"Diana's life has changed so much since her marriage it was like playing another person. There's so much more information about her now. The character I played the first time was quite one-dimensional, the fantasy of a young girl falling in love with a prince. There was no emotional or psychological drama or struggle or anything. It was what it was. This new film has a lot of levels, dimensions and textures. It's more human."[8]
ABC's first airing of the film on US television was on 13 December 1992,[1] and was well-timed, coming four days after British prime minister John Major had announced in the House of Commons the "amicable separation" of Charles and Diana.[4][10]
Synopsis
The film begins in the early days of the marriage of Charles and Diana, when they appear to be fond of each other and even in love. However, early scenes show them to have very different characters and interests. Charles is shown as intellectual and fastidious, a lover of opera, whereas Diana wants romance and is bored by opera. Also, the spectre of Charles's former mistress Camilla Parker Bowles intrudes into the marriage from the beginning. Within two months of their wedding, Diana accuses Charles to his face of being in love with Camilla. A series of tribulations and infidelities is eventually shared with the world through newspaper reports. The couple ends up estranged and indifferent to each other, but still connected through two young sons, William, now aged ten, and Harry, eight.
Variety found the film "good-looking but unsatisfying" and commented that the fractured relationship of Charles and Diana was "punctuated by moments so melodramatic they would make Barbara Cartland groan". It considered that Rees had failed to convey Charles's eccentricity and that Oxenberg's Diana was too constantly about to snap, lacking Diana's earlier girlishness and her later elegance.[1]
Notes
^ abcdefghijklVariety, December 11, 1992, reprinted in Variety Television Reviews 1991-1992 (Taylor & Francis, 1994), p. 474
^ abcdefghijklmnopqrstuvwxyzAlvin H. Marill, Movies Made for Television, 1964–2004, Vol. 3, 1990–1999 (Scarecrow Press, 2005), p. 74