"Oh you, Father Roman" and No. 10 "Your Spirit is Good", "Concerto of the Apostle Timofey", "The Catcher is Wonderful with His Tongue", concerto "The Virgin Gives Birth to the Pre-existent", "The Deliverer Has Been Sent by the Lord", concerto in 8 voices "Blessed is the Man Who Fears the Lord", All-Night Virgil "Blessed is the Man".
music-folklore of the collection "Collection of "simple russian" songs with notes" (parts 1–4, 1776–1795) including Ukrainian folk songs, and piano variations on the themes of folk songs
"Kozachok from the 21 variations for solo piano", "12 variations in D major solo for violin on the theme of the song "Mowers went out to the field" and "12 variations in F major for violin with bass accompaniment on the theme of the dance "Kozachok", other variations on the basis of the Ukrainian folk song "Oh grove, green grove"
two nocturnes dated 1821, mazurkas, art songs ("Death in a Foreign Land"), sets of variations on Ukrainian folk songs ("Oh, There Is a Well in the Field,' "And I Had a Wife," and "Don't Go to the Party, Hryts"[8]
religious and secular compositions such as "Autumn," "Zaspivai my, soloviiu" (Sing for Me, Nightingale), "Richen'ka" (The Streamlet), as well as the popular operettas Oman ochei (A Wile of the Eyes), Roksoliana, and Pan Dovhonos (Mister Long Nose)[12]
Kupalo, the first opera in western Ukraine (1870–92); music to plays by Taras Shevchenko, Fedir Zarevych, Omelian Ohonovsky, and Kornylo Ustyianovych; original choral scores to texts by Yurii Fedkovych, Ivan Hushalevych, E. Levytsky, and others; choral arrangements of Ukrainian folk songs[15]
folk song arrangements, melodramas such as "Kapral Tymko" (Corporal Tymko), "Neshchasna liubov" (Unlucky Love), "Invalid" (The Invalid), and "Nashi poselentsi" (Our Settlers), anthology of the works of Ukrainian composers titled Boian (The Troubadour, 1884; 2nd edn 1886), school and church songbooks[17]
works for choir "Hulialy" (They Danced) and "Z Okrushkiv" (From Crumbs, text by Yurii Fedkovych), art songs for solo voice with piano accompaniment, including "Mynuly lita molodii" (The Years of Youth Have Passed By); arrangements of folk songs for solo voice or choir; and Vitrohony, a cycle of kolomyika melodies for piano[19]
opera Roksoliana (libretto by V. Lutsyk and Stepan Charnetsky, 1908); works for symphony and chamber orchestras; piano solos; choral music, including the cantata Lichu v nevoli (I Count the Days and Nights in captivity; text by Taras Shevchenko); a score for a liturgy; approximately 20 art songs for solo voice to texts by T. Shevchenko, L. Ukrainka, I. Franko, B. Lepky, U. Kravchenko, and H. Heine; and arrangements of folk songs[20]
10 operas, notably Sorochyntsi Fair (1899) and Black Sea Duma or Samiilo Kishka (1927); two ballets; orchestral pieces; chamber music works; violin and piano music; works for chorus; art songs; and arrangements of Ukrainian folk songs[24]
two symphonies, symphonic poems, an orchestral suite, an overture, a trio for strings, a sonata for cello, sonatas for violin, and numerous works for piano
cantata The Caucasus (1902–13), inspired by Taras Shevchenko's poem, The Eternal Revolutionary (1898), The Reaper (1901), Khor pidzemnykh kovaliv (The Chorus of Underground Blacksmiths, 1905), Oi, vyhostriu tovarysha (Oh, I'll Hone My Knife, 1917), and The Testament (1934) symphonic compositions The [Sich] Riflemen's Rhapsody, 1920), Kameniari (The Stonecutters, 1926, 1956), and Vesnianky (Spring Songs, 1935), Symfonietta (1943), Koliadnytsia (Christmas Caroller, 1944), Iunats’ke rondo (The Rondo of Youth, 1946), the symphonic poem The Dnieper (1948), Prykarpats’ka symfoniia (The Subcarpathian Symphony, 1952), and the opera Dovbush[26]
operas Life Is a Dream (based on Calderón) and The Servant Girl (based on Taras Shevchenko, 1913–16); two symphonies (1905, 1912); an overture (1908); seven string quartets; approximately 50 works of choral music to texts by Shevchenko, Mykola Bazhan, and others; and approximately 100 solo art songs to texts by Shevchenko, Pavlo Tychyna, Maksym Rylsky, and others[27]
two operas, several symphonic compositions (including Symphony No. 1, 1951), chamber music, choral works (eg, the Suite on Ukrainian Folk Texts [1950] and a choral poem dedicated to Viktor Kosenko [1948]), and art songs, five piano sonatas, a suite, a cycle of 24 preludes and fugues[34]
songs of the Ukrainian Sich Riflemen, choral works, church music, and instrumental music for violin, string orchestra, band, and symphony orchestra. He also arranged many folk songs and compiled a number of songbooks[35]
the opera The Witch (after Yevhen Hrebinka, libretto by Stepan Charnetsky, 1936–1940), the ballet Legin' (Young Lad; libretto by Dmytro Chutro, 1938), the tone poem Ukraïna (after Taras Shevchenko's Haidamaky), three string quartets, and the cantata Biut' porohy (The Rapids Roar; text by Shevchenko) for mixed chorus and orchestra[36]
the operas Karmeliuk, Nazar Stodolia (based on the play by Taras Shevchenko), and The Carpathians; the ballet Reborn Steppe; the symphony The Year 1917; a suite for symphony orchestra; violin, piano, and choral pieces; and six string quartets.
Operas The Golden Ring (1929) and Shchors (1937), the five symphonies, the Overture on Four Ukrainian Folk Themes (1926), the suites Taras Shevchenko (1952) and Romeo and Juliet (1955), the symphonic poem Grazhyna (1955), his "Slavic" piano concerto (1953), and the completion and orchestration of Reinhold Glière's violin concerto (1956)
sonata for cello and piano (1923), Classical Trio for piano, violin, and cello (1927), a sonata for violin and piano (1927), Heroic Overture (1932), Moldavian Poem (1937), a piano concerto, three piano sonatas, a trio, a violin concerto, about 100 piano pieces, including 24 pieces for children (1936)[40]
Ballet, 7 symphonies, symphonic poems, symphonic overtures, suites, flute concerto, string quartet, two trios, works for violin, cello, piano, and mixed choir, piano concerto
symphonic cantata Ukraïno moia (My Ukraine, 1943), the Kyiv Symphony (1972), symphonic suites, a violin concerto, chamber and choral pieces, art songs, incidental music, and film scores
operas Dovbush (1938) and Anna Yaroslavna (1967), three symphonies, a ballet suite and the ballet Burï nad Zakhodom (Storms over the West, 1932), a lyric poem, an overture, a concerto for cello and orchestra, the oratorio Haidamaky (1974), the cantata Moses (to Ivan Franko's poem), Poslaniie (The Epistle, to Taras Shevchenko's poem)
Considered the founder of the Ukrainian Soviet opera. Composed 18 operas, most notably Perekop (1939–40) and Haidamaky (1940–41) (both composed with Vsevolod Rybalchenko and Mykhailo Tits), Abadan (composed with A. Kuliev, 1942–43), Star over the Dvina (1951–1955), Stolen Happiness (1958–59), and Yaroslav the Wise (1973) and about 300 songs.
operas Trahediina nich (Tragic Night, 1935), Bohdan Khmelnytsky (1951; new version, 1953), and Nazar Stodolia (1960); the ballet Lileia (Lily, 1939); two symphonies (1937, 1945); the symphonic poems Otello (Othello, 1937) and Taras Shevchenko (1939); a string quartet; a trio; choral works; and film scores and art songs for solo voice
the opera To Meet the Sun (1957, revised as The Fiery Sky, 1959); the ballets Dovbush's Kerchief (1951), The Jay's Wing (1956), and Orysia (1964); the operetta Spring Storms (1960); the cantatas It Passed a Long Time Ago (1961) and The Immortal Testament (1963); the oratorio From the Niagara to the Dnieper (1969); two piano concertos and two violin concertos; chamber music; piano pieces; and choral works
operas Mylana (1957), Arsenal (1960), Taras Shevchenko (1964), and Yaroslav the Wise (1973); three symphonies (1940, 1952, 1976); a concerto for voice and orchestra (1969); the symphonic poems Lily, (text by Taras Shevchenko, 1939) and Kameniari (Stone-cutters, text by Ivan Franko, 1941); the vocal-symphonic poem Zaporozhians (text by Liubov Zabashta, 1954); and the orchestral Hutsul Rhapsody (1949)
the symphonic overture Prometheus, choral works, and the vocal-symphonic poem Poplar, (text by Taras Shevchenko, 1966). He is best known for his popular songs, such as "The Kyiv Waltz", "White Chestnuts," "Song about the Dnieper," and the widely familiar "Rushnychok" (Embroidered Towel, text by Andrii Malyshko), which is commonly known as "Ridna maty moia" (Dear Mother Mine)
opera Star, the ballet Cinderella, incidental music for numerous theater plays, a Piano Concerto in G Major, variations and miniatures for piano, approximately 60 art songs for voice and piano (including cycles to texts by Taras Shevchenko, Ivan Franko, and Vasyl Symonenko), the cantata Love Ukraine, and church music
the symphony Pryvitannia zhyttia (Welcoming Life) for soprano, bass, and chamber orchestra, based on the words of the imagist poet Bohdan Ihor Antonych, and Viter revoliutsii (Wind of the Revolution) based on the poems of Maksym Rylsky and Pavlo Tychyna; numerous cantatas to the words of Taras Shevchenko, Mykola Vinhranovsky, and other poets; choir concertos and two choir poems: Holod – 33 (Famine 1933; based on the words of S. Kolomiiets) and Lebedi materynstva (The Swans of Motherhood; based on the poems by Vasyl Symonenko)
Concerto for choir and orchestra “Garden of Divine Songs”; Symphony "5 songs about Ukraine", 2nd concert for orchestra, 3rd concert for orchestra; Symphony for strings
Derencovets, Korsun-Shevchenkovskii District, Cherkassy Region
Cantata in five parts on the lyrics by Federico Garsia Lorca for soprano and symphony orchestra (recorded in 2005), piano Concert (rec. in 2007), four songs on the lyrics by Vasyl Stus for soprano and symphony orchestra (rec. in 2008)[42]
Basilika Santa Maria Yang Dikandung Tanpa NodaBasilika Minor Santa Maria Yang Dikandung Tanpa NodaInggris: Basilica of Saint Mary of the Immaculate Conceptioncode: en is deprecated Basilika Santa Maria Yang Dikandung Tanpa NodaLokasi232 Chapel St., Norfolk, VirginiaNegara Amerika SerikatDenominasiGereja Katolik RomaArsitekturStatusBasilika minorStatus fungsionalAktifAdministrasiKeuskupanKeuskupan Richmond Basilika Minor Santa Maria Yang Dikandung Tanpa Noda (Inggris: Basilica of Saint Ma...
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