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Kiss and Make-Up
Kiss and Make-Up
	Lobby card showing Cary Grant and Genevieve Tobin
Directed by	Harlan Thompson ; Jean Negulesco (associate director)
Written by	Harlan Thompson ; George Marion, Jr. ; Jane Hinton ("adapted by")
Produced by	B. P. Schulberg
Starring	Cary Grant ; Genevieve Tobin ; Helen Mack
Cinematography	Leon Shamroy
Music by	Ralph Rainger ; Leo Robin (lyrics)
Production; company	Paramount Pictures
Distributed by	Paramount Pictures
Release date	July 13, 1934;
Running time	78 minutes
Country	United States
Language	English

Kiss and Make-Up is a 1934 romantic comedy film starring Cary Grant as a doctor who specializes in making women beautiful. Genevieve Tobin and Helen Mack play his romantic entanglements. The film was based on the play Kozmetika by István Békeffy (credited as Stephen Bekeffi). All of the WAMPAS Baby Stars of 1934 were cast in roles in the film.

Plot

Dr. Maurice Lamar runs a highly successful business in Paris providing cosmetic surgery and other beauty treatments to women. Old friend Max Pascal visits him to try to borrow money to finish his research, but Maurice rejects him, instead offering him a job and later a partnership, but Max declines.

Maurice unveils the new Eve Caron and declares her perfect. However, her husband Marcel wants a wife who is just a bit beautiful, not someone who attracts the attention of every man, so he divorces her. Maurice then marries her. They travel to a beauty convention on the riviera on their honeymoon, accompanied by Maurice's naturally pretty secretary Annie, who secretly yearns for him. However, Eve is so careful about guarding her beauty that all the restrictions that she imposes on herself irritate her new husband. Eve takes so long getting ready that they miss the banquet in his honor.

While swimming, Annie meets an appreciative Marcel Caron. They go on a date, and Annie admires Marcel's curly hair. When Marcel later encounters Maurice at a nightclub, he is delighted when he correctly guesses what Eve has done to Maurice, as he had to endure the same behavior himself.

On the honeymoon night, Eve complains that she has no more cleansing cream and insists that Annie bring her some more. After Annie delivers the cream, she becomes upset and quits, and Maurice cannot understand why. When Maurice sees Eve ready for bed, with cleansing cream on her face and wearing a hairnet and gloves, he takes another hotel room and later seeks a divorce.

Maurice returns to Paris, only to find his business in shambles without Annie to manage things. He decides to quit cosmetics and conduct research with Max. Annie appears and informs Maurice that she is going to marry Marcel. Maurice then realizes that he loves Annie. He chases after the couple in a taxi and they both crash. Annie discovers to her horror that Marcel's curly hair is a toupée. She tells him that she loves him.

Cast

Cary Grant as Dr. Maurice Lamar
Genevieve Tobin as Eve Caron
Helen Mack as Annie
Edward Everett Horton as Marcel Caron
Lucien Littlefield as Max Pascal
Mona Maris as Countess Rita
Rafael Alcayde as Rolando (credited as Rafael Storm)
Toby Wing as Consuelo Claghorne
Dorothy Christie as Greta

Listed in the opening credits are the "WAMPAS Baby Stars of 1934":

Judith Arlen
Betty Bryson
Jean Carmen
Helen Cohan (credited as Helene Cohan)
Dorothy Drake
Jean Gale
Hazel Hayes
Ann Hovey
Lucille Lund
Lu Ann Meredith (as Lu-Anne Meredith)
Gigi Parrish (as Gi-Gi Parrish)
Jacqueline Wells
Katherine Williams

Reception

In a contemporary review for The New York Times, critic Andre Sennwald called the film "a first-class lingerie bazaar and a third-class entertainment" and wrote: "It represents a triumphant attempt to achieve pictorial allure without disturbing its pious editorial point of view on the impersonal worship of feminine beauty. It crowds the screen so thickly with silk, satin and nymphs that it is with some difficulty that such agreeable players as Edward Everett Horton, Cary Grant and Genevieve Tobin succeed in projecting themselves at all. ... 'Kiss and Make-Up' succeeds to a remarkable degree in being dull."^[1]

Winthrop Sargent of Variety wrote that Grant and Horton overplayed their parts "too strongly for laughs."^[2] Pauline Kael later praised Grant's performance and thought that he had used his skills developed in vaudeville well in the film, displaying a "sense of fun" with "confident, full-hearted exhibitionism."^[3]

References

^ Sennwald, Andre (1934-06-29). "The Screen: A Temple of Beauty". The New York Times. p. 17.
^ Deschner 1973, pp. 74–5.
^ Kael 1994, p. 642.

Sources

Deschner, Donald (1973). The Complete Films of Cary Grant. Citadel Press. ISBN 0-8065-0376-9.
Kael, Pauline (1994). For Keeps. Dutton.
Wansell, Geoffrey (December 13, 2013) [1996]. Cary Grant, Dark Angel. Skyhorse Publishing. ISBN 978-1-62872-336-6.