The composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.
Fiction
The first major works of literature inspired by Mozart were by the German writers E. T. A. Hoffmann and Eduard Mörike. Hoffmann published his Don Juan in 1812,[1] Mörike his Mozart's Journey to Prague in 1856.[2]
In 1968, David Weiss published Sacred and profane: a novel of the life and times of Mozart,[4] a narrative account on the composer's life drawing heavily on the documented historical record, but with invented conversations and other details.
In modern fiction, the mystery surrounding the composer's death is explored within a popular thriller context in the 2008 novel The Mozart Conspiracy by British writer Scott Mariani,[5] who departs from the established Salieri-poisoning theory to suggest a deeper political motive behind his death.
Mozart has also featured as a sleuth in detective fiction, in Dead, Mister Mozart[6] and Too many notes, Mr. Mozart,[7] both by Bernard Bastable (who also writes as Robert Barnard). Bastable's stories involve the conceit of an alternate history scenario in which the young Mozart remained on in London at the time of his childhood visit to England, where he has lived a long – though not very prosperous – life as a hack musician, rather than returning to his native Salzburg or Vienna to die young and celebrated. The stories are set in the 1820s and have Mozart interacting with King George IV and his immediate family including the young Victoria.
Charles Neider's Mozart and the Archbooby[8] is an epistolary novel in which the young Mozart writes to his father about his new life in Vienna and his new problem, the Archbishop of Salzburg. Stephanie Cowell's Marrying Mozart: A Novel[9] provides a fictionalised account of Mozart's relationship with Aloysia Weber before his marriage to her sister, Constanze.
Mirrorshades: The Cyberpunk Anthology (1986) is a defining cyberpunk short story collection, edited by Bruce Sterling. It contains a story, the "Mozart in Mirrorshades" by Bruce Sterling and Lewis Shiner,[10] in which Mozart appears as a DJ wannabe instead of being the real Mozart after he met the people and culture of his future.
In The Amadeus Net,[11] by Mark A. Rayner, Mozart is an immortal living in the world's first sentient city, Ipolis, where he supports himself by selling "lost" compositions and playing jazz piano in bars.
The alternate history novel Time for Patriots has a trio of time travelers cure Mozart's wife of an abscess on her ankle (historically documented), which allows them to treat him when he falls ill. In consequence he does an opera based on Benjamin Franklin and composes other works until his death in 1805.
Drama
Alexander Pushkin's play Mozart and Salieri[12] is based on the supposed rivalry between Mozart and Antonio Salieri, particularly the idea that it was poison received from the latter that caused Mozart's death. This idea is not supported by modern scholarship.[13]
Peter Shaffer's 1979 play Amadeus[14] focuses on the difference between true and sublime genius (Mozart) and mere high-quality craftsmanship (Salieri). Shaffer seems to have been especially taken by the contrast between Mozart's enjoyment of vulgarity (for which historical evidence exists, in the form of his letters to his cousin) and the sublime character of his music.
In 2007, he was portrayed by John Sessions in the Doctor Who audio adventure 100 in a story that explored the ramifications of Mozart being granted immortality.[15]
In Reynaldo Hahn's "comédie musicale" Mozart with words by Guitry, Mozart has amorous adventures in Paris in 1778.
Michael Kunze's and Sylvester Levay's musical, Mozart!, premiered in 1999 to portray an older, more sensually inclined Mozart as he struggles with the spectre of his chaste and productive "porcelain" boyhood. The musical was composed in German but is currently performed in Hungarian.
The Japanese musical Mademoiselle Mozart (マドモアゼル・モーツァルト) by Yoji Fukuyama was first performed in 2005 with Niizuma Seiko; it was revived in 2023, directed by Kaoru Kobayashi with Rio Asumi as Mozart / Eliza.[28]
A Japanese musical Nigero! (『逃げろ!』~モーツァルトの台本作者 ロレンツォ・ダ・ポンテ~ ["Run!" – Mozart's librettist, Lorenzo Da Ponte]) performed in 2023 with Sato Ryuji as Mozart.[30]
A Japanese musical Da Ponte (音楽劇『ダ・ポンテ』 [Musical drama "Da Ponte"]) performed in 2023; idea by Satomi Oshima, directed by Go Aoki, with Hirama Soichi as Mozart.[31]
Peter Schickele, in his P. D. Q. Bach persona, has paid 'tribute' to Mozart in several pieces, most notably "Ein Kleines Nachtsmusik" and "A Little Nightmare Music", the latter offering a humorous retelling of Mozart's conflicts with Salieri.
Evanescence wrote a song featuring many parts of Mozart's Lacrimosa. The song was named Lacrymosa and it was recorded for their 2006 album The Open Door.
Children's literature
Children's author Daniel Pinkwater has Mozart appear as a character in several of his books, including The Muffin Fiend,[34] in which Mozart helps solve a crime involving an extraterrestrial creature who steals muffins from Vienna's bakeries.
The 2004 BBC three-part television series The Genius of Mozart by James Kent told parts of Mozart's life.[37]
Wunderkind Little Amadeus, a television show produced in Germany in 2006, focuses on Mozart's life as a child in Salzburg. It has aired in English in Australia (ABC) and North America (KQED Kids).
Mozart appears in the Genie in the House, episode "Rock Me Amadeus" (2006).
Mozart is one of the main characters in the 2016 comedy anime ClassicaLoid.
The 2024 BBC Two three-part television series Mozart: Rise of a Genius, narrated by Juliet Stevenson, tells the story of Mozart's life through his and his family's letters, interviews, re-enactments and live performances.[38]
Video games
The early music game, Amadeus Revenge (1988, Commodore 64) has the player play as Mozart to defend the integrity of his Piano Concerto No. 25 from the corrupting influence of rival musicians.[29][39][40][41]
^Boffard, Rob. "The Bluffer's Guide to Construction Software: DIY Design – Amadeus Revenge". Retro Gamer, issue 94, p. 56, September 2011. ISSN1742-3155.