^Electronica, Dance and Club Music. Routledge. 5 July 2017 [May 31, 2024]. ISBN 978-1-351-56854-8. ... eurodisco emerged in the mid - 70s and revolved around a simplifica- tion of early disco's polyrhythmic percussion , which it reduced to a pound- ing bass beat ...
^Wodtke, Larissa. Dance-Punk. Bloomsbury Publishing. 6 April 2023 [2024-06-20]. ISBN 9781501381874. （原始内容存档于2024-06-20） –通过Google Books. ... instead of coming from Eurodisco strongholds in Germany, Italy, or France, the best imports right now are from England...
^Kuligowski, Waldemar; Poprawski, Marcin. Festivals and Values Music, Community Engagement and Organisational Symbolism. Springer International Publishing. 27 November 2023 [2024-06-20]. ISBN 9783031397523. （原始内容存档于2024-06-20） –通过Google Books. disco polo , a musical genre combining influences from Italian and German eurodisco and Belarusian , Ukrainian and Balkan folk melodies , with kitsch lyrics mainly about ( heterosexual ) love ( Socha 2020 ).
^Ellis, Iain. Rebels Wit Attitude Subversive Rock Humorists. Soft Skull Press. 29 October 2008 [2024-06-20]. ISBN 9781593763350. （原始内容存档于2024-06-20） –通过Google Books. ... Fischerspooner and Chilly Gonzales have also embraced the "electroclash" style-a camp mutation of Euro-disco and new wave-as the vehicle for their own campaigns of identity fluidity...
^Morley, David; Ang, Ien. Cultural Studies. Taylor & Francis. 3 August 2005 [2024-06-20]. ISBN 9781134957927. （原始内容存档于2024-06-20） –通过Google Books. Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too.[...] Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs.
^Hasselhoff, David; Thompson, Peter. Don't Hassel the Hoff The Autobiography. St. Martin's Press. 15 May 2007. ISBN 9781429901062 –通过Google Books. Simon invited me to work with Stock, Aitken and Waterman, Britain's biggest hit-makers of the 1980s whose work favoured a high-spirited blend of pop music and Hi-NRG, a high-tech version of Euro-disco. I checked into the Piccadilly Hotel
^Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017 [2024-06-20]. ISBN 9783110423549. （原始内容存档于2024-06-12） –通过Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder.
^Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017 [2024-06-20]. ISBN 9783110423549. （原始内容存档于2024-06-12） –通过Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder.
^Ellen Koskoff, Ellen. The Garland Encyclopedia of World Music The United States and Canada · Volume 3. Taylor & Francis. 25 September 2017 [2024-06-20]. ISBN 9781351544146. （原始内容存档于2024-06-20） –通过Google Books. Rhythm and blues disco was joined by Eurodisco, a style from the continent that relied largely on synthesized instrumentation and effects. Lacking the footing in the rhythm and blues idioms that carried American disco, Eurodisco sounded more purely electronic, often more futuristic. Some tunes
^Reynolds, Simon. Bring the Noise 20 Years of Writing About Hip Rock and Hip Hop. Soft Skull Press. 24 May 2011 [2024-06-20]. ISBN 9781593764609. （原始内容存档于2024-06-20） –通过Google Books. The 'funkless' accusation is pretty incontestable. It goes back to Giorgio Moroder, whose productions for Donna Summer pioneered the first all-electronic dance music: Eurodisco.
^Christopher, David. British Culture An Introduction. Routledge. 1999 [2024-06-20]. ISBN 9780415220538. （原始内容存档于2024-06-20） –通过Google Books. Around 1977 the German producer Giorgio Moroder popularised an infectious, rhythmical, electronic dance music (later known as 'Euro disco') through the music of the American vocalist Donna Summer.
^David Bowie Made Me Gay: 100 Years of LGBT Music. 2017 [29 August 2023]. （原始内容存档于2024-06-03）. The influence of Eurodisco was soon felt in America, where Moroder provided Blondie with their biggest US chart hit ('Call Me'), and Laura Brannigan would also hit Number One with a cover of the Italian pop hit 'Gloria'.
