The Smithsonian Institution (/smɪθˈsoʊniən/smith-SOH-nee-ən), or simply the Smithsonian, is a group of museums, education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge."[2][3][4] Founded on August 10, 1846, it operates as a trust instrumentality[5] and is not formally a part of any of the three branches of the federal government.[6] The institution is named after its founding donor, British scientist James Smithson.[7] It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967.[8]
Almost all of the institution's 30 million annual visitors[13] are admitted without charge,[4] the exception being Cooper Hewitt, Smithsonian Design Museum in New York City, which charges an admissions fee.[14] The Smithsonian's annual budget is around $1.25 billion, with two-thirds coming from annual federal appropriations.[15] Other funding comes from the institution's endowment, private and corporate contributions, membership dues, and earned retail, concession, and licensing revenue.[7] As of 2021,[update] the institution's endowment had a total value of about $5.4 billion.[16]
The institute proposed a number of undertakings. These included the study of plant life and the creation of a botanical garden on the Capitol Mall, an examination of the country's mineral production, improvement in the management and care of livestock, and the writing of a topographical and statistical history of the United States. Reports were to be published periodically to share this knowledge with the greater public, but due to a lack of funds, this initially did not occur. The institute first met in Blodget's Hotel, later in the Treasury Department and City Hall, before being assigned a permanent home in 1824 in the Capitol building.
Beginning in 1825, weekly sittings were arranged during sessions of Congress for the reading of scientific and literary productions, but this was continued for only a short time, as the number attending declined rapidly. Eighty-five communications by 26 people were made to Congress during the entire life of the society, with more than a half relating to astronomy or mathematics. Among all the activities planned by the institute, only a few were actually implemented. Two were the establishment of a botanical garden, and a museum that was designed to have a national and permanent status. The former occupied space where the present Botanic Garden sits.
The museum contained specimens of zoology, botany, archeology, fossils, etc., some of which were passed on to the Smithsonian Institution after its formation. The institute's charter expired in 1838, but its spirit lived on in the National Institution, founded in 1840. With the mission to "promote science and the useful arts, and to establish a national museum of natural history," this organization continued to press Congress to establish a museum that would be structured in terms that were very similar to those finally incorporated into the founding of the Smithsonian Institution. Its work helped to develop an underlying philosophy that pushed for the pursuit and development of scientific knowledge that would benefit the nation, and edify its citizens at the same time.[17]
The British scientist James Smithson (1765–1829) left most of his wealth to his nephew Henry James Hungerford. When Hungerford died childless in 1835,[18] the estate passed "to the United States of America, to found at Washington, under the name of the Smithsonian Institution, an Establishment for the increase & diffusion of knowledge among men", in accordance with Smithson's will.[19] Congress officially accepted the legacy bequeathed to the nation and pledged the faith of the United States to the charitable trust on July 1, 1836.[20] The American diplomat Richard Rush was dispatched to England by President Andrew Jackson to collect the bequest. Rush returned in August 1838 with 105 sacks containing 104,960 gold sovereigns. This is approximately $500,000 at the time, which is equivalent to $14,000,000 in 2023 or equivalent to £12,000,000 in 2023. However, when considering the GDP at the time it may be more comparable to $220 million in the year 2007.[21][22]
Once the money was in hand, eight years of congressional haggling ensued over how to interpret Smithson's rather vague mandate "for the increase and diffusion of knowledge."[20][22] The money was invested by the US Treasury in bonds issued by the state of Arkansas, which soon defaulted. After heated debate, Massachusetts representative (and former president) John Quincy Adams persuaded Congress to restore the lost funds with interest[23] and, despite designs on the money for other purposes, convinced his colleagues to preserve it for an institution of science and learning.[24] Finally, on August 10, 1846, President James K. Polk signed the legislation that established the Smithsonian Institution as a trust instrumentality of the United States, to be administered by a Board of Regents and a secretary of the Smithsonian.[20][25]
Development
Though the Smithsonian's first secretary, Joseph Henry, wanted the institution to be a center for scientific research,[26] it also became the depository for various Washington and U.S. government collections.[27] The United States Exploring Expedition by the U.S. Navy circumnavigated the globe between 1838 and 1842.[28] The voyage amassed thousands of animal specimens, an herbarium of 50,000 plant specimens, and diverse shells and minerals, tropical birds, jars of seawater, and ethnographic artifacts from the South Pacific Ocean.[28] These specimens and artifacts became part of the Smithsonian collections,[29] as did those collected by several military and civilian surveys of the American West, including the Mexican Boundary Survey and Pacific Railroad Surveys, which assembled many Native American artifacts and natural history specimens.[30]
In 1846, the regents developed a plan for weather observation; in 1847, money was appropriated for meteorological research.[31] The institution became a magnet for young scientists from 1857 to 1866, who formed a group called the Megatherium Club.[32] The Smithsonian played a critical role as the US partner institution in early bilateral scientific exchanges with the Academy of Sciences of Cuba.[33]
Museums and buildings
Construction began on the Smithsonian Institution Building ("the Castle") in 1849. Designed by architect James Renwick Jr., its interiors were completed by general contractor Gilbert Cameron. The building opened in 1855.[34]
The National Museum of Natural History opened in June 1911 to similarly accommodate the Smithsonian's United States National Museum, which had previously been housed in the Castle and then the Arts and Industries Building.[37] This structure was designed by the D.C. architectural firm of Hornblower & Marshall.[38]
When DetroitphilanthropistCharles Lang Freer donated his private collection to the Smithsonian and funds to build the museum to hold it (which was named the Freer Gallery), it was among the Smithsonian's first major donations from a private individual.[39] The gallery opened in 1923.[40]
In 2011, the Smithsonian undertook its first-ever capital fundraising campaign.[57] The $1.5 billion effort raised $1 billion at the three-year mark. Smithsonian officials made the campaign public in October 2014 in an effort to raise the remaining $500 million. More than 60,000 individuals and organizations donated money to the campaign by the time it went public.[58] This included 192 gifts of at least $1 million.[58] Members of the boards of directors of various Smithsonian museums donated $372 million.[58] The Smithsonian said that funds raised would go toward completion of the National Museum of African American History and Culture building, and renovations of the National Air and Space Museum, National Museum of American History, and the Renwick Gallery.[58] A smaller amount of funds would go to educational initiatives and digitization of collections.[58] As of September 2017, the Smithsonian claimed to have raised $1.79 billion, with three months left in the formal campaign calendar.[59]
The Smithsonian has close ties with 168 other museums in 39 states, Panama, and Puerto Rico.[62] These museums are known as Smithsonian Affiliated museums. Collections of artifacts are given to these museums in the form of long-term loans. The Smithsonian also has a large number of traveling exhibitions, operated through the Smithsonian Institution Traveling Exhibition Service (SITES).[85] In 2008, 58 of these traveling exhibitions went to 510 venues across the country.[62]
Collections
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Smithsonian collections include 156 million artworks, artifacts, and specimens. The National Museum of Natural History houses 145 million of these specimens and artifacts, which are mostly animals preserved in formaldehyde. The Collections Search Center has 9.9 million digital records available online. The Smithsonian Institution Libraries hold 2 million library volumes. Smithsonian Archives hold 156,830 cubic feet (4,441 m3) of archival material.[86][87]
The Smithsonian Institution has many categories of displays that can be visited at the museums. In 1912, First Lady Helen Herron Taft donated her inauguration gown to the museum to begin the First Ladies' Gown display at the National Museum of American History,[88] one of the Smithsonian's most popular exhibits.[89] The museum displays treasures such as the Star-Spangled Banner, the stove pipe hat that was worn by President Abraham Lincoln, the ruby slippers worn by Judy Garland in The Wizard Of Oz, and the original Teddy Bear that was named after President Theodore Roosevelt.[90] In 2016, the Smithsonian's Air & Space museum curators restored the large model Enterprise from the original Star Trek TV series.[91]
Following international debates about the decolonisation of museums and the legal and moral justifications of their acquisitions, the Smithsonian adopted a new "ethical returns policy" on April 29, 2022. This will permit the deaccession and restitution of items collected under circumstances considered unethical by contemporary standards and thus places moral over legal arguments. A month before, the Smithsonian's National Museum of African Art had announced the planned return of most of its 39 Benin Bronzes to Nigeria,[92] as well as of other cultural items to Turkey.[93]
On October 11, 2022, Benin Bronzes from the National Museum of African Art, as well as the National Gallery of Art, were formally returned to Nigerian cultural officials in a ceremony held in Washington D.C. The Nigerian Minister of Information and Culture, Lai Mohammed, and Prince Aghatise Erediauwa, representing the Oba of Benin Kingdom, spoke at the ceremony. Mohammed said the "decision to return the timeless artworks is worth emulating."[94]
Open access
In February 2020, the Smithsonian made 2.8 million digital items available to the public under a Creative Commons Zero Public Domain Dedication, with a commitment to release further items in the future.[95]
In 1997, the Smithsonian Latino Center was created as a way to recognize Latinos across the Smithsonian Institution. The primary purpose of the center is to place Latino contributions to the arts, history, science, and national culture across the Smithsonian's museums and research centers.[105]
The center is a division of the Smithsonian Institution.[106] As of May 2016, the center is run by an executive director, Eduardo Díaz.[107]
History
At the time of its creation, the Smithsonian Institution had other entities dedicated to other minority groups: National Museum of the American Indian, Freer-Sackler Gallery for Asian Arts and Culture, African Art Museum, and the National Museum of African-American Heritage and Culture.[108]
The opening of the center was prompted, in part, by the publishing of a report called "Willful Neglect: The Smithsonian and U.S. Latinos".[108]
According to documents obtained by The Washington Post, when former Latino Center executive director Pilar O'Leary first took the job, the center faced employees who had "serious performance issues". No performance plans existed for the staff and unfulfilled financial obligations to sponsors existed. The website's quality was poor, and the center did not have a public affairs manager, a programs director, adequate human resources support, or cohesive mission statement.[108]
After difficult times in the first few years, the center improved. According to the Smithsonian, the center "support[s] scholarly research, exhibitions, public and educational programs, web-based content and virtual platforms, and collections and archives. [It] also manage[s] leadership and professional development programs for Latino youth, emerging scholars and museum professionals."[105] Today, the website features a high-tech virtual museum including self-guided virtual tours of past and present exhibits.[109]
Young Ambassadors Program
The Smithsonian Latino Center's Young Ambassadors Program (YAP) is a program within the Latino Center that reaches out to Latino high school students with the goal of encouraging them to become leaders in arts, sciences, and the humanities.[110]
Students selected for the program travel to Washington, D.C. for an "enrichment seminar" that lasts approximately five days. Afterwards, students return to their communities to serve in a paid, one-month internship.[106]
Pilar O'Leary launched the program when she served as executive director of the Smithsonian Latino Center.[111] According to the Latino Center, O'Leary told the press in 2007: "Our goal is to help our Young Ambassadors become the next generation of leaders in the arts and culture fields. This program encourages students to be proud of their roots and learn more about their cultural heritage to inspire them to educate the public in their own communities about how Latinos are enriching America's cultural fabric."[106]
Publications
The institution publishes Smithsonian magazine monthly and Air & Space magazine bimonthly. Smithsonian was the result of Secretary of the Smithsonian S. Dillon Ripley asking the retired editor of Life magazine Edward K. Thompson to produce a magazine "about things in which the Smithsonian Institution is interested, might be interested or ought to be interested".[112] Another Secretary of the Smithsonian, Walter Boyne, founded Air & Space.[113][114]
The organization publishes under the imprints Smithsonian Institution Press, Smithsonian Books, and Smithsonian Institution Scholarly Press.[115][116][117]
Awards
The Smithsonian makes a number of awards to acknowledge and support meritorious work.
The James Smithson Medal, the Smithsonian Institution's highest award, was established in 1965 and is given in recognition of exceptional contributions to art, science, history, education, and technology.
The James Smithson Bicentennial Medal, established in 1965, is given to persons who have made distinguished contributions to the advancement of areas of interest to the Smithsonian.
The Hodgkins Medal, established in 1893, is awarded for important contributions to the understanding of the physical environment.
The Henry Medal, established in 1878, is presented to individuals in recognition of their distinguished service, achievements or contributions to the prestige and growth of the Smithsonian Institution.
The Langley Gold Medal is awarded for meritorious investigations in connection with the science of aerodromics and its application to aviation.[118]
The president's 2011 budget proposed just under $800 million in support for the Smithsonian, slightly increased from previous years. Institution exhibits are free of charge, though in 2010 the Deficit Commission recommended admission fees.[120][121]
As approved by Congress on August 10, 1846, the legislation that created the Smithsonian Institution called for the creation of a Board of Regents to govern and administer the organization.[119] This seventeen-member board meets at least four times a year and includes as ex officio members the chief justice of the United States and the vice president of the United States. The nominal head of the institution is the chancellor, an office which has traditionally been held by the chief justice. In September 2007, the board created the position of chair of the Board of Regents, a position currently held by Risa Lavizzo-Mourey.[122]
Other members of the Board of Regents are three members of the U.S. House of Representatives appointed by the speaker of the House; three members of the Senate, appointed by the president pro tempore of the Senate; and nine citizen members, nominated by the board and approved by the Congress in a joint resolution signed by the president of the United States.[123] Regents who are senators or representatives serve for the duration of their elected terms, while citizen Regents serve a maximum of two six-year terms. Regents are compensated on a part-time basis.
The chief executive officer (CEO) of the Smithsonian is the secretary, who is appointed by the Board of Regents. The secretary also serves as secretary to the Board of Regents but is not a voting member of that body. The secretary of the Smithsonian has the privilege of the floor at the United States Senate. On September 18, 2013, Secretary G. Wayne Clough announced he would retire in October 2014. The Smithsonian Board of Regents said it asked regent John McCarter, Jr., to lead a search committee.[124] On March 10, 2014, the Smithsonian Board selected David Skorton, a physician and president of Cornell University, as the thirteenth secretary of the Smithsonian. Skorton took the reins of the institution on July 1, 2015.[125] Upon Skorton's announced resignation in 2019, the Board selected Lonnie Bunch III, the founding director of the Smithsonian's National Museum of African American History and Culture, as the fourteenth secretary.[126]
In November 2007, The Washington Post reported internal criticism has been raised regarding the institution's handling of the exhibit on the Arctic. According to documents and e-mails, the exhibit and its associated presentation were edited at high levels to add "scientific uncertainty" regarding the nature and impact of global warming on the Arctic. Acting Secretary of the Smithsonian Cristián Samper was interviewed by the Post, and claimed the exhibit was edited because it contained conclusions that went beyond what could be proven by contemporary climatology.[130] The Smithsonian is now a participant in the U.S. Global Change Research Program.[131]
Copyright restrictions
The Smithsonian Institution provides access to its image collections for educational, scholarly, and nonprofit uses. Commercial uses are generally restricted unless permission is obtained. Smithsonian images fall into different copyright categories; some are protected by copyright, many are subject to license agreements or other contractual conditions, and some fall into the public domain, such as those prepared by Smithsonian employees as part of their official duties. The Smithsonian's terms of use for its digital content, including images, are set forth on the Smithsonian Web site.[132][133]
In April 2006, the institution entered into an agreement of "first refusal" rights for its vast silent and public domain film archives with Showtime Networks, mainly for use on the Smithsonian Channel, a network created from this deal. Critics contend this agreement effectively gives Showtime control over the film archives, as it requires filmmakers to obtain permission from the network to use extensive amounts of film footage from the Smithsonian archives.[134]
^Barlow, William (1847). The Smithsonian Institution, "for the Increase and Diffusion of Knowledge Among Men": An Address on the Duties of Government, in Reference Chiefly to Public Instruction: with the Outlines of a Plan for the Application of the Smithsonian Fund to that Object. B. R. Barlow.
^"National Collections". Smithsonian National Collections Dashboard. Retrieved September 13, 2024.
^Leaf, Jesse (March 13, 2007). The Everything Family Guide to Washington D.C.: All the Best Hotels, Restaurants, Sites, and Attractions. Everything Books. ISBN978-1-4405-2411-0.: 57
^Kurin, Richard (October 29, 2013). The Smithsonian's History of America in 101 Objects Deluxe. Penguin. ISBN978-0-698-15520-6.
^Smithson, James (October 23, 1826). "Last Will and Testament". Smithsonian Institution. Smithsonian Scrapbook: Letters, Diaries and Photographs from the Smithsonian Archives. Archived from the original on August 24, 2011. Retrieved October 4, 2012.
^Ewing, Heather. The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian. pp. 323–24, 330, 409. Ewing notes that it would be the equivalent of over $10 million today, using one index, but using a per-capita share of GDP, it would be the equivalent of over $220 million. It was close to the total of Harvard University's endowment at that point, which had accumulated for nearly 200 years by the 1830s and was not the result of a single gift, as Smithson's was.
^Orosz, Joel J. (June 28, 2002). Curators and Culture: The Museum Movement in America, 1740-1870. University of Alabama Press. ISBN978-0-8173-1204-6.: 155
^Orosz, Joel J. (June 28, 2002). Curators and Culture: The Museum Movement in America, 1740-1870. University of Alabama Press. ISBN978-0-8173-1204-6.: 157
^ abBenson, Keith Rodney; Rehbock, Philip F. (2002). Oceanographic History: The Pacific and Beyond. University of Washington Press. ISBN978-0-295-98239-7.: 532
^Adler, Antony (May 1, 2011). "From the Pacific to the Patent Office: The US Exploring Expedition and the origins of America's first national museum". Journal of the History of Collections. 23 (1): 49–74. doi:10.1093/jhc/fhq002. ISSN0954-6650.
^Baird, S.F.; Emory, W.H. (1857). Report on the United States and Mexican boundary survey. Рипол Классик. ISBN978-5-88160-802-6.: 13
^"Museum History". nmh.si.edu. National Museum of Natural History. 2008. Archived from the original on July 26, 2009. Retrieved November 15, 2009.
^"New Museum Plans". The Washington Post. April 13, 1903.
^Gunter, Ann Clyburn (2002). A Collector's Journey: Charles Lang Freer and Egypt. Freer Gallery of Art, Smithsonian Institution, Arthur M. Sackler Gallery. ISBN978-1-85759-297-9.: 96
^Fortier, Alison (May 6, 2014). A History Lover's Guide to Washington, D.C.: Designed for Democracy. The History Press. ISBN978-1-62585-064-5.: 110
^Moeller, Gerard Martin; Feldblyum, Boris (2012). AIA Guide to the Architecture of Washington, D.C. Baltimore: Johns Hopkins University Press. p. 78. ISBN9781421402697.
^"Quadrangle Complex Opens". The Torch. Smithsonian Institution. January 1987. p. 1. Archived from the original on January 4, 2013. Retrieved May 16, 2012. Record Unit 371, Box 5.
^"About The Museum". Cooper-Hewitt, National Design Museum. Archived from the original on March 10, 2009. Retrieved December 6, 2009.
^"History of the Hirshhorn". Hirshorn Museum and Sculpture Garden, Smithsonian Institution. Archived from the original on September 28, 2008. Retrieved December 6, 2009.
^"Steven F. Udvar-Hazy Center". nasm.si.edu. National Air and Space Museum, Smithsonian Institution. Archived from the original on April 30, 2012. Retrieved February 25, 2010.
^"About Us". National Museum of African American History and Culture, Smithsonian Institution. Archived from the original on March 26, 2009. Retrieved February 25, 2010.
^Kohn, R. H. (1995). "History and the culture wars: The case of the Smithsonian Institution's Enola Gay Exhibition". The Journal of American History. 82 (3): 1036–1063. doi:10.2307/2945111. JSTOR2945111.
^Grimaldi, James V.; Trescott, Jacqueline (November 16, 2007). "Scientists Fault Climate Exhibit Changes". The Washington Post. p. 4. Archived from the original on April 29, 2011. Retrieved November 18, 2007.
^"Smithsonian Images-Copyright". smithsonianimages.si.edu. Smithsonian Institution. January 13, 2012. Archived from the original on October 2, 2011. Retrieved July 26, 2014.
Nina Burleigh, Stranger and the Statesman: James Smithson, John Quincy Adams, and the Making of America's Greatest Museum, The Smithsonian. New York: HarperCollins, 2003.
Heather Ewing, The Lost World of James Smithson: Science, Revolution, and the Birth of the Smithsonian. Bloomsbury, 2007.
William S. Walker, A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum. Amherst, MA: University of Massachusetts Press, 2013.
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