The Violet Seller

The Violet Seller
Theatrical release poster
SpanishLa Violetera
ItalianLa bella fioraia di Madrid
Directed byLuis César Amadori
Screenplay byJesús María de Arozamena
Story by
  • Manuel Villegas López
  • Jesús María de Arozamena
  • André Tabet
Produced by
Starring
CinematographyAntonio L. Ballesteros
Edited byAntonio Ramírez de Loaysa
Music byJuan Quintero
Color processEastmancolor
Production
companies
  • Producciones Benito Perojo (Spain)
  • Vic Film (Italy)
  • Trevi Cinematográfica (Italy)
Distributed by
Release dates
  • 6 April 1958 (1958-04-06) (Spain)
  • 29 June 1959 (1959-06-29) (Italy)
Running time
108 minutes
Countries
  • Spain
  • Italy
LanguageSpanish

The Violet Seller, better known under its Spanish title La Violetera, is a 1958 Spanish–Italian historical jukebox musical film produced by Benito Perojo, directed by Luis César Amadori and starring Sara Montiel, Raf Vallone, Frank Villard, Tomás Blanco and Ana Mariscal.[1]

The film was inspired by the song "La Violetera" composed by José Padilla in 1914, with lyrics by Eduardo Montesinos, that is incarnated in the film by Montiel as Soledad, a street violets seller who, after meeting and breaking with Fernando, the love of her life, becomes a famous singer who sings the song in her concerts.[2]

The Violet Seller received excellent reviews upon its release on 6 April 1958, although some reviewers found the plot too trite and conventional. Montiel's performance was widely praised while the production and the remaining main cast received generally positive reviews. It was immensely popular in Spain and it had a wide international release making it the worldwide highest-grossing Spanish-language film made up to that point.

The film's soundtrack album garnered also excellent reviews, had a wide international release and received a Golden Disk award for the number of records sold.

Plot

Madrid. 31 December 1899. On New Year's Eve, Soledad, a street violets seller and a novice variety show singer at Salón Bolero café-concert, meets Fernando, an influential and wealthy aristocrat, at the door of the Apolo Theatre, and they immediately fall in love with each other.

Fernando is under constant pressure from his older brother Duke Don Alfonso, who reminds him of his duties, including his engagement to Countess Doña Magdalena. Even though their union is impossible due to social inequality, Fernando opposes the social norms and causes a scandal in Madrid's high society circle by moving Soledad into a luxurious apartment and announcing their engagement. Alfonso dies in a duel trying to defend Fernando's honor. Now being a Duke, feeling guilty of his brother's death and trying to obey his will, Fernando breaks up with Soledad. But, only some hours later, he realizes that he can not live without her and he returns to the apartment that she has just left to go to Paris with Henri Garnal, an important theatrical French producer that was impressed when seeing her singing that same day.

In Paris, Soledad becomes a famous singer star. Fernando marries Magdalena and leaves Spain when appointed ambassador to Brazil while Soledad gives concerts in the best theatres all around Europe accompanied by Garnal. In her debut in Madrid, Soledad and Fernando meet again, he tries to explain what happened, confesses her his love and asks her to leave with him; she confesses her love back but she eventually refuses him. When going to the United States for her debut on Broadway, Soledad survives seriously ill and Garnal dies on the sinking of the RMS Titanic. After a long recovery, having lost her singing voice, sad and lonely, she can not manage to get a job in Paris and she runs out of money.

Nearly ten years after becoming a widower, Fernando returns to Madrid, on New Year's Eve, when he is appointed to be a minister in the government. He finds Soledad at Salón Bolero, trying to make a modest come back lip-synching "La Violetera" to one of her old recordings in front of an audience, with the orchestra miming. She is stunned when she sees him, and misses her cue, but she gathers her courage and, with great effort, is able to sing in tune the song in full when the orchestra starts to play the music live. They come together in a big hug and they kiss each other while the people in the hall celebrate the New Year.

Cast

Production

Development

After the unexpected success of Montiel's singing leading role in The Last Torch Song, a low-budget musical film that became a blockbuster,[3] in June 1957 she signed with producer Benito Perojo a lavish contract to make four films in three years,[4] being the first of them The Violet Seller, a large-budget international co-production musical film that was initially intended for Carmen Sevilla.[5] Montiel retained some control over the production in regards to the songs and her wardrobe. The economic agreement was ten million pesetas[a] (US$240,000 as of 1957)[b] for four films,[9] which means that she was to receive 2.5 million pesetas (US$60,000) per film, making her the highest-paid Spanish star at a time when the highest-paid stars were netting one million pesetas (US$24,000) per film.[10] With the success of The Violet Seller, and in a contractual dispute for the next film, A Girl Against Napoleon, the agreement was improved by securing for her the twenty per cent of the producer's net revenue.[11] Many years later, she began to say that she had been paid more than US$1 million (forty-two million pesetas) for each of these films,[12] and the press widely reported it as the actual figure. On 28 September 1957, she arrived in Madrid from the United States, where she resided at the time, for the production of The Violet Seller.[13]

Jesús María de Arozamena wrote the script and the dialogues of the film based on the plot lines written by himself and Manuel Villegas López and adapted by André Tabet. Following the formula that proved successful in The Last Torch Song, composers Juan Quintero and Gregorio García Segura arranged a list of cuplés, made famous at the late nineteenth century and early twentieth century by singers with high-pitched voices like Raquel Meller, to fit Montiel's low-pitched sensual voice and the corresponding musical numbers were tucked into the plot and were carefully staged to make her shine on-screen.[14] Her role was initially scripted to sing only three songs, but she insisted on including up to twelve songs.[c] She even selected the songs, supervised their arrangement and recording and made sure they fit the plot properly.[15] She also required the hiring of top international stars to stage along her, which were Italian Raf Vallone and French Frank Villard,[15] although Jean-Claude Pascal was initially announced instead Villard.[16]

Quintero also composed and conducted the film score and the songs were recorded at the Hispavox studios in Madrid. Joaquín Esparza designed the costumes. Humberto Cornejo and Spanish haute couture firms Vargas Ochagavía and Marbel dressed Montiel. Vargas Ochagavía also dressed Mariscal and Cornejo also provided the general wardrobe.[17]

Filming

Principal photography began in November 1957 under the direction of Luis César Amadori,[18] and took place at CEA Studios in Madrid where the full-scale period sets were constructed under the art direction of Enrique Alarcón.[19] These included, among others, the full-scale sets of the Calle de Alcalá in front of the Apolo Theatre, a sumptuous ballroom with a full orchestra, the popular café-concert hall and those resembling the famous Lhardy and Maxim's restaurants.[20] It was mainly filmed on studio by cinematographer Antonio L. Ballesteros in colorful Eastmancolor and 1.37:1 aspect ratio, with only a few scenes filmed on location in Madrid in places such as the Fountain of Galápagos at the Buen Retiro Park and the Delicias railway station.[21] As the film was a co-production with Italy, after a couple of days of promotion in Rome that included a welcome at Ciampino Airport and a reception at Palazzo Barberini on 18 January 1958, they filmed some scenes in Turin and in Milan to comply with the requisites in place to be a co-production.[22][23] They filmed some exterior footage afterwards on location in Paris in the rue du Chevalier-de-La-Barre and in the stairs of the rue du Calvaire at the butte of Montmartre and on the Petit Pont with Notre-Dame in the background.[24] Filming was completed in February 1958.[d]

As usual in those days, the filming was done without recording live sound, so the dialogues, the soundtrack and the sound effects were added during post-production. For the original language version, Spanish actors were dubbed by themselves and foreigners were dubbed by Spanish voice actors.[27] On 26 February 1958, Montiel flew back to the United States after completing all her work in the film.[28]

Censorship and double version

The film had to deal during production with Francoist film censors that condemned what, according to them, was an immorality in some plot lines, an excessive sensuality of Montiel on-screen and an excessive love effusiveness between the protagonists.[29] As was customary in co-productions with other countries, the film was edited in double version, one censored for the Spanish and similar markets and other uncensored for less strict foreign markets.[30]

Both versions differ in the length of the love kisses between the protagonists –shorter in the Spanish version– and in Montiel's attire in one of the scenes –where she wears a negligee that reveals her cleavage in the foreign version while she wears a formal dress in the Spanish version–. In addition to the effects of censorship, in the foreign version –that runs for ninety minutes– several songs were removed and in the musical number of Soledad on tour around Europe some footage was replaced with other –not present in the Spanish version– showing her singing "Cuore ingrato".[31]

The film premiered in Spain only authorized for audiences over sixteen years old.[32] This rating was lowered to only authorized for audiences over fourteen years old later on its theatrical run. Many years later, it was finally rated as suitable for all ages.

Release

Premiere and initial release

The Violet Seller opened on 6 April 1958 in Spain.[32] That same evening, the formal premiere was held in a grand gala at the 1,400-seat Rialto Theatre in Madrid,[33] with a big crowd blocking the Gran Vía. The demand for tickets was so high at the Rialto that they had to start selling them up to five days in advance to avoid crowds at the ticket window.[34] The film was running there for thirty-one weeks,[35] making it the second highest grossing film in Madrid in the 1950s,[e] only surpassed by The Last Torch Song.[37] On 11 April, it opened at the 1,643-seat Tívoli Theatre in Barcelona,[38] and it was running there for twenty-six weeks.[39] After its exclusive first-run in over twenty-five theatres in major Spanish cities, it entered general release the following season and was running across the country for several years.[40] In Italy, it opened on 29 June 1959 in three theatres in Rome.[41]

The film had a wide international release with the dialogues dubbed or subtitled into other languages in non-Spanish speaking countries, while the songs kept in their original version. Perojo claimed to have received offers from Metro-Goldwyn-Mayer and Columbia Pictures for the world release of the film but that he had already pre-sold the rights to distributors in some countries.[11] In Mexico and some other country, it was released in Mexiscope format. In English it was initially titled Buy My Violets,[42] but although its official title is The Violet Seller, it is widely named under its Spanish title La Violetera. The rentals worldwide were initially estimated in over US$5 million,[11] beating The Last Torch Song, the worldwide highest-grossing Spanish-language film made up to that point, and catapulting Montiel's career as an actress and a singer even more.[43]

The foreign version opened on 10 July 1959 in France with the dialogues adapted to French by Georges Tabet.[44] On 18 July, it premiered in Paris at the 4,670-seat Gaumont-Palace, the largest cinema in the world at the time.[45] In two years, it sold two million tickets across France, reaching 2.7 million tickets sold in the following years.[44]

Home media

In 1958, Publicaciones Fher, as part of its Mandolina collection, published the official photonovel of the film in eight installments of sixteen black-and-white pages each within its "Cine Ensueño" series and a song book with the plot of the film and the lyrics of the songs that were sold at newsstands.[46] The film was later released on videocassette and DVD several times in different countries, and after a digital High-definition remastering and restoration, it was released on 13 March 2014 on Blu-ray in Spain.[47]

Reception

Montiel was praised for her performance.

Critical response

Upon its release, the press generally gave The Violet Seller excellent reviews; however, while its production values and acting were universally recognized, some reviewers of the time found the plot too trite and conventional.[48]

A. Martínez Tomás wrote for La Vanguardia that the plot is only a pretext for an artistic and personal exaltation of Sara Montiel, it is full of clichés, the anachronisms are blatant throughout it and the action has a very conventional line but its attractive force and its aesthetic emotion are maintained throughout the film.[38] ABC, in its Seville edition, felt that in a national film had never been such brilliant nuances, to attract attention and suggest the viewer, who follows the incidents of the emotional and entertaining narration so closely that the growing interest in each scene becomes irrepressible until its culmination.[49]

Much of the praise was reserved for Montiel in particular, for her acting, singing, charming, beauty and sensuality. ABC felt that such is her performance that no Spanish actress could surpass her in this performance, inimitable, natural and unique, which undoubtedly reaches the character of quite an event.[49] Vallone, Villard, Blanco, Serrador, Soler and Mariscal were also praised for their performances.[50] Other aspects of the production praised were the "attractive and sumptuous" costumes, the "beautiful" Alarcón scenography, the "graceful" selection of songs, the "excellent" Ballesteros cinematography and the "expert and clever" Amadori direction.[38][51]

On the other hand, some reviewers at the time were not so enthusiastic, such as Film Ideal giving it just a three out of seven rating.[f]

Accolades

On 19 September 1958, the Rialto Theatre honored Montiel with a great reception and the presentation of a commemorative plaque, which was later placed at the theatre lobby, upon reaching eighteen consecutive months topping its billboard with two of her films, The Last Torch Song first and The Violet Seller later, a record never before achieved by Spanish cinema in first-run in Madrid.[53]

On 2 December 1958, at the 1958 Triunfo magazine annual vox populi poll, The Violet Seller received the Award for Best Spanish Picture and Montiel received the Award for Best Spanish Actress.[54][55] On 24 January 1959, at the 1958 Circle of Cinematographic Writers Awards, Montiel received the Medal for Best Actress and Alarcón received the Medal for Best Set Decoration.[56] On 30 January 1959, at the 1959 National Syndicate of Spectacle Awards, the film received the second place Award for Best Picture, endowed with 250,000 pesetas, and Montiel received the Award for Best Actress.[57]

In addition, The Violet Seller and Miracles of Thursday represented Spain at the special onetime World Film Festival organized within the 1958 Brussels World's Fair.[58]

Critical re-evaluation

In revisiting the film recently critics give the film mixed reviews; although its historical value within the History of Spanish cinema is universally recognized, they find it old-fashioned, sexist and overemotional.[59]

Guillermo Altares wrote in 1994 for El País that its cinematographic value nowadays is almost non-existent.[59] Cristina Veganzones wrote in 2016 for ABC that one of the most sexist phrases in History is sung by Montiel in "Es mi hombre".[60] Fernando Méndez-Leite stated in 2018 in Televisión Española that the film is not exactly a musical film, it is a melodrama with songs.[5]

Soundtrack

Sara Montiel Performs The Songs Of The Film "The Violet Seller"
Soundtrack album by
Sara Montiel
Released1958
StudioHispavox
Genre
LabelHispavox
Sara Montiel chronology
Baile con Sara Montiel
(1958) 		Sara Montiel Performs The Songs Of The Film "The Violet Seller"
(1958) 		Besos de fuego
(1958)
"La Violetera"
A sample of Sara Montiel's cover of "La Violetera" by José Padilla and Eduardo Montesinos from The Violet Seller

The Violet Seller is a jukebox musical film featuring popular music songs known in the early twentieth century. Montiel sings eleven different songs in the Spanish version of the film, that Quintero and García Segura arranged to fit her low-pitched sensual voice. Most of the songs are Spanish cuplés but there are also Madrilenian chotis and French popular chansons sang partially or totally in French. She sings "La Violetera" title song twice with two different arrangements. She additionally sings a Neapolitan song that, although not present in the Spanish version of the film, appears in the foreign version released in some countries. There are two other cuplés in the film performed by Tony Soler and another performed by Blanquita Suárez.[19] The presence of some of the songs in the film is anachronistic, as they were actually released later.

The songs appear in the film in the following order, performed by Montiel and in Spanish, except where noted:

  1. "La primavera" by Soler
  2. "El Polichinela"
  3. "Rosa de Madrid"
  4. "Mimosa"
  5. "Soy castañera" by Soler
  6. "Mala entraña"
  7. "Bajo los puentes de París" partially in French
  8. "Es mi hombre" with phrases in French
  9. "Frou Frou" fully in French
  10. "La Violetera"
  11. "Agua que no has de beber"
  12. "Tus ojitos negros"
  13. "Cuore ingrato" fully in Neapolitan and only in the foreign version
  14. "Flor de té"
  15. "Venga alegría" by Suárez
  16. "La Violetera" (bis)

Release

After the success of The Last Torch Song soundtrack album, Montiel signed a contract with Hispavox to record and release the soundtrack albums of her next films, starting with The Violet Seller, for which she secured the ten per cent of the record sales as royalties from the recordings.[61]

The songs of the film were recorded at the Hispavox studios in Madrid just before the filming.[62] Hispavox released the album with the full studio versions of the songs sung by Montiel titled Sara Montiel interpreta las canciones de la película «La Violetera» (transl. Sara Montiel Performs The Songs Of The Film "The Violet Seller") originally in Spain in 1958 in one LP[63] and three EPs.[64][65][66] The album was subsequently released in different vinyl editions in Argentina, Bolivia, Brazil, Canada, Chile, Colombia, France, Greece, Israel, Italy, Japan, Mexico, Peru, Portugal, the United States and Venezuela.[g][67]

The songs in all released editions are those performed by Montiel in the film. The three songs performed by other singers, "Soy castañera" (by Larruga) and "La primavera" (by Cadenas, Retana, Badía) performed by Soler and "Venga alegría" (by Tecglen, Casanova) performed by Suárez, were not included in any of the editions.[19] The film score composed by Quintero was also not released commercially.

Commercial performance

The soundtrack topped sales in Spain since its release and Montiel received a check for 300,000 pesetas (US$6,000 as of 1958) for first quarter sales.[61] A year later, in July 1959, Hispavox acknowledged Montiel by serving her a Golden Disk for topping the company's sales in Spain and Latin America with the soundtrack.[68]

Critical response

Professional ratings
Review scores
SourceRating
Billboard[69]

The soundtrack album also garnered excellent national and international reviews upon its initial releases. In the United States, on 27 October 1958, Billboard magazine picked it as "The International Album Billboard Spotlight Winner of the Week" for being one of the best releases in the Columbia Records' "Adventures In Sound" series.[69] Three years later, on 25 September 1961, Billboard rated the album reissue with "Four Stars Strong Sales Potential" rating.[70]

Track listing

The album was originally released in Spain in one LP and three EPs. The LP features all Montiel's songs from the film except for two, "El Polichinela" and "Es mi hombre", which were released on two separate EPs, and were replaced on the LP by the songs "Gitana" and "Nada" not featured in the film. For subsequently single-disc full editions, both songs from the film were reinstated, with the added ones no longer appearing.

Spanish original edition

LP - HH 1114 - Side A
No.TitleWriter(s)Conductor / arrangementLength
1."La Violetera"
García Segura3:36
2."Mimosa"Martínez AbadesQuintero2:38
3."Flor de té"Martínez AbadesQuintero2:46
4."Bajo los puentes de París (Sous les ponts de Paris)[h]"ScottoQuintero2:30
5."Gitana[i]"Tabet 2:20
6."Frou Frou"ChatauQuintero2:59
LP - HH 1114 - Side B
No.TitleWriter(s)Conductor / arrangementLength
1."Mala entraña"Martínez AbadesQuintero2:18
2."Rosa de Madrid"
  • Soriano
  • Barta
Quintero2:15
3."Nada[i]"
  • Camorra
  • Segura
  • Montiel
 3:17
4."Tus ojitos negros"
  • Vivas
  • Barta
García Segura2:33
5."Cuore ingrato «Catarí»[c]"
Quintero2:31
6."Agua que no has de beber"Martínez AbadesGarcía Segura2:25
7."La Violetera (bis)"
  • Padilla
  • Montesinos
Quintero4:20
EP - HH 1751 - Side A
No.TitleWriter(s)Conductor / arrangementLength
1."La Violetera"
  • Padilla
  • Montesinos
García Segura3:36
2."Bajo los puentes de París (Sous les ponts de Paris)[h]"ScottoQuintero2:30
EP - HH 1751 - Side B
No.TitleWriter(s)Conductor / arrangementLength
1."Mimosa"Martínez AbadesQuintero2:38
2."Flor de té"Martínez AbadesQuintero2:46
EP - HH 1752 - Side A
No.TitleWriter(s)Conductor / arrangementLength
1."El Polichinela"
  • Valverde
  • Cadenas
Quintero2:00
2."Frou Frou"ChatauQuintero2:59
EP - HH 1752 - Side B
No.TitleWriter(s)Conductor / arrangementLength
1."Agua que no has de beber"Martínez AbadesGarcía Segura2:25
2."Cuore ingrato «Catarí»"
  • Cardillo
  • Cordiferro
Quintero2:31
EP - HH 1753 - Side A
No.TitleWriter(s)Conductor / arrangementLength
1."Mala entraña"Martínez AbadesQuintero2:18
2."Es mi hombre (Mon Homme)[j]"
Quintero2:25
EP - HH 1753 - Side B
No.TitleWriter(s)Conductor / arrangementLength
1."Tus ojitos negros"
  • Vivas
  • Barta
García Segura2:33
2."Rosa de Madrid"
  • Soriano
  • Barta
Quintero2:15

Reissues

The soundtrack has been reissued several times in different countries in vinyl, cassette and CD. In 2010 it was remastered and released in CD first and for music download later.[67]

Legacy

Tributes

On 25 January 1991, the Institute of Cinematography and Audiovisual Arts on behalf of the Ministry of Culture, the Spanish Society of Authors and Publishers, the Academy of Cinematographic Arts and Sciences of Spain and the Complutense University of Madrid, honored Montiel in recognition of her career at a gala at Cine Capitol in Madrid prior to the screening of The Violet Seller.[71]

On 9 April 2013, the day after Montiel's death, as the funeral procession with her mortal remains passed through the Gran Vía on the way to the San Justo cemetery, The Violet Seller was projected on the giant screens at the façades of Cine Callao while people paid tribute to her as she passed by.[72] On 11 July 2014, Correos, the Spanish postal service, issued a sheet of stamps in tribute to three recently deceased famous Spanish cinema artists: Sara Montiel, Alfredo Landa and Manolo Escobar. The stamp that pays tribute to Montiel depicts her in an image from The Violet Seller and the sheet of stamps shows a verse of "Es mi hombre".[73]

On the sixth episode of the fourth season of Tu cara me suena aired on 23 October 2015 on Antena 3, flamenco singer Falete impersonated Montiel singing "Es mi hombre" replicating the scene from the film.[74] On 17 October 2016, Fotogramas film magazine listed Soledad Moreno among the "twenty-five most elegant characters in Spanish cinema".[75]

Notes

  1. ^ In Spain, ten million pesetas (€60,101) in 1957, adjusted for inflation using the consumer price index, in 2022 would be approximately €3 million,[6] while its purchasing power would be €10–16 million.[7]
  2. ^ The exchange rate in June 1957 was of forty-two pesetas to the United States dollar.[8]
  3. ^ a b In the Spanish version of the film, Montiel sings eleven different songs and she reprises "La Violetera" with a different arrangement. She sings an additional song, "Cuore ingrato «Catarí»" that, although not present in the Spanish version, appears in the foreign version released in some countries.
  4. ^ According to the shooting schedule published weekly in Primer Plano film magazine, the week of 9–13 December 1957 was the third week of filming and the week of 24–28 February 1958 was the thirteenth and last. Filming in Madrid was scheduled in weeks three to seven, filming in Italy and Paris in eight to eleven and filming in an actual theatre in twelve and thirteen. Week five took two actual weeks due to the Christmas holidays.[25][26]
  5. ^ Back then in Spain, boxoffice grosses were a secret kept by exhibitors for tax reasons. The only guide to estimate them was the length of the first-run and the capacity of the venue.[35] It was not made mandatory to officially communicate the number of tickets sold until 1 January 1965.[36]
  6. ^ Film Ideal magazine gave the film an "Average" rating on a scale of: "Very Good", "Good", "Less Good", "Fair", "Average", "Bad" and "Very Bad".[52]
  7. ^ The soundtrack was released under the English titles Sara Montiel Interpret The Songs Of The Film La Violetera in Israel and La Violetera, Original Sound Track Recording in Canada and the United States.
  8. ^ a b Version fully in Spanish. Montiel also recorded the full version in French of the song which was not released commercially.
  9. ^ a b The songs "Gitana" and "Nada" do not appear in the film. In the Spanish LP original edition they replaced "El Polichinela" and "Es mi hombre (Mon Homme)", which were released on two separate EPs, and are replaced by them in all other single-disc full editions.
  10. ^ Version in Spanish with some phrases in French. Montiel also recorded the full version in French of the song which was released only in France on a later edition.

References

  1. ^ Mira, Alberto (2010). Historical Dictionary of Spanish Cinema. Scarecrow Press. p. 239. ISBN 9780810859579.
  2. ^ ""La violetera", in "Historia de nuestro cine"". Diez Minutos (in Spanish). 11 June 2018. Archived from the original on 14 April 2019. Retrieved 16 May 2020.
  3. ^ Fotheringham, Alasdair (10 April 2013). "Sara Montiel: Spanish film star who conquered Hollywood in the 1950s". The Independent. Archived from the original on 2022-06-20. Retrieved 23 May 2020.
  4. ^ "Montiel signs with Benito Perojo a contract to make four films in three years". ABC (in Spanish) (Madrid ed.). 15 June 1957. pp. 68–69. Retrieved 17 May 2020.
  5. ^ a b "History of our cinema - La Violetera (introduction)". RTVE (in Spanish). 12 June 2018. Archived from the original on 22 January 2020. Retrieved 23 May 2020.
  6. ^ "Would you like to update a personal income or spending?". INE. Archived from the original on 17 August 2022. Retrieved 24 May 2020.
  7. ^ Prados de la Escosura, Leandro (2020). "Six Ways to Compute the Relative Value of a Spanish Peseta Amount, 1850 - Present". MeasuringWorth. Archived from the original on 7 June 2017. Retrieved 24 May 2020.
  8. ^ "Spain Joins OEEC, Announces Economic Stabilization Program". Foreign Commerce Weekly. 3 August 1959. p. 21. Retrieved 27 May 2020.
  9. ^ "Sarita Montiel And Perojo Near An Adjustment". Variety. 3 September 1958. p. 11. Retrieved 27 May 2020.
  10. ^ "Spain's Top Stars Bursting Bounds Of the Economy". Variety. 17 July 1957. p. 13. Retrieved 24 May 2020.
  11. ^ a b c "Spain's Sarita Montiel Global Allure Makes Her Trading Item With Yanks". Variety. 13 May 1959. p. 21. Retrieved 24 May 2020.
  12. ^ "PASSINGS: Sara Montiel, Josep Joan Bigas Luna". Los Angeles Times. 9 April 2013. Archived from the original on 15 April 2021. Retrieved 16 May 2020.
  13. ^ "Sarita Montiel has arrived in Madrid". ABC (in Spanish) (Madrid ed.). 29 September 1957. p. 93. Retrieved 3 December 2022.
  14. ^ Lluís i Falcó, Josep; Luengo Sojo, Antonia (1994). Gregorio García Segura: history, testimony and analysis of a cinema musician (in Spanish). Editora Regional de Murcia. p. 31. ISBN 9788475641508.
  15. ^ a b "History of our cinema - Musicals Talk". RTVE (in Spanish). 15 June 2018. Archived from the original on 22 January 2020. Retrieved 17 January 2021.
  16. ^ "Sara Montiel's men in "La Violetera" will be Raf Vallone and Jean-Claude Pascal". Primer Plano (in Spanish). No. 872. 30 June 1957. p. 29. hdl:11091/29117. Retrieved 30 November 2022.
  17. ^ Calzadilla, Paloma (February 2017). "Design of the Month: February 2017 - Vargas Ochagavía evening dress, 1974" (PDF). Museum of Garment (in Spanish). p. 6. Archived (PDF) from the original on 13 June 2020. Retrieved 13 June 2020.
  18. ^ "Spain Pix Prod. Back To Normal After Lag". Variety. 6 November 1957. p. 11. Retrieved 24 May 2020.
  19. ^ a b c Bolín, Guillermo (28 December 1957). "Sara Montiel will sing ten "cuplés" in "La Violetera"". Blanco y Negro (in Spanish). pp. 73–76. Archived from the original on 11 October 2023. Retrieved 17 May 2020.
  20. ^ "Sumptuous set for a scene of "La Violetera"". Primer Plano (in Spanish). No. 898. 29 December 1957. p. 20. hdl:11091/29146. Retrieved 27 November 2022.
  21. ^ "Silence, we're rolling!". Railway Museum. Archived from the original on 22 June 2020. Retrieved 20 June 2020.
  22. ^ "Sarita Montiel at Ciampino Airport runway with Raf Vallone". Archivio Luce (in Italian). 18 January 1958. Retrieved 22 May 2020.
  23. ^ Cortés-Cavanillas, Julián (30 January 1958). "ABC in Rome. Sara Montiel Spanish violets". ABC (in Spanish) (Madrid ed.). p. 8. Retrieved 23 May 2020.
  24. ^ Thomas, Claude (30 January 1958). ""La Violetera" film shooting by Luis Cesar Amadori with Sara Montiel at Montmartre". JT 13H. RTF. Archived from the original on 29 October 2020. Retrieved 19 May 2020.
  25. ^ "Shooting schedule". Primer Plano (in Spanish). No. 895. 8 December 1957. p. 26. hdl:11091/29142. Retrieved 30 November 2022.
  26. ^ "Shooting schedule". Primer Plano (in Spanish). No. 906. 23 February 1958. p. 26. hdl:11091/29201. Retrieved 30 November 2022.
  27. ^ ""La Violetera" Spanish dubbing cast". eldoblaje.com (in Spanish). Archived from the original on 14 July 2017. Retrieved 30 May 2020.
  28. ^ "Sara Montiel left for New York". ABC (in Spanish) (Madrid ed.). 27 February 1958. p. 63. Retrieved 3 December 2022.
  29. ^ Gil, Alberto (2009). Cinematographic censorship in Spain (in Spanish). Ediciones B. ISBN 9788466640596.
  30. ^ Seijo-Richart, Maria (27 October 2016). "Histories of cinema: When censorship backfires. Watching Gilda in dictatorship Spain". Archived from the original on 4 August 2023. Retrieved 3 August 2023.
  31. ^ "La Violetera: Spanish version vs. French version". YouTube (in Spanish). 27 March 2023. Archived from the original on 3 August 2023. Retrieved 3 August 2023.
  32. ^ a b ""La Violetera" premiere advertisement". ABC (in Spanish) (Madrid ed.). 6 April 1958. p. 22. Retrieved 18 May 2020.
  33. ^ DONALD (6 April 1958). "Theatrical and Cinematographic Informations". ABC (in Spanish) (Madrid ed.). p. 83. Archived from the original on 11 October 2023. Retrieved 16 May 2020.
  34. ^ "Rialto Theatre announcement". ABC (in Spanish) (Madrid ed.). 6 April 1958. p. 87. Archived from the original on 11 October 2023. Retrieved 24 May 2020.
  35. ^ a b "How They Played in Madrid, 1958". Variety. 15 April 1959. p. 83. Retrieved 24 May 2020.
  36. ^ "ORDER of December 22, 1964 establishing the control system of the performance of the films that are exhibited in Spain" (PDF). Boletín Oficial del Estado (in Spanish). 30 December 1964. Archived (PDF) from the original on 22 June 2020. Retrieved 21 June 2020.
  37. ^ Sánchez Barba, Francesc (2007). Francoism's mists: the rise of Spanish film noir (1950-1965) (in Spanish). University of Barcelona. p. 172. ISBN 9788447531745. Archived from the original on 2022-12-01. Retrieved 2020-09-13.
  38. ^ a b c Martínez Tomás, A. (12 April 1958). "Cinematographic Hot News - Tívoli - "La Violetera"". La Vanguardia (in Spanish). p. 36. Archived from the original on 28 November 2022. Retrieved 28 November 2022.
  39. ^ "Movie Listings". La Vanguardia (in Spanish). 10 October 1958. p. 24. Archived from the original on 28 November 2022. Retrieved 28 November 2022.
  40. ^ ""La Violetera" advertisement". ABC (in Spanish) (Madrid ed.). 8 April 1958. pp. 6–7. Archived from the original on 11 October 2023. Retrieved 18 May 2020.
  41. ^ ""La Violetera" premiere advertisement" (PDF). L'Unità (in Italian). 29 June 1959. p. 5. Archived (PDF) from the original on 21 January 2022. Retrieved 22 May 2020.
  42. ^ "Buy My Violets advertisement". Variety. 8 January 1958. p. 64. Retrieved 27 May 2020.
  43. ^ Edwin López Moya (12 April 2018). "New Sara Montiel biography is being written in Philadelphia". Al Día News. Archived from the original on 10 April 2021. Retrieved 16 May 2020.
  44. ^ a b "Box-office 1959". Centre national du cinéma et de l'image animée (in French). 19 July 2011. Archived from the original on 15 January 2020. Retrieved 17 January 2021.
  45. ^ "La Violetera". René Chateau Vidéo (in French). Archived from the original on 13 August 2022. Retrieved 17 January 2021.
  46. ^ "La Violetera". Cine Ensueño (in Spanish). Vol. 1–8. Bilbao: Publicaciones Fher. 1958.
  47. ^ "Mercury Films and Divisa Home Video agree to launch 300 great films from Spanish cinema on Blu-ray and DVD" (in Spanish). Europa Press. 4 March 2014. Archived from the original on 7 August 2020. Retrieved 1 June 2020.
  48. ^ "Excellent performance by Sarita Montiel in "La Violetera"". La Opinión (in Spanish). 20 April 1960. p. 4. Archived from the original on 11 October 2023. Retrieved 1 June 2020.
  49. ^ a b ""La Violetera" Will Be a Emphatic Success in Palacio Central Screen". ABC (in Spanish) (Seville ed.). 6 April 1958. p. 62. Archived from the original on 11 October 2023. Retrieved 1 June 2020.
  50. ^ Barreira (6 April 1958). ""La Violetera" review". Primer Plano (in Spanish). No. 912. p. 46. hdl:11091/29156. Archived from the original on 11 October 2023. Retrieved 24 November 2022.
  51. ^ "A Film for an Actress: Sara Montiel". Mundo Deportivo (in Spanish). 6 April 1958. p. 7. Archived from the original on 13 August 2022. Retrieved 1 June 2020.
  52. ^ "This has been the last season of the so-called Spanish Cinema". Film Ideal (in Spanish). No. 21–22. July–August 1958. p. 31. hdl:11091/72522. Archived from the original on 11 October 2023. Retrieved 24 November 2022.
  53. ^ "Commemorative plaque to Sara Montiel". ABC (in Spanish) (Madrid ed.). 20 September 1958. p. 43. Archived from the original on 11 October 2023. Retrieved 28 November 2022.
  54. ^ Spanish cinema yearbook (in Spanish). 1962. pp. 1081–1082. Archived from the original on 7 June 2020. Retrieved 7 June 2020.
  55. ^ "Spain's Vox Pop Tops". Variety. 3 December 1958. p. 3. Retrieved 27 May 2020.
  56. ^ "1958 Spanish production Cinema Writers Circle Awards". Circle of Cinematographic Writers (in Spanish). Archived from the original on 28 November 2022. Retrieved 28 November 2022.
  57. ^ "Noticiario nº 840 B - Cinematography. Syndicate Awards". No-Do (in Spanish). 9 February 1959. Archived from the original on 22 October 2021. Retrieved 17 May 2020.
  58. ^ "How Films Line Up For Brussels Fest". Variety. 21 May 1958. p. 26. Retrieved 25 May 2020.
  59. ^ a b Altares, Guillermo (4 May 1994). ""La Violetera" review". El País (in Spanish). Archived from the original on 11 October 2023. Retrieved 1 June 2020.
  60. ^ Veganzones, Cristina (19 August 2016). "Sexist Scenes and Songs that Went Unnoticed at Their Time and Today Scandalize Us". ABC (in Spanish). Archived from the original on 19 April 2019. Retrieved 1 June 2020.
  61. ^ a b Werb, Hank (16 July 1958). "Chronicle from Madrid". Variety. p. 62. Retrieved 25 May 2020.
  62. ^ "Sara Montiel will sing ten cuplés in "La Violetera"". Primer Plano (in Spanish). No. 892. 17 November 1957. p. 22. hdl:11091/29139. Archived from the original on 11 October 2023. Retrieved 2 December 2022.
  63. ^ "Sara Montiel interpreta las canciones de la película "La Violetera" - LP - HH 1114 - Spanish original edition". Discogs. Archived from the original on 25 March 2020. Retrieved 16 May 2020.
  64. ^ "Sara Montiel interpreta las canciones de la película "La Violetera" - EP - HH 1751 - Spanish original edition". Discogs. Archived from the original on 25 March 2020. Retrieved 16 May 2020.
  65. ^ "Sara Montiel interpreta las canciones de la película "La Violetera" - EP - HH 1752 - Spanish original edition". Discogs. Archived from the original on 27 March 2020. Retrieved 16 May 2020.
  66. ^ "Sara Montiel interpreta las canciones de la película "La Violetera" - EP - HH 1753 - Spanish original edition". Discogs. Archived from the original on 24 February 2021. Retrieved 16 May 2020.
  67. ^ a b "Sara Montiel interpreta las canciones de la película "La Violetera" - LP - All releases". Discogs. Archived from the original on 26 June 2020. Retrieved 16 May 2020.
  68. ^ "Golden Disk Montiel". Variety. 15 July 1959. p. 19. Retrieved 17 January 2021.
  69. ^ a b "The Billboard Spotlight Winners of the Week". Billboard. 27 October 1958. p. 26. Archived from the original on 11 October 2023. Retrieved 17 January 2021.
  70. ^ "Reviews of New Albums". Billboard. 25 September 1961. p. 41. Archived from the original on 11 October 2023. Retrieved 17 January 2021.
  71. ^ "Violets in the tribute to Sara Montiel". ABC (in Spanish) (Madrid ed.). 26 January 1991. p. 113. Archived from the original on 11 October 2023. Retrieved 28 November 2022.
  72. ^ "Sara Montiel is buried in the San Justo cemetery". La Vanguardia (in Spanish). 9 April 2013. Archived from the original on 28 November 2022. Retrieved 28 November 2022.
  73. ^ "Spanish cinema. Sara Montiel, Alfredo Landa and Manolo Escobar". Correos (in Spanish). Archived from the original on 5 June 2021. Retrieved 5 June 2021.
  74. ^ "Falete puts on the feather boa to imitate Sara Montiel and her song "Es mi hombre"". Antena 3. 24 October 2015. Archived from the original on 3 December 2022. Retrieved 3 December 2022.
  75. ^ Iglesias, Iván (17 October 2016). "The 25 Most Elegant Characters in Spanish Cinema". Fotogramas (in Spanish). Archived from the original on 13 June 2020. Retrieved 13 June 2020.

Read other articles:

Gonesse

GonesseBalai kota Koordinat: 48°59′15″N 2°26′58″E / 48.9875°N 2.4494°E / 48.9875; 2.4494NegaraPrancisArondisemenSarcellesKantonGonesse (ibukota)Antarkomunetidak ada pada 2008Kode INSEE/pos95280 /  Lambang Gonesse Gonesse merupakan sebuah komune di pinggiran timur laut Paris, Prancis. Terletak 16.5 km (10.2 mil) dari pusat kota Paris. Terletak di utara Bandar Udara Le Bourget dan barat daya Bandar Udara Internasional Charles de Gaulle. Sejarah Raja...

 

 

Intira Jaroenpura

Intira JaroenpuraLahir23 Desember 1980ThailandNama lainSai atau SineTahun aktif1993-sekarang Intira Jaroenpura (Thai: อินทิรา เจริญปุระcode: th is deprecated ; RTGS: Inthira Charoenpura) atau nama panggung Sine Jaroenpura (Thai: ทราย เจริญปุระcode: th is deprecated ; RTGS: Sai Charoenpura; lahir 23 Desember 1980[1]) adalah seorang aktris dan penyanyi Thai. Ia paling dikenal karena perannya sebagai Mae Nak dalam film ...

 

 

Stasiun Karawang

Untuk stasiun kereta cepat dengan nama yang sama, lihat Stasiun Karawang (KCIC). Stasiun Karawang LW04LJ04 Stasiun Karawang, September 2022Tampak proyek pembangunan kanopi stasiun yang sedang berlangsungLokasi Jalan Arif Rahman HakimNagasari, Karawang Barat, Karawang, Jawa Barat 41312IndonesiaKoordinat6°18′30″S 107°17′49″E / 6.30833°S 107.29694°E / -6.30833; 107.29694Koordinat: 6°18′30″S 107°17′49″E / 6.30833°S 107.29694°E...

Rhythmic gymnastics

Gymnastics discipline Rhythmic gymnasticsRhythmic gymnastics Group 10 clubs final, 27th Summer Universiade 2013, KazanHighest governing bodyFédération Internationale de GymnastiqueCharacteristicsContactNoMixed-sexNoTypeGymnastic sport that involves artistic movementPresenceCountry or regionWorldwideOlympicSince 1984World Games2001 – 2021[1] Group rhythmic gymnasts from Greece in Sydney 2000 Rhythmic gymnastics is a sport in which gymnasts perform on a floor...

 

 

Muhammadu Buhari

Muhammadu Buhari Presiden Nigeria ke-15PetahanaMulai menjabat 29 Mei 2015Wakil PresidenYemi Osinbajo PendahuluGoodluck JonathanPenggantiPetahanaPresiden Nigeria ke-7Masa jabatan31 Desember 1983 – 27 Agustus 1985Wakil PresidenTunde Idiagbon sebagai Kepala Staf, Markas Tertinggi PendahuluShehu ShagariPenggantiIbrahim Babangida Informasi pribadiLahir17 Desember 1942 (umur 81)Daura, Wilayah Utara, Kolonial Nigeria[1][2] (sekarang: Daura, Katsina)KebangsaanNiger...

 

 

Coupe du monde de football 2002

Coupe du monde de football 2002 Généralités Sport Football Organisateur(s) FIFA Éditions 17e Lieu(x) Corée du Sud Japon Date 31 mai 2002au 30 juin 2002 Participants 32 (198 partants) Épreuves 64 rencontres Affluence 2 705 197 (moy : 42 268)[1] Site web officiel FIFA Palmarès Tenant du titre France (1) Vainqueur Brésil (5) Finaliste Allemagne Troisième Turquie Buts 161 (moy : 2,51)[1] Meilleur joueur Oliver Kahn Meilleur(s) buteur(s) Ronaldo (8 buts) Navigati...

Abbaye de Westminster

Ne doit pas être confondue avec la toute proche cathédrale de Westminster. Abbaye de Westminster Tours du portail ouest. Présentation Nom local Westminster AbbeyThe Collegiate Church of St Peter Culte Anglican Type Collégiale Rattachement Couronne britannique Début de la construction XIIIe siècle Fin des travaux XVIe siècle Style dominant Gothique Protection Monument classé, grade I Patrimoine mondial (1987) Site web westminster-abbey.org Géographie Pays Royaume-...

 

 

大字 (数字)

この項目には、一部のコンピュータや閲覧ソフトで表示できない文字が含まれています（詳細）。 数字の大字（だいじ）は、漢数字の一種。通常用いる単純な字形の漢数字（小字）の代わりに同じ音の別の漢字を用いるものである。 概要 壱万円日本銀行券（「壱」が大字） 弐千円日本銀行券（「弐」が大字） 漢数字には「一」「二」「三」と続く小字と、「壱」「�...

 

 

Тур (бык)

У этого термина существуют и другие значения, см. Тур. Запрос «Bos taurus primigenius» перенаправляется сюда; см. также другие значения. † Тур Скелет тура Научная классификация Домен:ЭукариотыЦарство:ЖивотныеПодцарство:ЭуметазоиБез ранга:Двусторонне-симметричныеБез ранга:В...

Keep It in the Family (1980 TV series)

1980 TV series For other uses, see Keep It in the Family. This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: Keep It in the Family 1980 TV series – news · newspapers · books · scholar · JSTOR (November 2020) (Learn how and when to remove this message) Keep It in the FamilyGenreSitcomCreated byBrian CookeStarringRobert Gille...

 

 

2020年夏季奧林匹克運動會波蘭代表團

2020年夏季奥林匹克运动会波兰代表團波兰国旗IOC編碼POLNOC波蘭奧林匹克委員會網站olimpijski.pl（英文）（波兰文）2020年夏季奥林匹克运动会（東京）2021年7月23日至8月8日（受2019冠状病毒病疫情影响推迟，但仍保留原定名称）運動員206參賽項目24个大项旗手开幕式：帕维尔·科热尼奥夫斯基（游泳）和马娅·沃什乔夫斯卡（自行车）[1]闭幕式：卡罗利娜·纳亚（皮划艇）&#...

 

 

جلجدود

جلجدود الاسم الرسمي جلجدود موقع جلجدود الإحداثيات 5°20′13″N 46°37′13″E / 5.3369444444444°N 46.620277777778°E / 5.3369444444444; 46.620277777778   تقسيم إداري  البلد  الصومال  المحافظة محافظة جلجدود  العاصمة طوس مريب العاصمة طوس مريب  عدد السكان  العرق صوماليون  الدين مسلمون...

Wiener Zeitung

Austrian newspaper (1703–present) Wiener ZeitungTitle page of the first issue of Wiennerisches Diarium, later Wiener ZeitungType Biweekly newspaper (1703–1813) Daily newspaper (1813–1940, 1945–2023) Monthly newspaper (planned) FormatBroadsheetOwner(s)Government of Austria, represented by the ChancellorEditor-in-chiefKatharina Schmidt & Sebastian Pumberger (interim)Launched8 August 1703; 320 years ago (1703-08-08) (as Wiennerisches Diarium)LanguageGermanHeadquarte...

 

 

Cignal Digital TV

Cignal Digital TVJenisTelevisi satelitNegaraFilipinaPemilikCignal TV, Inc. (anak perusahaan MediaQuest Holdings, Inc.)Situs webwww.cignal.tv Cignal Digital TV adalah penyedia Filipina televisi satelit dan IPTV, yang dimiliki oleh Cignal TV Inc., anak perusahaan yang sepenuhnya dimiliki oleh MediaQuest Holdings Inc. di bawah PLDT Beneficial Trust Fund.[1] Sistem pemuatan elektronik prabayar Cignal didukung oleh Smart Communications Inc.[2] Cignal menggunakan sistem enkripsi Vid...

 

 

2016 Italian local elections

Part of the Politics seriesPolitics of Italy Constitution Constitutional laws Lateran Treaty Head of state President (list) Sergio Mattarella Executive Prime Minister (list) Giorgia Meloni Council of Ministers Current Cabinet Undersecretaries Ministries Legislature Parliament (list) Senate of the Republic Chamber of Deputies Judiciary Constitutional Court Supreme Court of Cassation Court of Assizes Code of Criminal Procedure Constitutional institutions National Council for Economics and Labo...

Gedo

Region of Somalia For other uses, see Gedo (disambiguation). Region in Jubaland, SomaliaGedo Gobolka GedoRegionGedo Region of Somalia FlagLocation in SomaliaCoordinates: 2°26′17″N 41°29′3″E / 2.43806°N 41.48417°E / 2.43806; 41.48417Country SomaliaRegional State JubalandCapitalGarbahareyGovernment • GovernorAhmed Bulle GaredArea • Total85,000 km2 (33,000 sq mi)Elevation914.4 m (3,000 ft)Population&#...

 

 

صناعة الغذاء

صناعة الغذاءمعلومات عامةصنف فرعي من تصنيع[1][2]صناعة السلع الاستهلاكيةأعمال تجارية زراعية جزء من تقسيم تصنيف الأنشطة الإنتاجية[2] الصناعة التصنيع الغذائي[3]المنتجات الغذائية والأقارب الاسم  القائمة ... Herstellung von Nahrungs- und Futtermitteln (بالألمانية) [2]Manufacture of foo...

 

 

Shell (computing)

Computer program that exposes an operating system's services to a human user or other programs A graphical interface similar to one from the late 1980s, which features a TUI window for a man page, a shaped window (oclock) as well as several iconified windows. In the lower right we can see a terminal emulator running a Unix shell, in which the user can type commands as if they were sitting at a terminal. In computing, a shell is a computer program that exposes an operating system's services to...

Sense

Physiological capacity This article is about the cognitive process of sense together with the sensory systems, sense organs, and sensation. For other uses, see Sense (disambiguation). Five senses redirects here. For other uses, see Five senses (disambiguation). Sensation consists of signal collection and transduction. A sense is a biological system used by an organism for sensation, the process of gathering information about the surroundings through the detection of stimuli. Although, in some...

 

 

Hangzhou

Capital of Zhejiang, China Prefecture-level and sub-provincial city in Zhejiang, ChinaHangzhou 杭州HangchowPrefecture-level and sub-provincial cityFrom top, left to right: Qianjiang New City; the Chenghuang Pavilion; Lingyin Temple; Changqiao Park on the West Lake; aerial view of the Leifeng Pagoda; Xixi National Wetland Park; the Yue Fei Temple SealLocation of Hangzhou City jurisdiction in ZhejiangHangzhouLocation of the city center in ZhejiangShow map of ZhejiangHangzhouLocation of the ci...