Lee was "a renowned expert on Asian art."[3] According to Philippe de Montebello, Lee will be remembered for "sensational acquisitions that transformed the Cleveland Museum of Art in all fields."[4]
In 1952, Lee began work at the Cleveland Museum of Art as Chief Curator of Oriental Art. He was named Director in 1958, and served in this capacity until 1983.[2]
He advised Mr. and Mrs. John D. Rockefeller on building their collection of Asian art.
Speaking of his service with the Monuments Men, Lee said:
We were responsible for protection of registered cultural property ... We were responsible for national parks ... We were responsible for the encouragement of the living artists and ... the democratization of Japanese museums to see that there was evenhanded fair play.[4]
Legacy
According to Philippe de Montebello, director of the Metropolitan Museum of Art in New York, Sherman Lee "carried a lot of weight in the community of museum directors. He bought in all fields, his own particularly brilliantly, but in many different fields. He really transformed the Cleveland museum from a regional museum to a major global museum."[2]
In a statistical overview derived from writings by and about Sherman Lee, OCLC/WorldCat encompasses roughly 100+ works in 300+ publications in 8 languages and 14,000+ library holdings.[9]
American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas. (1946). Report. Washington, D.C.: U.S. Government Printing Office. OCLC185537904
Lee, Sherman E. (1997). "My Work in Japan: Arts and Monuments 1946–48," in The Confusion Era: Art and Culture of Japan during the Allied Occupation 1945–52, ed. Mark Sandler. Washington, D.C.: Smithsonian Institution.
U.S. Department of State. Foreign Relations of the United States (FRUS) [NB. This is a publication of the State Department that serves as a key finding aid because the documents selected for printing include the source file designation.]
__________________. (1944). "Interest of the United States in measures for the protection and salvage of artistic and historic monuments in war areas," FRUS. (Vol. II, pp. 1031–1068.
__________________. (1945). "Interest of the United States in measures for the protection and salvage of artistic and historic monuments in war areas," FRUS. (Vol. II, pp. 933–957.