In 1923 Mykola Bazhan graduated from the Uman Cooperative College[2] and moved to Kiev where he studied at the Kiev Cooperative Institute (1921-1923) and in the Kiev institute of foreign relations (1923-1925).[2] He was active in the Futurist literary movement, and his first poem «Ruro-marsh» («Руро-марш») was published in Kiev in 1923. Bazhan’s first book of poems, Seventeenth Patrol, published in Kharkiv in 1926, was markedly Futurist. Yet, in the same year Bazhan left the Futurist groups and joined VAPLITE, an artistic union affiliated with classic models of European culture and demanding literary excellence from its members. In this period, Bazhan developed a unique style combining features of Expressionism, Romanticism and Baroque art. The Buildings (1929) epitomized these literary ideas via complex imagery of a Gothic cathedral, a gate in the style of Ukrainian Baroque, and a Modernist house.[3]
In 1926 he married a Ukrainian writer and native of Kiev Halyna Kovalenko. They divorced in 1938, and he remarried, to Nina Lauer, shortly thereafter.[4]
During the 1930s Bazhan's works were viewed as "anti-proletarian" and became a subject of a number official anti-nationalist campaigns. In 1937 he felt his arrest was imminent and he rarely slept at home.[5] In 1939 Bazhan was awarded the Order of Lenin for his translation into Ukrainian of the epic poem "The Warrior in the Tiger's skin" by the medieval Georgian poet Shota Rustaveli. Bazhan found out about this, from a newspaper, while hiding from his imminent arrest in a city park in Kiev.[citation needed] He was eventually told by Nikita Khrushchev that his arrest had been ordered, but Stalin was fond of his Rustaveli translation, and changed his mind.[6] In 1940 Mykola Bazhan joined the Communist Party of the Soviet Union and in the same year became a member of the Presidium of the Writers' Union of Ukraine.
During the Great Patriotic War Bazhan became a military reporter and the editor of the newspaper For the Soviet Ukraine. In 1943 he published a book, Stalingrad Notebook, for which in 1946 he received the Stalin Prize. In 1953-59 Bazhan headed the Writer's Union of Ukraine. As a head of the Union, in May 1954, at the beginning of the Khrushchev Thaw, he sent a letter to the Central Committee of the Communist Party of Ukraine, in which he raised the issue of publishing works and introducing creative biographies of Vasil Chumak, Myroslav Irchan, Mykyta Cherniavsky, Ivan Mikitenko, and Pilip Kapelhorodsky, most of which were killed or executed in 1937-1938, into the course of the history of Ukrainian Soviet literature. On July 2, 1956 he raised before the Central Committee of the Communist Party of Ukraine the issue of rehabilitation several repressed writers: Vasyl Bobynsky, Hryhorii Epik, Ivan Kulyk, Mykola Kulish, and many more.[7]
In 1970 Bazhan was nominated for a Nobel Prize in literature, but he was forced by Soviet authorities to write a letter refusing his candidature.[8]
From 1957 and until his death, Bazhan was the founding chief editor of the Main Edition of Ukrainian Soviet Encyclopedia publishing. The publishing was not completed in his lifetime; the first edition was, however, as the initial Ukrainian Soviet Encyclopedia in 17 volumes was released 1959–1965. A second (and final, as events would develop) 12-volume work was released 1977–1985. The enterprise was additionally responsible for a large number of other major Ukrainian reference works. Bazhan also was one of co-authors of the Anthem of the Ukrainian Soviet Socialist Republic. He died in Kiev in 1983.
Moisei Fishbein, a notable Ukrainian poet was Bazhan's literary secretary.
Bazhan in English
A collection of English translations of Bazhan's futurist poetry titled Quiet Spiders of the Hidden Soul was published by the Academic Studies Press
in 2019. These include translations by Roman Turovsky.[9]
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