This article or section is currently being expanded by an editor. You are welcome to help in expanding too. If this page has not been changed in several days, please remove this template. This article was last edited by Ferien (talk  | contribs) 2 days ago.

Ferien has asked for quick deletion of this article. The reason for asking for deletion is: A7 (The article is clearly AI-generated.) %5B%5BWP%3AQD%23A7%7CQD+A7%5D%5D%3A+The+article+is+clearly+AI-generated If you think this article should not be deleted, please add {{Wait}} below this message, and then say why on this article's talk page. Please do not remove this notice from pages that you have created yourself. Administrators, remember to check what links here, the page history (last edit), and the page log, before deletion. (Tagged since 13:49, 12 August 2026 (UTC))

Toibi Leima (ꯇꯣꯏꯕꯤ ꯂꯩꯃ) was a princess of the Luwang dynasty in ancient Kangleipak (early Manipur). She was the wife of King Thangyi Taobung Khongdouba of the Chenglei dynasty. Her story is told in the historical-mythological classical Meitei language text Chengleiron, one of the earliest known literary works of Manipur. She is remembered for her grace, suffering, and eventual recovery, and her life illustrates the emotional and social experiences of royal women in ancient Meitei literature (early Manipuri literature).^[1][2][3]

Toibi Leima was born into the Luwang royal family, one of the ruling classes in the ancient principalities of Manipur. As a princess, her marriage to Thangyi Taobung Khongdouba, a member of the Chenglei dynasty, was a political alliance between two prominent royal families. She gave birth to two sons with Khongdouba, continuing the Chenglei royal bloodline.^[1][2][3]

After becoming a mother, Toibi Leima fell seriously ill with a disease that reportedly altered her appearance. Instead of caring for her, her husband Khongdouba neglected her. She returned to her parental home for treatment and healing. Her illness and exile from her husband’s household show the challenges faced by women in traditional royal society, particularly during times of personal hardship.^[1][3]

Over time, Toibi Leima recovered from her illness and regained her youthful beauty. During a hunting trip, her husband unexpectedly saw her again and was deeply moved by her appearance. Despite their past, he forcibly brought her back with the help of a crafty servant, using cunning rather than reconciliation.^[1][3]

This incident is known for its emotional complexity, themes of abandonment, resilience, beauty, and power dynamics in marriage. It is also notable for showing the psychological depth of both characters, Toibi Leima’s quiet endurance and Khongdouba’s remorseful desire to reclaim her.^[1][3]

Toibi Leima’s story is one of the most human-centered episodes in Chengleiron, which otherwise shows legendary and mythical themes. Her experience contrasts with the superhuman feats of characters like Chingjen Naran Panganba and shows the emotional depth of women’s roles in ancient Manipuri society.^[1][3]

The writer of Chengleiron describes her suffering and recovery with sympathy and detail, showing a rare sensitivity to female experience. This portrayal adds literary richness to the text and shows early Manipuri storytelling’s attention to emotional and moral complexity.^[1][3]

• Yaoreima
• Haoreima
• List of Meitei princesses
• List of Khuman queens
• Meitei queens of Tripura
• Meitei goddesses