The Guru Granth Sahib (Punjabi: ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ; [ɡʊɾuː ɡɾəntʰᵊ saːhɪbᵊ]), is the central religious text of Sikhism, considered by Sikhs to be the final sovereign Guru of the religion.[1] It contains 1430 Angs (limbs, referring to pages of the scripture[2]), containing 5,894[3][4][5] hymns of 36 saint mystics which includes Sikh gurus (6 gurus, possibly as many as 7 or 8[6][7][8][9]), Bhagats (15 bhagats), Bhatts (11 bhatts) and Gursikhs (4 gursikhs).[10] It is notable among foundational religious scriptures for including hymns from writers of other religions, namely Hindus and Muslims. It also contains teachings of the Sikh gurus themselves.
Scholars categorize the authors of the Guru Granth Sahib into four groups:[11][5]
Philosophically, Sikhs are bound to believe in Shabad Guru — the words written in the Guru Granth Sahib — but the general belief is that the Sikh gurus established Sikhism over the centuries, beginning in the year 1469. The hymns of six Sikh Gurus are in the Guru Granth Sahib:[5][10]
Whilst these six gurus are widely accepted as having their writings included in the Guru Granth Sahib, there are some who argue compositions of Guru Har Rai and Guru Gobind Singh are also included.[6][7][8][9] A Salok Mahalla Satvan (7) and Dohra Mahalla Dasvan (10) have been attributed by some to the seventh and tenth gurus, respectively.[6][7][8][9]
In the below list, the Bhagats (Punjabi: ਭਗਤ, from Sanskrit भक्त) were holy men of various sects whose teachings are included in the Guru Granth Sahib. Their bani (compositions) come under the title Bani Bhagtaan Ki. The word "Bhagat" means devotee, and comes from the Sanskrit word Bhakti, which means devotion and love. Bhagats evolved a belief in one God that preceded Kabir's selecting the writings of the great Hindu Bhaktis and Sufi saints.
The 15 Bhagat authors were:[12][11][5][10]
Many Hindu Saraswat Brahmins who started to follow the word of Guru Nanak were known as Bhatts, meaning bards. The 11 Bhatt authors were:[11][5][10]
The four Gursikhs (devoted Sikhs) were:[11][13][5][10]
Two more writers of the present recension of the Adi Granth are a matter of debate among scholars, namely Bhai Mardana and Bhatt Tall.[10]
According to different scholars:
According to a sakhi, when Guru Arjan had finished composing sixteen astpadis (cantos) of the Gauri Sukhmani composition, popularly known as Sukhmani Sahib, Sri Chand, the son of Guru Nanak, visited him. During this visit, it is said that Guru Arjan requested him to continue the composition he was compiling and complete the seventeenth canto of the Sukhmani Sahib. Sri Chand humbly recited the verse of his father following the Mul Mantar in the Japji Sahib. Thus, it became the seventeenth canto of the Sukhmani Sahib.[21][22]
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Another fact, inattention to which has been making the unwary commit serious mistakes about the authorship of the Guru-compositions is that all the six Gurus whose works are preserved in the Adi Granth, use Nanak as their nom-de-plume. The category 'A' consists of the works of six Gurus, whose names are Nanak (1469–1539), Angad (1504–1552), Amar Das (1479–1574), Ram Das (1534–1581), Arjan Dev (1563–1606) and Tegh Bahadur (1621–1675). Category 'B', comprises the Bhagats, namely, Kabir (Muslim weaver of Kashi, 1398–1495); Namdev (Calico-printer of Maharashtra; 1270–1350); Ravidas (leather-worker of Kashi, 1267–1335); Sheikh Farid (Muslim of West-Punjab, Pakistan; 1178–1271); Beni (not known); Dhana (Jat peasant of Rajasthan, b. 1415); Jaideva (Brahman of Bengal, 1201–1245); Bhikhan (Muslim of U.P. 1480–1573); Parmanand (Maharashtra, date not known), Sain (Barber from Rajasthan, 14th–15th centuries), Pipa (Rajasthan; b. 1425); Sadhana (Muslim of Sindh, Pakistan; date not known), Ramanand (Brahmin of U.P., 1366–1467) and Surdas (Brahmin of U.P., b. 1258). In category 'C' may be included the panegyrists, namely, Balwand, Kal or Kalashar, Jalap, Kirat, Bhikha, Salya, Bhalya, Nalya, Gayand, Mathura, Balya and Haribans-all Bhatts and one Dum, namely Satta, who shares the authorship of a Var with Balwand, the Bhatt. The Bhatts have written panegyrical verses in honour of the first five Gurus. Two Salokas (Adi Granth 553) of Gura Nanak in Raga Bihag are found in the name of Mardana (Musician of West Punjab 1459-1534)–Guru Nanak's companion in his odysseys.
16 The fifteen bhagats (devotional poets), whose verses have been incorporated in the Guru Granth Sahib, are Kabir, Ravidas, Sheikh Farid, Ramanand, Beni, Namdev, Sadhana, Sheikh Bhikhan, Parmanand, Sain Nayee, Dhanna, Pipa, Surdas, Jaidev and Trilochan. The bhagats belonged to the Hindu (Vaishnava) Bhakti, nirgun Bhakti or Sufi traditions, and either predated or lived during the Guru Nanak period.17 The eleven bhatts (Hindu court bards), whose verses have been incorporated in the Guru Granth Sahib, are Kalashar, Balh, Bhalh, Bhika, Gayand, Harbans, Jalap, Kirat, Mathura, Nalh and Salh. Bhai Baldeep Singh, 'What Is Kirtan?: Observations, Interventions and Personal Reflections', Sikh Formations 7, no. 3 (2011), 282 n. 13. While the Brahmin ballad singers were connected with the divine courts (darbar sahib) of the later Sikh Gurus, their verses praise the first five Sikh Gurus. The bhatt verses are collectively referred to as Bhatt Bani, which is included in the concluding section of the Guru Granth Sahib (pp. 1389-1406).18 Bhai Mardana (GGS, 553) was a Muslim rebab (bowed string instrument) musician, who accompanied Guru Nanak on his travels. Bhai Rai Balwand was a Muslim rebab musician and Satta was a Muslim drummer during the time of Guru Angad up to the time of Guru Arjan; they both sang gurbani-kirtan and composed a Ramkali var that was included in the Guru Granth Sahib (pp. 966-8). Baba Sundar was the great grandson of Guru Amar Das and grandson of Mohri, who wrote Sadu (Call of Death) (GGS, 923-4).
It is said that Baba Sri Chand, elder son of Guru Nanak and founder of the Udasi order, came to Amritsar to meet Guru Arjan, then engaged in composing the poem. The Guru who had by that time completed sixteen astpadis, or cantos, requested him to continue the composition. Baba Sri Chand, out of humility, only recited the Sloka of Guru Nanak following the Mul Mantra in the Japu- "adi sachu jugadi sachu hai bhi sach Nanak hosi bhi sachu"- In the beginning, in the primal time was He the Eternal Reality; in the present is He the Eternal Reality. To eternity shall He the Reality abide (GG, 285). This sloka was thereupon repeated by Guru Arjan at the head of the seventeenth astpadi.
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