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Sayan Yavuz Plak CBS Disques / Grammofoonplaten SABV Türküola Emre Plak
Musical artist
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Mehmet Barış Manço (born Tosun Yusuf Mehmet Barış Manço;[1][2] 2 January 1943 – 1 February 1999), better known by his stage name Barış Manço, was a Turkishrock musician, singer, composer, actor, television producer and show host.[3] Beginning his musical career while attending Galatasaray High School, he was a pioneer of rock music in Turkey and one of the founders of the Anatolian rock genre. Manço composed around 200 songs and is among the best-selling Turkish artists to date and the winner of the most awards. Many of his songs were translated into other languages including English, French, Japanese, Greek, Italian, Bulgarian, Romanian, Persian, Hebrew, Urdu, Arabic, and German.[4] Through his TV programme, 7'den 77'ye (From 7 to 77), Manço travelled the world and visited many countries.[5] He remains one of Turkey's most popular public figures long after his death.
Early life and career
Barış Manço was born in Üsküdar, Istanbul, Turkey on 2 January 1943. Born in Adana, his mother Rikkat Uyanık, was a famous singer in the early 1940s. His older brother, who was born during World War II, was named Savaş ("War" in Turkish) while he was named Barış ("Peace" in Turkish) by his parents to celebrate the end of the war. At birth, he was additionally named Tosun Yusuf after his deceased uncle Yusuf nicknamed Tosun (literally: Joseph the Sturdy). However, this name was erased just before he attended primary school.[1]
During his time at Galatasaray High School (and later in Şişli Terakki High School) in the 1950s he formed his first band, Kafadarlar (The Buddies), allegedly after seeing Erkin Koray's band - all students at the nearby Deutsche Schule Istanbul (İstanbul Alman Lisesi) - performing. Prof. Dr. Asaf Savaş Akat, a famous economist in Turkey, played saxophone, while guitarist Ender Enön made his own guitar because it was difficult to find a real one on the market in those years.
In 1962 and 1963, with his next band, Harmoniler (The Harmonies), he recorded cover versions of some popular American twist songs and rearrangements of Turkish folk songs in rock and roll form, thus marking the beginning of the Anatolian rock movement, a synthesis of Turkish folk music and rock. In this period, his key visual and musical influence was Elvis Presley.
After graduating from high school in 1963, he moved to Europe, traveling to Paris and Liège where he formed bands with local musicians and recorded some singles mainly in English and French but also in Turkish. Then, in 1964, he resumed his studies at the Royal Academy of Fine Arts in Liège, Belgium. He toured with his band Les Mistigris (not related to Mistigris) in Germany, Belgium, France and Turkey until 1967.
In 1967, he suffered a serious car accident, after which he started to grow his signature moustache to conceal his scar.
Frustrated by the difficulties of working with musicians from different nationalities, he formed Kaygısızlar (The Carefrees), featuring Mazhar Alanson and Fuat Güner, future members of the band MFÖ. He recorded several singles and toured with the band, both domestically and internationally, until the band members protested that they did not want to live abroad.
In 1970, he formed Barış Manço Ve... (Barış Manço and...) again with foreign musicians, to record his first hit single, Dağlar Dağlar (Mountains, Mountains!), which was a success in both Turkey and Belgium, selling over 700,000 copies. It remains one of his most popular songs.
1970s
After the success of Dağlar Dağlar, Manço recorded a couple of singles with Moğollar (The Mongols), another influential Turkish Anatolian rock band. He then decided to return to Turkey where he recorded with the reformed Kaygısızlar for a short period. In 1971, his early works were compiled under his first full-length album Dünden Bugüne (From Yesterday to Today), today commonly referred to as Dağlar Dağlar.
In 1972, he formed the legendary Kurtalan Ekspres that would accompany him until his death. While continuing to release singles, in 1975 he also released his first non-compilation LP 2023, a concept album that included many instrumental pieces.
In a last attempt to achieve international success, he released an LP simply entitled Baris Mancho (1976), a strange transcription of his name. It was mostly completed with the George Hayes Orchestra on the CBS Records label in Europe and South Africa. Although the album did not bring him the fame he was hoping for, it did top the charts in Romania and Morocco. The following year, the album was released in Turkey under the title Nick the Chopper. In 1975 he starred in the movie Baba Bizi Eversene (Father Make Us Marry), the only movie he starred in during his career. Its music is a compilation of tracks composed by Barış Manço and Kurtalan Ekspres.
From 1977 to 1980, he released three more albums in Turkey, partly consisting of compilations of older singles, namely Sakla Samanı Gelir Zamanı (1977), Yeni Bir Gün (A New Day, 1979) and 20. Sanat Yılı Disko Manço (1980), all following a similar sound to 2023. All these albums are now rarities, but most of the material is available in later compilations Ben Bilirim and Sarı Çizmeli Mehmet Ağa.
1980s
In 1981, Manço released Sözüm Meclisten Dışarı with Kurtalan Ekspres. It contained many hit songs including "Alla Beni Pulla Beni", "Arkadaşım Eşek (My Friend the Donkey", "Gülpembe (Pink Rose)", "Halhal" and "Dönence" among others. The album remains one of their most popular works and boosted Manço's popularity during the 1980s.
"Arkadaşım Eşşek" quickly grew very popular with children (the song is about rural nostalgia and was not initially intended as a children's song)[citation needed] and he went on to write many other songs primarily for children, becoming an icon among Turkish children in the 1980s and 1990s.
On the other hand, "Gülpembe", a requiem for Manço's grandmother composed by Kurtalan Ekspres bassist Ahmet Güvenç, attracted older listeners and is probably Manço's most popular song, "Dağlar Dağlar" being its only real competition.
In 1983, Estağfurullah, Ne Haddimize was released. It contained the hit songs "Halil İbrahim Sofrası (Halil İbrahim's Dinner Table)" and "Kol Düğmeleri" (Sleeve Buttons), a new version of the artist's first song. "Halil İbrahim Sofrası" exemplified Manço's typically moralistic lyrics, a rare feature in Turkish pop music.
In 1985, 24 Ayar Manço (24 Carat Manço) which included "Gibi Gibi" and a long conceptual song "Lahburger" was released. It marked the beginning of a shift in Manço's sound characterised by the heavy use of synthesisers and drum machines in contrast with older works made up of a group-oriented, rock-based sound. In subsequent years, Manço released Değmesin Yağlı Boya (1986, A Touch of Oil Paint), Sahibinden İhtiyaçtan (1988) and Darısı Başınıza (1989), all containing a couple of hit songs and demonstrating his new sound.
7'den 77'ye and 1990s
Cameraman Erkan Umut and Barış Manço in Teotihuacan, Mexico in 1998Barış Manço Museum
In 1988, 7'den 77'ye (From 7 to 77), a TV show directed and presented by Manço, began to run on TRT 1, the Turkish state television channel. It was a combined music, talk show, and documentary programme which was a major hit during the eight years it was on air. Manço traveled to almost 150 countries for the show. "Adam Olacak Çocuk (The Child Will Become A Man)", a section of the show dedicated to children, strengthened Manço's popularity among younger audiences.
Although his fame continued in the 1990s thanks to the success of his TV show, which was popular with all age groups, his music in this period was not as successful as it had been in previous decades. The albums Mega Manço (1992, Great Manço) and Müsadenizle Çocuklar (1995) were considered the weakest offerings of his career despite the limited success of the 1992 children's hit Ayı (The Bear). On the other hand, in 1995 he toured in Japan with Kurtalan Ekspres, which leding to Live In Japan (1996), his only live album. He released two albums in that country and gained recognition as "the man who writes songs about vegetables", referring to "Domates, Biber, Patlıcan" ("Tomato, Pepper, Aubergine") and "Nane, Limon Kabuğu" (Mint, Lemon Rind), two of his hit songs from the 1980s.
On 1 February 1999, Barış Manço died of a sudden heart attack before the release of his newly completed last work Mançoloji (Mançology or Manchology) (1999), a double album containing new recordings of his hit songs along with an unfinished instrumental song "40. Yıl" (The 40th Year), celebrating his 40th year in music. His sudden death caused almost unanimous shock in Turkey with millions of people mourning and tens of thousands of people attending his funeral.
Barış Manço was one of Turkey's most influential pop musicians. In his early career he and his different bands contributed to the Turkish rock movement by combining traditional Turkish folk music with rock influences, which is still one of the main characteristics of many of modern Turkish pop music.
His image, featuring long hair, a moustache and several outsized rings, moderated the reaction of otherwise conservative Turkish public opinion.
Manço pioneered the progressive rock-influenced Anatolian rock movement of the 1970s and his experimentation with electronic instruments a decade later contributed to the sound of Turkish popular music in the 1990s.
His lyrics, covering diverse themes[7] but mostly presenting a somewhat modernised version of the "aşık" (wandering folk poets) tradition, were marginal to the pop music scene of the 1980s which was mostly dominated by love songs.
In 2002, a tribute album was released under the name Yüreğimdeki Barış Şarkıları ("Songs of Barış (Peace) In My Heart"), featuring fifteen popular Turkish artists from such diverse genres as arabesque, and pop and rock (both Anatolian and western style), demonstrating his wide range of influences.
^Variety's Film Reviews 1985–1986 (Vol 19) by R R Bowker Publishing, ISBN978-0-8352-2799-5
^"Baris Manco". Light Millennium. Retrieved 8 January 2011.
^M. Ali Eren; Muhsin Öztürk (6 February 1999). "Türkiye Barış'ı arıyor" (in Turkish). Aksiyon Dergisi. Archived from the original on 9 December 2015. Retrieved 29 April 2010.
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