysia, the talempong was brought to Negeri Sembilan, Peninsular Malaysia, in the 14th century by Minangkabau people from nearby West Sumatra. Here, talempong is also known as caklempong.^[7]

The caklempong is present in the different configurations of the Nobat, a ceremonial traditional orchestra that is among the Regalia of Malaysia. Performances by the Nobat are limited to royal occasions, the ensemble playing an important role in the Installation of the Yang di-Pertuan Agong.^{[citation needed]}

Gallery

Talempong
Gong of Talempong
Talempong Pacik
Playing talempong
Playing talempong pacik together
Talempong Pacik for Ceremonial activity in West Sumatra

Sources

Roth, A. R. New Compositions for Javanese Gamelan. University of Durham, Doctoral Thesis, 1986

Notes

^ Roth, Page 147
^ "The Sustainability and Evolution of Talempong: Pluralism in Minangkabau Gong Practices". Smithsonian's National Museum of Asian Art. Retrieved 2024-03-20.
^ "Warisan Budaya Takbenda, Penetapan". Cultural Heritage, Ministry of Education and Culture of Indonesia. Retrieved 20 February 2021.
^ "Warisan Budaya Takbenda, Penetapan". Cultural Heritage, Ministry of Education and Culture of Indonesia. Retrieved 20 February 2021.
^ "Gamelan". UNESCO. Retrieved 20 February 2021.
^ Roth, Page 65
^ Abd Samad Idris, 1970