The National Film Awards, established in 1954, are the most prominent film awards in India that merit the best of the Indian cinema. The ceremony also presents awards for films in various regional languages.
Awards for films in seven regional language (Bengali, Hindi, Kannada, Malayalam, Marathi, Tamil and Telugu) started from 2nd National Film Awards which were presented on 21 December 1955. Three awards of "President's Silver Medal for Best Feature Film", "Certificate of Merit for the Second Best Feature Film" and "Certificate of Merit for the Third Best Feature Film" were instituted. The later two certificate awards were discontinued from 15th National Film Awards (1967). Since the 70th National Film Awards, the name was changed to "Best Marathi Feature Film".[1]
Directed by P. K. Atre, the 1954 film Mahatma Phule, based on life of a Maharashtrian social reformer Jyotiba Govindrao Phule, was honoured with the first president's silver medal for Best Feature Film in Marathi. Following is the list of Silver Lotus Award (Rajat Kamal) recipient films produced in Marathi language.
Winners
Award includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Following are the award winners over the years:
Awards legends
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President's Silver Medal for Best Feature Film
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Certificate of Merit for the Second Best Feature Film
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Certificate of Merit for the Third Best Feature Film
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Certificate of Merit for the Best Feature Film
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Indicates a joint award for that year
List of award films, showing the year (award ceremony), producer(s), director(s) and citation
For consistently transferring to the film medium a successful fictional work (Thakurwadi by G. N. Dandekar); for high lightening the mutual inconsistencies of love, of the fear of God and of superstition in a simple, innocent community of tribal, for the memorable use of the drum in evoking presence of the God and expressing the inexorable demands of love for a cinematic form which captures the lyricism, the cadence and the lilt of folk culture.
For a sincere cinematic statement on the theme of a woman seeking to establish her identity by pursuing a career, even at the risk of alienation from her family.
For its delicate description of the tension of love in various facets; wife, mistress and children; and the resolution of tensions in favour of keeping a family together.
For its clever portrayal of comedy of errors, cutting across the generation gap and for its charming depiction of puppy-love, extending from the campus to the homes of today's youth, in a refreshing directorial debut.
For its realistic portrayal of a Maharashtrian village in the thirties through the experience of a young school teacher who tries to fight against all odds and superstition.
For shedding light on the plight of the old and the ageing and the crumbling of the joint family system in a novel and entertaining format of a love story. Beautiful performance by Mohan Joshi and Suhas Joshi are the highlights of the film.
For depicting the hypocrisy exercised by man in complete contradiction of declared socio-political positions and a total reversal of behaviour when it comes to power and lust. It draws attention to the inherent problems in the empowerment of women.
For dealing with the social issues, adultery and the subjugation of women. The film ends on a positive note of a woman's empowerment when the protagonist extends her horizon beyond home and hearth.
For film set in the time of the Emergency that is at once a coming of age, a slice of life and a political film. The director draws a map of ephemeral and fleeting moments, sensitively making connections between political culture, sexual repression, the family and the School System. The director also manages to maintain a unique balance between historical turbulence and the tender innocence of teenage love.
A parody on musical chair in politics and a critique of the hierarchical system in bureaucracy, the film takes an unusual turn when the political boss has a change of heart.
For its warm portrait of a young boy as he emerges from the shadows of dislocation and loss in an unfamiliar environment to embracing what life has to offer.
A heart rending survival story of a father-son duo, who decide to fight and live rather than end their lives, in the background of farmer suicides in Maharashtra.