| Imagem |
Título |
Data |
Dimensões |
Colecção
|
 |
Cristo Carregando a Cruz (Christ Carrying the Cross) |
1505 |
&0000000000000068.20000068,2 × 88.3 cm |
Scuola Grande di San Rocco (Veneza). Também atribuida a Giorgione.
|
 |
Maria e Jesus (Madonna and Child) |
1508 !c. 1508 |
&0000000000000045.00000045 × 55 cm |
Metropolitan Museum of Art (Nova Iorque)
|
 |
Retrato de um Homem (Portrait of a Man/ A Man with a Quilted Sleeve) |
1508–1510 !c. 1508–1510 |
&0000000000000081.20000081,2 × 66.3 cm |
National Gallery (Londres)
|
 |
Retrato de uma Senhora (A Schiavona) (Portrait of a Lady (La Schiavona)) |
1509–1510 !c. 1509–1510 |
&0000000000000117.000000117 × 97 cm |
National Gallery (Londres)
|
 |
Concerto Campestre (Pastoral Concert) |
1510 !c. 1510 |
&0000000000000118.000000118 × 138 cm |
Louvre, Paris. Também atribuido a Giorgione.
|
 |
Retrato de um Homem com Barrete Vermelho (Portrait of a Man in a Red Cap) |
1510 !c. 1510 |
&0000000000000082.00000082 × 71 cm |
Frick Collection, Nova Iorque
|
 |
S. Marcos Entronizado (St. Mark Enthroned) |
1510/11 |
&0000000000000218.000000218 × 149 cm |
Santa Maria della Salute (Veneza)
|
 |
Milagre do Marido Ciumento (Miracle of the Jealous Husband) |
1511 |
&0000000000000340.000000340 × 207 cm |
Scuola di Sant'Antonio, Pádua
|
 |
Milagre do Filho Irascível (Miracle of the Irascible Son) |
1511 |
&0000000000000340.000000340 × 207 cm |
Scuola di Sant'Antonio, Pádua
|
 |
Milagre do Recém-Nascido (Miracle of the Newborn Infant) |
1511 |
&0000000000000340.000000340 × 355 cm |
Scuola di Sant'Antonio, Pádua
|
 |
Não me toque (Noli me tangere) |
1511–1515 !c. 1511–1515 |
&0000000000000109.000000109 × 91 cm |
National Gallery (Londres)
|
 |
Mulher com Espelho (Woman with a Mirror) |
1511–1515 !c. 1511–1515
|
&0000000000000096.00000096 × 76 cm |
Louvre (Paris)
|
 |
As Três Idades do Homem (The Three Ages of Man) |
1512 !c. 1512 |
&0000000000000106.000000106 × 182 cm |
National Gallery of Scotland (Edimburgo)
|
 |
Maria e o Filho (Maria Cigana) (Madonna and Child /"The Gypsy Madonna") |
1512 !c. 1512 |
&0000000000000065.80000065,8 × 83.8 cm |
Kunsthistorisches Museum (Viena)
|
 |
Sagrada Conversa de Balbi ou Maria e o Filho com S. Catarina, S. Domingos e o Dador (Balbi Holy Conversation, Madonna and Child with Sts. Catherine and Dominic and a Donor) |
1512 !c. 1512-1514 |
&0000000000000130.000000130 × 185 cm |
Fondazione Magnani-Rocca, Traversetolo
|
 |
Retrato de Jacopo Sannazaro (Portrait of Jacopo Sannazaro) |
1514–1518 !c. 1514–1518 |
&0000000000000085.70000085,7 × 72.7 cm |
Royal Collection, Reino Unido
|
 |
Flora |
1515 !c. 1515 |
&0000000000000079.00000079 × 63 cm |
Uffizi (Florença)
|
 |
Retrato de um Homem (Portrait of a Man) |
1515 !c. 1515 |
&0000000000000050.00000050 × 45 cm |
Metropolitan Museum of Art (Nova Iorque)
|
 |
Salomé (Salome) |
1515 !c. 1515 |
&0000000000000090.00000090 × 72 cm |
Galeria Doria Pamphilj (Roma)
|
 |
Maria das Cerejas (Kirschenmadonna) |
1515 !c. 1515 |
&0000000000000081.00000081 × 99.5 cm |
Kunsthistorisches Museum (Viena)
|
 |
Vaidade (Vanity) |
1515 !c. 1515 |
&0000000000000097.00000097 × 81 cm |
Alte Pinakothek (Munique)
|
 |
Violante (Violante) |
1515–1516 !c. 1515–1516 |
&0000000000000064.50000064,5 × 51 cm |
Kunsthistorisches Museum (Viena)
|
 |
Homem Desconhecido com Chapéu Preto com Plumas (An Unknown Man in a Black Plumed Hat) |
1515–1520 !c. 1515–1520 |
&0000000000000070.50000070,5 × 63 cm |
Petworth House (Petworth)
|
 |
Amor Sagrado e Amor Profano (Sacred and Profane Love) |
1515–1516 !c. 1515–1516 |
&0000000000000118.000000118 × 279 cm |
Galleria Borghese (Roma)
|
 |
Tribute Money !O Dinheiro do Tributo (The Tribute Money) |
1516 !c. 1516 |
&0000000000000075.00000075 × 56 cm |
Gemäldegalerie Alte Meister, Dresden
|
 |
Assunção da Virgem (Assumption of the Virgin) |
1516–1518 !c. 1516–1518 |
&0000000000000690.000000690 × 360 cm |
Basílica de Santa Maria Gloriosa dei Frari (Veneza)
|
 |
O Bacanal dos Andros (The Bacchanal of the Andrians) |
1518–1519 !c. 1518–1519 |
&0000000000000175.000000175 × 193 cm |
Museu do Prado (Madrid)
|
 |
A Adoração de Vénus (The Worship of Venus) |
1518–1520 |
&0000000000000172.000000172 × 175 cm |
Museu do Prado (Madrid)
|
 |
A Anunciação de Malchiostro (Malchiostro Annunciation) |
1520 !c. 1520 |
&0000000000000210.000000210 × 176 cm |
Catedral de Treviso, Treviso
|
 |
Retrato de Vincenzo Mosti (Portrait of Vincenzo Mosti) |
1520 !c. 1520 |
&0000000000000085.00000085 × 67 cm |
Galleria Palatina, Florença
|
 |
Altar de Gozzi (Gozzi Altarpiece) |
1520 |
&0000000000000312.000000312 × 215 cm |
Pinacoteca civica Francesco Podesti, Ancona
|
 |
Políptico de Averoldi (Averoldi Polyptych) |
1520–1522 !c. 1520–1522 |
&0000000000000278.000000278 × 292 cm |
Santi Nazaro e Celso (Bréscia)
|
 |
Vénus saindo do Mar (Venus Anadyomene, ou Venus rising from the sea) |
1520 !c. 1520 |
&0000000000000073.60000073,6 × 58.4 cm |
National Gallery of Scotland (Edimburgo)
|
 |
Ressurreição (Painel central do políptico de Averoldi) (Altarpiece of the Resurrection - Center panel of the Averoldi Polyptych) |
1520–1522 !c. 1520–1522 |
&0000000000000278.000000278 × 122 cm |
Santi Nazaro e Celso (Bréscia)
|
 |
Baco e Ariadne (Bacchus and Ariadne) |
1522–1523 !c. 1522–1523 |
&0000000000000175.000000175 × 190 cm |
National Gallery (Londres)
|
 |
Homem com uma Luva (Man with a Glove) |
1520–1523 !c. 1520–1523 |
&0000000000000100.000000100 × 89 cm |
Louvre (Paris)
|
 |
O Sepultamento (The Entombment) |
1523–1525 !c. 1523–1525 |
&0000000000000148.000000148 × 225 cm |
Louvre (Paris)
|
 |
Maria de Pesaro (Pesaro Madonna) |
1519–1526 !c. 1519–1526 |
&0000000000000478.000000478 × 268 cm |
Basílica de Santa Maria Gloriosa dei Frari (Veneza)
|
 |
Retrato de Frederico II Gonzaga (Portrait of Federico II Gonzaga) |
1525–1528 !c. 1525–1528 |
&0000000000000125.000000125 × 99 cm |
Museo del Prado (Madrid)
|
 |
A Senhora do Coelho/Maria e Jesus com Sta. Catarina e um Coelho (The Madonna of the Rabbit/Madonna and Child with St. Catherine and a Rabbit) |
1530 |
&0000000000000071.00000071 × 85 cm |
Louvre (Paris)
|
 |
Alegoria Conjugal (em francês: Allégorie Conjugale; Allégorie de la séparation; Allégorie d'Alphonse d'Avalos; Allégorie de la Foi; Allégorie de l'Espérance; Allégorie de l'Amour) |
1530-1535 !c. 1530-1535 |
&0000000000000123.000000123 × 107 cm |
Louvre (Paris)
|
 |
Retrato de Giacomo Dolfin (Portrait of Giacomo Dolfin) |
1531–1532 !c. 1531–1532 |
&0000000000000101.000000101 × 88 cm |
Los Angeles County Museum of Art (LACMA)
|
 |
Maria e Jesus com S. João Baptista e Sta. Catarina (A Senhora de Aldobrandini) (Madonna and Child with Saint John the Baptist and Saint Catherine - The Aldobrandini Madonna) |
1532 !c. 1532 |
&0000000000000100.600000100,6 × 142.2 cm |
National Gallery (Londres)
|
 |
Retrato de Carlos V com um Cão (Portrait of Charles V with a Dog) |
1532–1533 !c. 1532–1533 |
&0000000000000192.000000192 × 111 cm |
Museu do Prado (Madrid)
|
 |
Madalena Penitente (The Penitent Magdalene) |
1531–1533 !c. 1531–1533 |
&0000000000000085.00000085 × 68 cm |
Palazzo Pitti (Florença)
|
 |
A Apresentação da Virgem no Templo (The Presentation of the Virgin at the Temple) |
1534–1538 !c. 1534–1538 |
&0000000000000345.000000345 x 775 cm |
Gallerie dell'Accademia (Veneza)
|
 |
Retrato de Isabel d'Este (Portrait of Isabella d'Este) |
1534–1536 !c. 1534–1536 |
&0000000000000102.000000102 × 64 cm |
Kunsthistorisches Museum (Viena)
|
 |
Rapariga numa Pele (Girl in a Fur) |
1535 !c. 1535 |
&0000000000000095.00000095 × 63 cm |
Kunsthistorisches Museum (Viena)
|
 |
A Ceia em Emaus (The Supper at Emmaus) |
1535–1540 !c. 1535–1540 |
&0000000000000169.000000169 × 244 cm |
Louvre (Paris)
|
 |
A Bela (La Bella) |
1536 |
&0000000000000100.000000100 × 75 cm |
Palazzo Pitti (Florença)
|
 |
Retrato de uma Jovem com Chapéu com Pluma (Portrait of a Young Woman with Feather Hat) |
1536 !c. 1536 |
&0000000000000097.00000097 × 75 cm |
Hermitage (São Petersburgo)
|
 |
Retrato de Francisco Maria I, Duque de Urbino (Portrait of Francesco Maria I della Rovere, Duke of Urbino) |
1536–1538 !c. 1536–1538 |
&0000000000000114.300000114,3 × 100 cm |
Uffizi (Florença)
|
 |
Retrato de Pietro Aretino (Portrait of Pietro Aretino) |
1537 !c. 1537 |
&0000000000000102.000000102 × 86 cm |
Frick Collection, Nova Iorque
|
 |
Retrato de Leonor Gonzaga, Duquesa de Urbino (Portrait of Eleonora Gonzaga, Duchess of Urbino) |
1538 |
&0000000000000114.000000114 × 102.2 cm |
Uffizi (Florença)
|
 |
Vênus de Urbino (Venus of Urbino) |
1538 |
&0000000000000119.000000119 × 165 cm |
Uffizi (Florença)
|
 |
Retrato do Cardeal Pietro Bembo (Portrait of Cardinal Pietro Bembo) |
1540 |
&0000000000000094.30000094,3 × 76.5 cm |
National Gallery of Art (Washington, D.C.)
|
 |
Retrato do Doge Andrea Gritti (Portrait of Doge Andrea Gritti) |
1540 |
&0000000000000133.300000133,3 × 103.2 cm |
National Gallery of Art (Washington, D.C.)
|
 |
Alfonso d'Avalos discursa às Tropas (Alfonso d'Avalos Addressing his Troops) |
1540–1541 !c. 1540–1541 |
&0000000000000223.000000223 × 165 cm |
Museu do Prado (Madrid)
|
 |
Retrato de Clarissa Strozzi (Portrait of Clarissa Strozzi) |
1542 |
&0000000000000115.000000115 × 98 cm |
Gemäldegalerie, Berlim
|
 |
A Coroação com Espinhos (The Crowning with Thorns) |
1542–1544 !c. 1542–1544 |
&0000000000000303.000000303 × 180 cm |
Louvre (Paris)
|
 |
Retrato de um Jovem Inglês (Portrait of a Young Englishman) |
1540–1545 !c. 1540–1545 |
&0000000000000111.000000111 × 93 cm |
Palazzo Pitti (Florença)
|
 |
Retrato de Ranuccio Farnese (cardeal) (Portrait of Ranuccio Farnese (cardinal)) |
1542 |
&0000000000000089.70000089,7 × 73.6 cm |
National Gallery of Art (Washington, D.C.)
|
 |
Retrato do Papa Paulo III (Portrait of Pope Paul III) |
1543 |
&0000000000000108.000000108 × 80 cm |
Museo di Capodimonte (Nápoles)
|
 |
Ecce Homo |
1543 |
&0000000000000242.000000242 × 361 cm |
Kunsthistorisches Museum (Viena)
|
 |
Caim matando Abel (Cain Slaying Abel) |
1543–44 |
&0000000000000292.100000292,1 × 280.0 cm |
Santa Maria della Salute (Veneza)
|
 |
David e Golias (David and Goliath) |
1543–44 |
&0000000000000292.100000292,1 × 281.9 cm |
Santa Maria della Salute (Veneza)
|
 |
Retrato de Pietro Aretino (Portrait of Pietro Aretino) |
1545 !c. 1545 |
&0000000000000098.00000098 × 78 cm |
Palazzo Pitti (Florença)
|
 |
Papa Paul III e os seus Netos (Pope Paul III and his Grandsons) |
1546 |
&0000000000000210.000000210 × 174 cm |
Museo di Capodimonte (Nápoles)
|
 |
Danaë - uma de pelo menos quatro versões por Ticiano (Danaë - one of at least four versions) |
1546 |
&0000000000000120.000000120 × 172 cm |
Museo di Capodimonte (Nápoles)
|
 |
Retrato da Família Vendramin (Portrait of the Vendramin Family) |
1547 |
&0000000000000206.000000206 × 301 cm |
National Gallery (Londres)
|
 |
Retrato Equestre de Carlos V (Equestrian Portrait of Charles V) |
1548 |
&0000000000000332.000000332 × 279 cm |
Museu do Prado (Madrid)
|
 |
Retrato de Carlos V Sentado (Portrait of Charles V Seated) |
1548 |
&0000000000000205.000000205 × 122 cm |
Alte Pinakothek (Munique)
|
 |
Retrato de Isabel de Portugal (Portrait of Isabella of Portugal) |
1548 |
Museu do Prado (Madrid)
|
 |
Vénus e Música (Venus and Music) |
1548 |
&0000000000000148.000000148 × 217 cm |
Museu do Prado (Madrid)
|
 |
Retrato de Johann Friedrich von Sachsen derrotado por Carlos V (Portrait of Johann Friedrich von Sachsen defeated by Charles V) |
1548 |
&0000000000000129.000000129 × 93 cm |
Museu do Prado (Madrid)
|
 |
A Punição de Tício (The Punishment of Tythus) |
1549 |
&0000000000000253.000000253 × 217 cm |
Museu do Prado (Madrid)
|
 |
Sísifo (Sisyphus) |
1549 |
&0000000000000237.000000237 × 216 cm |
Museu do Prado (Madrid)
|
 |
S. João das Esmolas (Saint John the Almoner) |
1549 !c. 1549 |
&0000000000000229.000000229 × 156 cm |
Igreja de San Giovanni Elemosinario (Veneza)
|
 |
A Queda do Homem (The Fall of Man) |
1550 !c. 1550 |
&0000000000000240.000000240 × 186 cm |
Museu do Prado (Madrid)
|
 |
Mãe Angustiada (Mater Dolorosa) |
1550 |
&0000000000000068.00000068 × 61 cm |
Museu do Prado (Madrid)
|
 |
Retrato de João Frederico I da Saxônia (Portrait of Johann Friedrich von Sachsen) |
1550 |
&0000000000000103.500000103,5 × 83 cm |
Kunsthistorisches Museum (Viena)
|
 |
Vénus e o Organista (Venus and the Organ Player) |
1550 !c. 1550 |
&0000000000000115.000000115 × 280 cm |
Gemäldegalerie, Berlim
|
 |
Cavaleiro de Malta com um relógio (Knight of Malta with a watch |
1550 !c. 1550 |
&0000000000000122.000000122 × 101 cm |
Museu do Prado (Madrid)
|
 |
S. Jerónimo em Penitência (Saint Jerome in Penitence |
1550–1560 |
&0000000000000255.000000255 × 125 cm |
Pinacoteca di Brera (Milão)
|
 |
Filipe II em Armadura (Phillip II in Armour) |
1551 |
&0000000000000193.000000193 × 111 cm |
Museu do Prado (Madrid)
|
 |
Retrato do Cardeal Cristoforo Madruzzo (Portrait of Cardinal Cristoforo Madruzzo) |
1552 |
&0000000000000230.000000230 x 131 cm |
Museu de Arte de São Paulo (São Paulo)
|
 |
Santíssima Trindade (The Holy Trinity (La Gloria)) |
1551–1554 |
&0000000000000346.000000346 × 240 cm |
Museu do Prado (Madrid)
|
 |
Vénus e Adónis (Venus and Adonis) |
1553–1554 |
&0000000000000186.000000186 × 207 cm |
Museu do Prado (Madrid)
|
 |
Mater Dolorosa com Mãos Abertas (Mater Dolorosa with Open Hands) |
1554 |
&0000000000000068.00000068 × 53 cm |
Museu do Prado (Madrid)
|
 |
Danaë e a Chuva de Ouro (Danaë and the Shower of Gold) |
1554 |
&0000000000000128.000000128 × 178 cm |
Museu do Prado (Madrid)
|
 |
Perseus e Andrómeda (Perseus and Andromeda) |
1554–1556 !c. 1554–1556 |
&0000000000000175.000000175 × 189 cm |
Coleção Wallace (Londres)
|
 |
Retrato de Cristina da Dinamarca (Portrait of Queen Christina of Denmark) |
1555–1556 !c. 1555–1556 |
&0000000000000112.000000112 × 83 cm |
National Museum of Serbia (Belgrado)
|
 |
Vénus com um Espelho (Venus with a Mirror) |
1555 !c. 1555 |
&0000000000000124.500000124,5 × 105.5 cm |
National Gallery of Art (Washington, D.C.)
|
 |
Vénus e Adónis (Venus and Adonis) |
1555 !c. 1555 |
&0000000000000106.000000106 × 133 cm |
Metropolitan Museum of Art (Nova Iorque)
|
 |
Filippo Archinto, Arcebispo de Milão (Filippo Archinto, Archbishop of Milan) |
1555 !c. 1555 |
&0000000000000118.000000118 × 94 cm |
Metropolitan Museum of Art (Nova Iorque)
|
 |
Vénus e o Tocador de Alaúde (Venus and the Lute Player) |
1555-1565 !c. 1555–1565 |
&0000000000000150.000000150 × 196 cm |
Fitzwilliam Museum (Cambridge)
|
 |
Diana e Acteon (Diana and Actaeon) |
1556–1559 |
&0000000000000190.300000190,3 × 207 cm |
National Gallery (London)/ National Gallery of Scotland (Edimburgo)
|
 |
Crucificação Crucifixion |
1558 |
&0000000000000371.000000371 × 197 cm |
Church of San Domenico, Ancona
|
 |
O Martírio de S. Lourenço (The Martyrdom of Saint Lawrence) |
1559 |
&0000000000000500.000000500 × 280 cm |
Chiesa di Santa Maria Assunta (Veneza)
|
 |
Diana e Calisto (Diana and Callisto) |
1559 |
&0000000000000187.000000187 × 205 cm |
National Gallery (Londres) / National Gallery of Scotland (Edimburgo)
|
 |
O Sepultamento (The Entombment) |
1559 |
&0000000000000137.000000137 × 175 cm |
Museu do Prado (Madrid)
|
 |
O Rapto de Europa (The Rape of Europa) |
1559–1562 |
&0000000000000185.000000185 × 205 cm |
Isabella Stewart Gardner Museum (Boston)
|
 |
Anunciação (Annunciation) |
1559–1564 |
&0000000000000410.000000410 × 240 cm |
Igreja de S. Salvador (Veneza)
|
 |
A Morte de Acteon (The Death of Actaeon) |
1559–1575 !c. 1559–1575 |
&0000000000000178.400000178,4 × 198.1 cm |
National Gallery (Londres)
|
 |
Salomé (Salome) |
1560 !c. 1560 |
&0000000000000087.00000087 × 80 cm |
Museu do Prado (Madrid)
|
| Ficheiro:VenereAdoneRoma.jpg |
Vénus e Adónis (Venus and Adonis) |
1560 !c. 1560 |
&0000000000000187.000000187 × 184 cm |
Galleria Nazionale d'Arte Antica (Roma)
|
 |
Maria e Jesus com S. Lucas e S. Catarina de Alexandria (Madonna and Child with Saints Luke and Catherine of Alexandria) |
1560 !c. 1560 |
&0000000000000127.800000127,8 × 169.7 cm |
(Bought by a private bidder on 28 January 2011)
|
 |
Autorretrato (Self-portrait) |
1560–1562 !c. 1560–1562 |
&0000000000000096.00000096 × 72 cm |
Gemäldegalerie, Berlim
|
 |
O Dinheiro do Tributo (The Tribute Money) |
1560–1568 !c. 1560–1568 |
&0000000000000112.200000112,2 x 103.2 cm |
National Gallery (Londres)
|
 |
Madalena Penitente (The Penitent Magdalene) |
1565 !c. 1565 |
&0000000000000118.000000118 × 97 cm |
Hermitage Museum (S. Petersburgo)
|
 |
Alegoria da Prudência (Allegory of Prudence) |
1565–1570 !c. 1565–1570 |
&0000000000000076.20000076,2 × 68.6 cm |
National Gallery (Londres)
|
 |
Vénus e o Tocador de Alaúde (Venus and the Lute Player) |
1565-1570 !c. 1565-1570 |
&0000000000000165.000000165 × 209 cm |
Metropolitan Museum of Art (Nova Iorque)
|
 |
O Sepultamento (The Entombment) |
1566 |
&0000000000000130.000000130 × 168 cm |
Museu do Prado (Madrid)
|
 |
Auto-retrato (Self-portrait) |
1567 !c. 1567 |
&0000000000000086.00000086 × 65 cm |
Museu do Prado (Madrid)
|
 |
Retrato de Jacopo Strada (Portrait of Jacopo Strada) |
1567–1568 !c. 1567–1568 |
&0000000000000125.000000125 × 95 cm |
Kunsthistorisches Museum (Viena)
|
 |
Tarquínio e Lucrécia (1570) (Tarquinius and Lucretia - 1570) |
1571 |
&0000000000000190.000000190 × 143 cm |
Museu de Belas Artes de Bordéus (Bordéus)
|
 |
Tarquínio e Lucrécia (1571) (Tarquinius and Lucretia - 1571) |
1571 |
&0000000000000189.000000189 × 145 cm |
Fitzwilliam Museum (Cambridge)
|
 |
O Castigo de Marsias (Punishment of Marsyas) |
1570 !c. 1570-1576 |
&0000000000000212.000000212 × 207 cm |
National Museum, Kroměříž, República Checa
|
 |
Ninfa e Pastor (Nymph and Shepherd) |
1570–1576 !c. 1570–1576 |
&0000000000000149.700000149,7 × 187 cm |
Kunsthistorisches Museum (Viena)
|
 |
Pietà |
1570–1576 !c. 1570–1576 |
&0000000000000351.000000351 × 389 cm |
Accademia (Veneza)
|
 |
Cristo Coroado com Espinhos (Christ Crowned with Thorns) |
1570–1576 !c. 1570–1576 |
&0000000000000280.000000280 × 181 cm |
Alte Pinakothek (Munique)
|
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