Susie Ibarra (born Anaheim, November 15, 1970) is an American contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians.[1] One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music.[2] As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology.[3]
Early years
The youngest of five children, Ibarra was born in Anaheim, California, and raised in Houston, Texas. Her parents Bartolome and Herminia Ibarra were both physicians who immigrated from the Philippines. She began playing piano at the age of four. In grade school she sang in church and school choirs and played in a punk rock band in high school. While at Sarah Lawrence College in the late 1980s, Ibarra attended a Sun Ra performance which she has credited with kindling her interest in jazz. She also attended the Mannes College The New School for Music and Goddard College, where she received her B.A. in Music.[4]
Ibarra was named "Best Percussionist" in the 2010 Downbeat International Readers Poll and "Best Percussionist, Rising Star" in the 2009[5] and 2011[6]Downbeat Critics Poll. Ibarra has been featured on the cover of percussion magazines such as Tom Tom[7] and Modern Drummer. Ibarra is a Yamaha Drums,[8]Vic Firth, and Paiste Cymbals Artist.
Ibarra began field recording kulintang gong music in the Philippines in 2004. In 2007, she received an Asian Cultural Council Fellowship to research indigenous and folkloric music in the Philippines.[9] Ibarra and Roberto Juan Rodriguez researched, recorded, and filmed seven endangered indigenous tribes in the Philippines from 2008 to 2009 and documented the conservation efforts on behalf of the near extinct Philippine eagle. In 2009, they founded Song of the Bird King to concentrate on the preservation of indigenous music and ecology.
In 2018, the Asian Cultural Council gave Ibarra a fellowship to support her Himalayan Glacier Soundscapes project, during which she traveled along the Ganges River with a glaciologist and research team "recording the sounds of glacial recession."[10]
Ibarra received a 2010 TED Fellowship,[11] a 2010 New York Foundation for the Arts fellowship for music composition,[12] and a 2008 Asian Cultural Council Rockefeller fellowship. The Asia Society nominated her as a delegate of Asia 21 Young World Leaders Summit Unity Through Diversity in Jakarta in 2010.
Mundo Niños
With Cuban-Composer Roberto Juan Rodriguez, Ibarra co-founded Mundo Niños, a children's group that performs and teaches music in multi-languages to disabled, indigenous, and orphaned children.
Musical works as composer and performer
In 2004, Ibarra recorded Folkloriko, a cycle of 11 pieces dedicated to a day in the life of a Filipino migrant worker. The work was premiered at the Freer Gallery of Art of the Smithsonian Institution in conjunction with the first Filipino photography exhibit by Ricardo Alvarado. Recorded on Tzadik Records and performed by Jennifer Choi (violin), Craig Taborn (piano), Wadada Leo Smith (trumpet) and Ibarra (drums and percussion).[13]
In 2006 Ibarra released, Dialects by Electric Kulintang on Plastic Records, a duo collaboration with Roberto Juan Rodriguez with compositions featuring electronics, kulintang gongs, percussion, drums and field recordings.[14]
In 2007, American Composers Orchestra commissioned Pintados Dream/The Painted’s Dream, a drum concerto with Ibarra soloing, a chamber orchestra and visual art by Makoto Fujimura which world premiered at Carnegie Zankel Hall in October of that year.[15]
In February 2007 she composed for a commission by Ars Nova Workshop in Philadelphia, Kit: Music for Four Pianists, eight-hand piano, in an evening work of Ibarra's percussion music.[16]
Also in 2007, her solo CD, Drum Sketches, was commissioned by The Brecht Forum and American Composers Forum on Innova Recordings. These solo pieces are performed and recorded by Ibarra on drum kit, sarunay and kulintang (Philippine xylophone and eight rowed gongs), also including field recordings. They are sonic sketches of Ibarra's sound that include both traditional and avant-garde musical idioms.[17]
In August 2008, MoMa Summergarden and Jazz at Lincoln Center commissioned Ibarra for a premiere of Summer Fantasy and Folklore at the MoMa Summergarden. Ibarra premiered the suite inspired by summers in Houston, New York and Manila with the debut of her quartet featuring Jennifer Choi (violin), Kathleen Supove (piano), Bridget Kibbey (harp) and Susie Ibarra (drumset and percussion).[18]
Also in 2008, Ibarra composed and recorded the music for video installation art, Madre Selva: Homage to Ana Mendieta, created by Visual Artist and Guggenheim Fellow, Juan Sanchez for his exhibition at Lehigh University's Zoellner Arts Center, in Bethlehem, Pennsylvania. The art work is a tribute to the late Cuban American sculptor, installation and performance artist, Ana Mendieta.
In 2010 Music Theatre Group produced two residencies of Saturnalia, a new music theatre work, composed by Ibarra, written by Yusef Komunyakaa, directed by Daniel Fish and music directed by John diPinto. The new music work features 10 actor/singers, the Young Peoples Chorus of NYC, and a chamber ensemble. Saturnalia is a bicultural musical theatre work sung in English and Thai. The story is set in Thailand and portrays the illusion of Paradise that masks a psychological warfare in the minds of US soldiers, and business men and women enslaved in sex trafficking.
Discography
As leader
Breathing Together with One World Ensemble (Freedom Jazz 1997)
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