Sonic Temple is the fourth studio album by British rock band The Cult, released on 10 April 1989. Described by guitarist Billy Duffy as "rock music from a European perspective with the sensibilities of punk",[6] the album features some of the band's most popular songs, including "Fire Woman" and "Edie (Ciao Baby)". Sonic Temple was the last album recorded with longtime bassist Jamie Stewart, who left in 1990, and the first to feature session drummer Mickey Curry.
Background
During 1988, The Cult recorded the first 14-track demo version of this album with Eric Singer (later of Kiss) on drums. Later on, they tracked a new demo version of the record fifteen songs with Chris Taylor, drummer for the Bob Rock band.
Duffy's approach to the guitar changed significantly, with the guitarist stating, "I'd come full circle with the Les Paul. (...) I started taking the front off the Les Paul and went back to the natural finish while also playing the wah pedal half-closed like [Mick Ronson]. It was back to guys like Mick Ronson, Mick Ralphs, Thin Lizzy and Jimmy Page."[6]
The album cover features Duffy with his Les Paul, partially obscuring a picture of vocalist Ian Astbury, chosen because the band wanted "to capture the essence of what a powerchord felt like."[6]
On 4 October 2019, Sonic Temple was re-released as a 5-CD box set and as a 2 LP/1 cassette box set, with a different cover, the original album digitally remastered, numerous rarities, a live album recorded at London Wembley Arena and a comprehensive booklet featuring rare photos and background info on the album and the band. The LP/cassette edition has a limited release of 3500 copies worldwide.[7]
The album received mixed reviews, with some interpreting the change in sound positively and some negatively. John Leland of The New York Times deemed Sonic Temple "both [the Cult's] most conventional album and its most convincing", continuing: "Using a few simple riffs and images, the Cult creates an entire environment, one more exciting and stimulating than our own. Bob Rock, the album's producer, washes blunt, powerful sound over the broadness of most of the band's strokes. Sonic Temple makes a virtue of its lack of subtlety."[17]
In a less enthusiastic review for The Village Voice, Robert Christgau wrote: "Having risen from cultdom as a jokemetal band metal fans were too dumb to get, they transmute into a dumb metal band. Dumb was the easy part. Ha ha."[16]Los Angeles Times critic Chris Willman lambasted the album as "stupid".[9] In his book Perfect from Now On, writer John Sellers criticised the Cult for "emulating a hair-metal band" on Sonic Temple, commenting that "the Cult had moved from the hearts of alternative-music fans to the Walkmans of Warrant disciples—completely unacceptable."[18]
Karen Douthwaite of Hi-Fi News & Record Review noticed that the band "recycling the same riffs for the last few albums" and "guitar sound intensified and metallized to AC/DC proportions.".[19] Parke Puterbaugh of Stereo Review considered that the band "borrows its inspiration" from Led Zeppelin, Queen and other AOR heroes from the hard rock Seventies, but "there's something perversely addictive about this music, with its upfront aggression and its slow-motion orgasms of drums and guitars building to a raunchy climax."[20]