The album was produced by French producer Nicolas Vernhes at the Rare Book Room Studios in Brooklyn.[1]
Release
On January 30, 2014, Wye Oak announced the release of their fourth studio album, along with the single, "The Tower".[15]
Singles
The first single from the album, "The Tower" was released on January 30, 2014. The single has been described as a "pretty melancholy track with Jenn Wasner’s smoky but downtrodden voice and the dark, pulsating synths."[16] In a review of the single, Chad Jewett of Half Cloth explained that it "offers a dub-like mélange of skittering drums and keyboard slabs. A rusted cello creaks in the background, dappling the already slightly ominous minor key burner with rustic gloom." Andy Stack, who has routinely pulled double-duty on drums and keyboard, offers a choppy back-and-fourth[sic] between the two, treating the song’s whorling organ with percussive menace, till it’s almost part of the kit.[17]
The second single "Glory" was released on March 18, 2014. Jamieson Cox from Pitchfork said the single "is nervy, charged music, buzzing like a brain in heat." While explaining Wasner had a "palpable uptick" in her voice and in the stickiness of its rhythmic hook."[18] Kyle McGovern from Spin explained the single has a "high-minded groove that benefits from Wasner’s heavenly vocals and a brief detour into itchy, electronic instrumentation."[19]
Music videos
The official music video for "The Tower" was released on April 3, 2014, and directed by American filmmaker Ben O'Brien.[20] The video features two dancing painters pirouetting through city streets and warehouses.[16]
On April 30, 2014, the music video for "Glory" was released, and directed by Michael Patrick O'Leary and Ashley North Compton.[21] The video has been described as "bizarre", as it features everyday items turning into "creepy pieces of symbolism".[22] Director Ashley North Compton explained the reason behind the "cryptic visuals": "The video explores an internal and external power struggle and a fear of loss of control—through the lens of youth, anxiety, ease, and tension. The narrative follows youth-oriented themes, colors, styles and struggles with jarring and uncomfortable characters and movements."[22]
Critical reception
Shriek was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 76 based on 24 reviews.[2]
Tim Sendra of AllMusic said: "The album is built around swooning banks of synths, bleeping key-based melodies, Stack's choppy drum patterns and programs, and Wasner's bouncy basslines." While also noting, the vocals of Jenn Wasner are her "most powerful and varied yet".[3] Jon Hadusek said their album "feels like a natural progression for Wasner and Stack, with the synths handling the same rhythms and higher register melodies once reserved for the guitars. Shriek is a successful reinvention and hopefully a prelude of things to come as the band embarks on its new life."[5]
On February 20, 2024, the band announced that for the album's tenth anniversary, they would release Shriek: Variations, a collection of five songs from the album – "Before", the title track, "Sick Talk", "The Tower", and "Logic of Color" – reworked by American electroacoustic composer William Brittelle.[27] The band had previously worked with Brittelle on his 2019 album Spiritual America.[27] On the new project, Stack said "It's like looking at the songs in a funhouse mirror. The songs on Shriek can be stripped down or embellished – this is maximal embellishment. William took the album and blew it to smithereens, looking at it in a weird, prismatic way."[27]Shriek: Variations was released on March 22 by Merge Records.[27]
