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"**The Cruel Day**"
"The Cruel Day"
Playhouse 90 episode
Episode no.	Season 4; Episode 10
Directed by	Franklin Schaffner
Written by	Reginald Rose
Original air date	February 24, 1960
Running time	88 minutes
Guest appearances
	Van Heflin as the captain; Cliff Robertson as Lt. Carvet; Thano Rama as the prisoner; Nehemiah Persoff as the prisoner's father; Phyllis Thaxter as the captain's wife; Raymond Massey as Father Ruquoi; Charles Bronson as Sgt. Meras; Peter Lorre as a cafe owner;
Episode chronology
← Previous; "To the Sound of Trumpets"	Next →; "Tomorrow"

"The Cruel Day" was an American television play broadcast on February 24, 1960, as part of the CBS television series, Playhouse 90. It was the tenth episode of the fourth season of Playhouse 90 and the 127th episode overall.

Plot

A French Army captain arrives with his wife and son at an outpost in a small town in Algeria during the Algerian War. Upon his arrival, rebels stage bomb a house, resulting in the massacre of a local family. The French forces capture a rebel courier, a handsome and intelligent 15-year old boy. When a lieutenant recommends torturing the boy to elicit information on the rebels, the captain faces a crisis of conscience. He debates the dilemma with himself, the prisoner, the prisoner's father, a priest, his wife, and his fellow soldiers. Frustrated at the captain's indecision, the lieutenant fails to act and allows a sniper to shoot and kill the captain.^[1]^[2]

Production

Herbert Brodkin was the producer. Franklin Schaffner was the director, and Reginald Rose wrote the teleplay.^[1]

The cast included Van Heflin as the captain, Cliff Robertson as Lt. Carvet, Phyllis Thaxter as Nicole (the captain's wife), Raymond Massey as Father Ruquoi, Charles Bronson as Sgt. Meras, Peter Lorre as a cafe owner, Nehemiah Persoff as the Algerian father, and Thano Rama as Yazid Boussena (the prisoner).^[1]

The production was Lorre's first role after being away from television for a year due to a health incident that Lorre described as sun stroke.^[3]

Reviews

Harry Harris in The Philadelphia Inquirer described it as "a stunning drama that helped regain for 'Playhouse 90' much of its onetime luster."^[2] Harris also praised Schaffner's direction and Brodkin's overall production as "beyond reproach".^[2]

Larry Wolters of the Chicago Tribune called it "a sensitive, moving, and suspenseful drama."^[4]

Fred Danzig of the UPI praised the cast as excellent and opined that its treatment of profound questions made the play "one of unusual importance."^[5]