The Sneak Attack was met with generally favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 69 based on eight reviews.[2]
Sonicnet reviewer praised the artist, saying that KRS-One "delivers all this with passion and booming authority: the teacher is back in front of the classroom, where he belongs".[2]Nathan Rabin of The A.V. Club stated: "as unmistakably old-school as a fat gold chain and a pair of unlaced Adidas sneakers.... He delivers a raw, grimy set of anthems as noncommercial as anything he's done".[9]NME reviewer wrote: "as a sort of lyrical sermon from the mount with uptempo beats to crush the weak-hearted, The Sneak Attack raises the stakes on the microphone skills front as KRS-One lectures, hectors, drops streetwise politics, and laments the state of the world".[5]
In mixed reviews, Alternative Press critic found out that the album "proves this pioneer and innovator's run is far from over".[2] Writing for Rolling Stone, Neil Drumming said that the artist "still commands attention, but his booming voice and confidence now deliver warmer, fuzzier messages".[7]Blender reviewer stated: "Sadly, Sneak Attack also reflects the influence of Professor One's recent ubiquity on the college-lecture circuit; windy speechifying interludes take up a third of the record. Too bad -- when he does rap, he shows twice the gusto of many rappers half his age".[2] David Bry of Vibe claimed that "KRS-One sounds as hungry and passionate as ever.... Unfortunately, a barrage of rigid, same-sounding beats and canned choruses detracts from Attack's effectiveness".[8] Evan Serpick of Entertainment Weekly wrote: "the most compelling lectures can't obscure KRS' drab old-school beats and samples".[4]