Sokari Douglas Camp CBE (born 1958 in Nigeria) is a London-based artist who has had exhibitions all over the world and was the recipient of a bursary from the Henry Moore Foundation. She was honoured as a Commander of the Order of the British Empire (CBE) in the 2005 Birthday Honours list.^[1]

Camp was born in Buguma, Nigeria, a Kalabari town in the Niger Delta. She was raised by her brother-in-law, the anthropologist Robin Horton. She studied art at the California College of Arts and Crafts in Oakland, California (1979–80), earned her BA degree at the Central School of Art and Design (1980–83), London, and her MA from the Royal College of Art (1983–86).

She participated in the 1989 Pachipamwe II Workshop held at Cyrene Mission outside Bulawayo, Zimbabwe along with Joram Mariga, Bernard Matemera, Bill Ainslie, Voti Thebe, Adam Madebe and David Koloane.^[2]

Her work is predominantly sculpted in steel and takes inspiration from her Kalabari heritage, Nigerian cultures and her life in the UK.^[3] She has worked with the Smithsonian and the British Museum and her work is in their permanent collections. Her sculptures are held in other museum collections in Europe, Britain and Japan and private collections throughout the world. She has exhibited internationally in galleries, including in Austria, Great Britain, Cuba, France, Germany, the Netherlands, Japan, Sicily, South Africa, Spain, the United States.

Among her notable solo shows are Spirits in Steel – The Art of the Kalabari Masquerade at the American Museum of Natural History, New York (1998–99); and Imagined Steel at The Lowry Arts Centre, Manchester, which toured to the Oriel Mostyn Gallery, Llandudno; Brewery Art Centre, Cirencester; and Derby Museum and Art Gallery (2002–03). In 2005, she collaborated with Ground Force to create work for the Africa Garden at the British Museum, as part of the UK-wide Africa 05 Festival.

In 2003, her proposal NO-O-War No-O-War-R was shortlisted for Trafalgar Square's fourth plinth.^[4][5] She was honoured with a CBE in 2005.^[6] She has been awarded many commissions for public memorial sculptures, most notably Battle Bus: The Living Memorial to Ken Saro-Wiwa (2006).^[7] In 2012, her sculpture memorial to commemorate slavery, All the World is Now Richer, was exhibited in The House of Commons.

Her piece Green Leaf Barrel (2014) was inspired by the fact that her home, Niger Delta, was struggling because of insignificant jobs and a significant amount of pollution.^[8] The figure of the woman represents a woman god who is creating growth from an oil barrel split in two. While creating this piece, she wanted to focus on the positive as she felt that the negatives are often so big that they take up more of our conversation. Her work was featured in the 2015 exhibition No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery.^[9] In 2016, her work Primavera was shown at the October Gallery (7 April – 14 May, 2016).^[10]

More recent shows include Sokari Douglas Camp CBE: Jonkonnu - Masquerade, shown at the October Gallery 23 June–3 July 2022, a solo exhibition of new work exploring the art of masquerade within Africa and its diaspora.^[11]

Camp is married to the architect Alan Camp and has lived in London for many years.

• 1981: Amy Sadur Friedlander Prize
• 1982: Saatchi & Saatchi Award
• 1983: Princess of Wales Scholarship and Henry Moore Foundation bursary
• 2000: Commonwealth Grant
• 2005: Commander of the Order of the British Empire (CBE)
• 2006: Honorary Fellow of the University of the Arts London
• 2008: Governor, University of the Arts^[12]
• 2017: Honorary Fellowship of SOAS, University of London^[13]

• Sokari Douglas Camp: Alali, Ikon Gallery, Birmingham (1985)^[14]
• Echoes of the Kalabari: sculpture by Sokari Douglas Camp, National Museum of African Art, (The Smithsonian Institution) Washington (1988)^[14]
• Sokari Douglas Camp: new work, Sue Williams Gallery, London (1991)^[14]
• Play and Display, Museum of Mankind, London (1995)^[14]

• New Horizons, South Bank Centre, London (1985)^[14]
• Conceptual Clothing, Ikon Gallery, Birmingham (1986)^[14]
• From Two Worlds, Whitechapel Art Gallery, London (1986)^[14]
• Influences, South London Art Gallery, London (1988)^[14]
• Time & Motion, Laing Art Gallery, Newcastle-Upon-Tyne (1989)^[14]
• Art for Amnesty: A Contemporary Art Auction, Bonhams, London (1991)^[14]

A 2006 photograph of Sokari Douglas Camp by Sal Idriss is part of the National Portrait Gallery collection.^[15] A 2009 terracotta was exhibited at Yorkshire Sculpture Park in 2013^[16] as part of the Sculpture Series Heads – Contributors to British Sculpture.^[17]

Forty-one photographs taken by Phil Polglaze at the South London Art Gallery on 8 September 1988 during the private view of the exhibition Influences: The Art of Sokari Douglas Camp, Keith Piper, Lubaina Himid, Simone Alexander, Joseph Olubo, Brenda Agard. Several photographs are of the artists with his or her artwork, including Douglas Camp.^[18]

• Kastor, Elizabeth (11 November 1988). "Keeper of the Kalabari Magic; Nigerian Sculptor Sokari Douglas Camp". The Washington Post. Archived from the original on 4 February 2017.
• Cotter, Holland (16 October 1997). "Philip L. Ravenhill, 52, Expert on the Art and Culture of Africa". The New York Times. ISSN 0362-4331.
• Shaw-Eagle, Joanna (27 April 1997). "Artist's Kinetic Works Weld Western and African Styles". The Washington Times. Archived from the original on 1 December 2017.
• "Apartheid 'Insights' on Exhibit; 30 Works Show Cruelty in S. Africa". The Washington Times. 11 September 2004. Archived from the original on 4 February 2017.
• Interview with Leora Maltz-Leca (24 August 2010). "Sokari Douglas Camp." Artforum.

• Official website
• Sokari Douglas Camp biography at the British Museum.
• Sokari Douglas Camp at Peter Herrmann Gallery.
• Sokari Douglas Camp at the Smithsonian National Museum of African Art
• Primavera: Sokari Douglas Camp C.B.E. Catalogue.