Ursula Nordstrom (February 2, 1910 – October 11, 1988) was publisher and editor-in-chief of juvenile books at Harper & Row from 1940 to 1973. She is credited with presiding over a transformation in children's literature in which morality tales written for adult approval gave way to works that instead appealed to children's imaginations and emotions.[2]
She also authored the 1960 children's book, The Secret Language.[3] A collection of her correspondence was published in 1998 as Dear Genius: the Letters of Ursula Nordstrom.
Early life and education
Ursula Nordstrom was born on February 2, 1910 in New York City to vaudeville comedians Henry E. Dixey and Marie Nordstrom.[4][5] Her father was one of the most famous American actors at the time, and was roughly thirty years older than Marie Ursula Nordstrom; the pair co-starred in the play, Mary Jane's Pa and were married in 1910.[5] She was raised in Manhattan until the age of seven, when her parents divorced and she began attending Winnwood School in Lake Grove and later, Northfield Seminary in Massachusetts.[5][6] Although Nordstrom had hopes of becoming a writer and wanted to continue her education at Bryn Mawr College, she was prevented by her stepfather, Elliott R. Brown and instead took secretarial and business courses at The Scudder School for Girls.[4][7]
Career
Nordstrom was first hired at Harper & Brothers (now HarperCollins) in 1931 as a clerk in the College Textbook department.[5] In 1936, she became the assistant of Ida Louise Raymond, the director of Harper Books for Boys and Girls, who helped publish the work of Laura Ingalls Wilder and Clare Turlay Newberry.[4]
In 1940, Raymond announced her plans to adopt a child and retire; at the time, the executive leaders held the small department in low esteem and were nonplussed by Raymond's departure.[4] As her former assistant, Nordstrom was selected to replace her as the editor-in-chief of the Boys and Girls department, a position she would hold for over thirty years.[7] Immediately after accepting the position, she read Little Orphan Annie and Dick Tracy comics to familiarize herself with the things that children enjoyed.[4] In 1954, she became the first woman elected to Harper's board of directors and in 1960, the first female vice president of the company.[8][9]
In 1950, Nordstrom met Maurice Sendak, who was then working as a window decorator at F.A.O. Schwartz.[8][11] She was drawn to his "naughty" characters and the complex journeys they embarked on, and helped publish Where the Wild Things Are in 1963 after it was rejected by other publishing houses.[2][8] Nordstrom would serve as a lifelong mentor and friend to Sendak; after her death, he told The New York Times, "With her incomparable editorial genius, Ursula Nordstrom transformed the American children's book into a genuine art form."[2]
Nordstrom disliked the genteel, sentimental tone of American children's literature and sought to bring children crimes and punishments of fellow miscreants with books like Maurice Sendak's Where the Wild Things Are and Louise Fitzhugh's Harriet the Spy and The Long Secret. Her unorthodox outlook on publishing and lack of educational pedigree is best summed up by her motto “good books for bad children."[4][12] This approach often garnered criticism from other publishers and children's librarians, most notably Anne Carroll Moore of the New York Public Library.[5] Many of Nordstrom's publications featured taboo themes and subjects, such as menstruation, same-sex relationships, and racism, and continue to be the target of book ban campaigns today.[8] At some point, she was offered a "promotion" to the adult literature department of Harper, but refused due to her belief that publishing children's books was more interesting and important.[7] She was known as a stubborn but welcoming editor; she disliked both "stuffy" and babyish language, and understood the literary impact that seemingly simple texts for children could have.[5][4]
In 1957, Nordstrom edited two books that received major awards: Janice May Udry's A Tree is Nice received the Caldecott Medal, and Meindert DeJong's The Wheel on the School was awarded the Newbery Medal.[6] Another double victory occurred in 1964, when Emily Neville's It's Like This, Cat and Sendak's Where the Wild Things Are were awarded the Newbery Medal and the Caldecott Medal, respectively.[6] She is also credited with developing an innovative children's literature genre, sometimes called "concept books" or independent readers, designed for children who have just begun reading on their own.[6][7] In 1957, she introduced this genre with the I Can Read Books series.[5]
In 1960, Nordstrom published her own children's book, The Secret Language, about a young girl's experiences at a boarding school, possibly based on her own childhood.[2] The book was received positively, despite its inclusion of implicit conversations about lesbian sexuality, and was reprinted in 1988.[15] According to children's literature historian, Leonard S. Marcus, Nordstrom may have written a sequel titled The Secret Choice, but could not decide on the book's ending and ultimately burned the manuscript.[15]
Nordstrom stepped down as publisher in 1973, but continued on as senior editor with her own imprint, Ursula Nordstrom Books, until her retirement in 1979.[2][11] She was succeeded at Harper's by her protege, author Charlotte Zolotow, who began her career as Nordstrom's stenographer and to whom The Secret Language was dedicated.[5]
In 1989, she was posthumously inducted into the Publishing Hall of Fame.[7] In 1998, Nordstrom's personal correspondence was published as Dear Genius: The Letters of Ursula Nordstrom (illustrated by Maurice Sendak), edited by Leonard S. Marcus.
Personal life and death
While working at Harper, Nordstrom met her life partner, Mary Griffith.[16][7] The pair lived together in Greenwich Village for several years, before moving to Bridgewater, Connecticut after Nordstrom's retirement.
Nordstrom passed away from ovarian cancer at the age of 78 on October 11, 1988, at the New Milford Hospital in Connecticut, with Griffith at her side.[2]
Written and illustrated by 19 year old African-American author and presented a first-person account, in African-American Vernacular English (AAVE), about the main character's feelings as a foster brother[4]
Ursula Nordstrom and her accomplishments are told in Good Books for Bad Children: The Genius of Ursula Nordstrom, a biographical children's book written by Beth Kephart and illustrated by Chloe Bristol.[17]