Le Tombeau de Ravel

Le Tombeau de Ravel
IAB 17
Genre Musique de chambre

Tombeau

Nb. de mouvements 8
Musique Arthur Benjamin
Effectif clarinette (ou alto)

piano

Durée approximative 16 minutes
Dates de composition 1957
Dédicataire William Primrose
Création 1957 ou 1958
Wigmore Hall, Londres, Drapeau de l'Angleterre Angleterre
Interprètes Gervase de Peyer (clarinette)

Le Tombeau de Ravel, valse-caprice pour clarinette ou alto et piano, est une œuvre d'Arthur Benjamin, composée en en hommage à Maurice Ravel et à sa composition Le Tombeau de Couperin.

Le Tombeau de Ravel a été écrit en 1957 pour alto et piano, pour l'altiste écossais William Primrose. Arthur Benjamin a ensuite demandé au clarinettiste britannique Gervase de Peyer d'adapter la partie solo pour la clarinette. Comme le note le compositeur dans la préface : « Afin de rendre l'œuvre caractéristique de la clarinette ou de l'alto, on remarquera qu'il existe de nombreuses différences (dans le travail de passage surtout) entre les deux. On ne peut donc pas dire que l'une soit une transcription de l'autre ». L'œuvre a été créée par Gervase de Peyer en 1957 ou 1958 au Wigmore Hall de Londres , en Angleterre.

La partition est publiée chez Boosey & Hawkes en 1958. Il est nécessaire d'apporter quelques correctifs connus à cette édition[1].

Analyse

L'œuvre est en forme de variation, avec six valses présentant une palette brillante et variée d'humeurs. Comme son titre l'indique, on y retrouve des réminiscences du compositeur Maurice Ravel, notamment à travers son harmonie et ses effets rythmiques.

  • Introduzione: Allegro molto
  • Valse-caprice 1: Poco lento
  • Valse-caprice 2: Presto, volante
  • Valse-caprice 3: Andante, semplice
  • Valse-caprice 4: Allegro, Vigoroso
  • Valse-caprice 5: Allegretto, preciso
  • Valse-caprice 6: Lento, intimo
  • Finale: Non troppo allegro

Le Tombeau de Ravel offre des défis avec des passages délicats, des staccatos répétés et une large gamme dynamique. Il y a très peu de pauses dans la partie de clarinette, ce qui nécessite une forte endurance[1].

Albert Rice a réalisé une analyse générale de l'œuvre[2].

Enregistrements

La pièce dispose de nombreux enregistrements à la clarinette ou à l'alto.

  • Gervase de Peyer, Clarinet Recital avec Gervase de Peyer (clarinette) & Cyril Preedy (piano), enregistré à Londres en 1960, (Éloquence ELQ4822851, 2017[a])
  • Un récital de musique française , Saint-Saëns, Debussy, Benjamin, Milhaud, Poulenc avec Christian Roca (clarinette), Laurence Pellet (piano), (RP1199, 2000)

Bibliographie

  • (en) Claire Murray, Arthur Benjamin's Le Tombeau de Ravel : approaches for accurate tuning and intonation for 'Bb' clarinet (thèse Master of Arts), Université Monash, Australie, (DOI 10.26180/19544926.v1)

Notes et références

Notes

  1. « An enjoyable recital from the master clarinettist in his prime, soaring and chortling through 19th- and 20th-century delights »

    — BBC Music Magazine, 4 mai 2017

    .

Références

  1. a et b (en) « Le tombeau de Ravel » (consulté le ).
  2. (en) Albert R. Rice, Notes for Clarinetists: A Guide to the Repertoire, Oxford University Press, , 288 p. (ISBN 978-0190205249, lire en ligne).

Liens externes

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