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Suzy
Suzy
	Theatrical release poster
Directed by	George Fitzmaurice
Screenplay by	Dorothy Parker; Alan Campbell; Horace Jackson; Lenore J. Coffee
Based on	Suzy; 1934 novel; by Herbert Gorman
Produced by	Maurice Revnes
Starring	Jean Harlow; Franchot Tone; Cary Grant
Cinematography	Ray June
Edited by	George Boemler
Music by	William Axt
Production; company	Metro-Goldwyn-Mayer
Distributed by	Metro-Goldwyn-Mayer
Release date	July 20, 1936;
Running time	93 minutes
Country	United States
Language	English

Suzy is a 1936 American drama film directed by George Fitzmaurice and starring Jean Harlow, Franchot Tone and Cary Grant. The film was partially written by Dorothy Parker, based on a novel by Herbert Gorman. The Academy Award-nominated theme for Suzy, "Did I Remember?", was sung by Virginia Verrill (uncredited).^[1]

Plot

In 1914, American showgirl Suzanne Trent (Jean Harlow) is in London, hoping to meet and marry a man with money. She tells her friend Maisie (Inez Courtney) she can charm any man she chooses into marrying her, and then learn to love him.

She sets her sights on Terry Moore (Franchot Tone), an Irishman she sees in a borrowed Rolls-Royce. She soon learns he is not wealthy, but he has a respectable job and good prospects, being an engineer, inventor, and pilot. They quickly fall in love and marry. But then they stumble on a German plot, and her husband is shot by a mysterious woman (Benita Hume), who leaves immediately. The landlady arrives moments later and hysterically calls for police, accusing Suzy of murder. Suzy also flees the scene, and therefore does not learn that Terry is expected to survive.

Maisie has moved to Paris, and Suzy now follows her, taking a job at the same cabaret just before World War I begins.

Thinking she is a widow, Suzy is heartbroken, until she meets the famed French flying ace Andre Charville (Cary Grant) at the cabaret. They quickly fall in love and get married. Andre's aristocratic father, Baron Edward Charville (Lewis Stone), welcomes Suzy into the family home, but is concerned about the whirlwind romance and marriage because Andre has had many short-lived relationships with women. After Andre is recalled to the front, Suzy bonds with the old man, even inventing letters from Andre that she pretends to read to him.

The Baron's concern was justified: when Andre returns briefly to Paris, he is more interested in socializing with his fellow pilots—and their girlfriends—than taking the opportunity to see the wife he has not even told them about. The Baron covers for him, but makes sure Andre and Suzy do meet for a few minutes as he returns to the front.

Andre is wounded in action, and Suzy goes to comfort him. There she is shocked to meet Terry, who is delivering to Andre's squadron new British fighters he helped design. She explains to Terry what happened, but tells him she now loves Andre. Terry is incensed at her for not telling Andre she was already married to him, and for having run away. He assumes she never loved him.

Suzy goes to Andre to tell him the truth—and has another shock, finding him in a compromising position with the woman who shot Terry. Unable to think clearly, she returns home to Paris, where she finds a magazine photo of Andre with the woman. Her name is Diane Eyrelle, and she has been "caring for" Andre during his recovery. Obviously, she is actually spying on him. Suzy returns to the air base and tells Terry what she has learned. He is dubious but agrees to take action. Suzy points out that as Andre is a public figure, for the sake of morale they should try to avoid damaging his reputation. They confront Andre first, but Diane overhears them, and as the four argue, her henchman comes in and shoots Andre.

Andre was about to return to active service and is scheduled to take off immediately on a dangerous mission. Terry says he can fetch a doctor or take over the flight, but has no time to do both. Andre says to fly the mission.

Terry takes his revenge, killing Diane and her henchman by strafing their car, then shooting down the German fighters meant to ambush Andre. He deliberately passes the airfield and crashes into a tree in front of the chateau, where Andre now lies dead. Suzy and Terry move his body so it will seem he died in the crash.

At the funeral that follows, a German flyer drops a bouquet in homage.

Terry is asked to escort the ace's widow back to Paris.

Cast

Jean Harlow as Suzanne "Suzy" Trent
Franchot Tone as Capt. Terry Moore
Cary Grant as Capt. Andre Charville
Lewis Stone as Baron Edward Charville
Benita Hume as Madame Diane Eyrelle
Reginald Mason as Captain Barsanges
Inez Courtney as Maisie aka "Frostbite"
Greta Meyer as Mrs. Schmidt
David Clyde as Knobby McPherson
Christian Rub as "Pop" Gaspard, the Pianist
George Spelvin as Gaston
Una O'Connor as Mrs. Bradley, Suzy's Landlady
Theodore von Eltz as Revue Producer
Dennis Morgan as Lieutenant Charbret
Tyler Brooke as Raoul
Robert Livingston as Pierre
Frank Dawson as Albert
Ferdinand Gottschalk as Proprietor of Café Anges
Joseph R. Tozer as Colonel
Harry Cording as Madame Eyrelle's Chauffeur
Tempe Pigott as Old Woman Getting Police
Luana Walters as Check Room Girl

Production

Dorothy Parker was notable as one of the screenwriting team, with much of the early scenes’ witty dialogue attributed to her. Harlow's cabaret song, Walter Donaldson and Harold Adamson's "Did I Remember (To Tell You I Adored You)" was dubbed by vocalist Virginia Verrill who also had dubbed for her in Reckless (1935). Grant, who replaced Clark Gable as the third lead, also sang a few bars of the song.^[2] Other songs included: "When You Wore a Tulip and I Wore a Big Red Rose" and "Under the Bamboo Tree", uncredited but sung by Verrill.^[1]

In order to film the aerial sequences, footage was leased from Howard Hughes and one scene was directly lifted from Hell's Angels (1930), which had been Harlow's break-through film.^[3] A number of aircraft were prominently seen, including Andre's S.E.5 fighter, German Fokker D.VII and Thomas-Morse S-4 fighters as well as a rare Sikorsky S-29-A airliner filling in as a German Gotha bomber.^[4]

Reception

Although Harlow dominates the film, it is not considered one of her finest, with a mundane plot and only the Grant and Tone roles being notable.^[2] Critic Frank S. Nugent of The New York Times considered it hackneyed, as "...it plunges across the screen, creates some mild excitement and careens out again, leaving us with a few esthetic bruises and a feeling that a little fresh air would do no harm."^[5]

Accolades

Walter Donaldson (music) and Harold Adamson (lyrics) were nominated in the category, Best Music, Original Song for the song "Did I Remember" at the 1937 Academy Awards.

References

Notes

^ ^a ^b "Did I Remember, Lyrics." International Lyrics Playground. Retrieved: March 30, 2011.
^ ^a ^b Wollstein, Hans J. "Suzy (1936)." Archived 2012-09-22 at the Wayback Machine AMG Review. Retrieved: March 30, 2011.
^ Farmer 1990, p. 84.
^ Farmer 1990, pp. 15, 23.
^ Nugent, Frank S. "Suzy (1936): 'Suzy' at Capitol Clears Spelvin Mystery." The New York Times, July 25, 1936. Retrieved: March 29, 2011.

Bibliography

Farmer, James H. "Howard & Hell's Angels." Air Classics, Volume 26, No. 12, December 1990.
Hardwick, Jack and Ed Schnepf. "A Viewer's Guide to Aviation Movies." The Making of the Great Aviation Films, General Aviation Series, Volume 2, 1989.
Wynne, H. Hugh. The Motion Picture Stunt Pilots and Hollywood's Classic Aviation Movies. Missoula, Montana: Pictorial Histories Publishing Co., 1987. ISBN 0-933126-85-9.