The late Renaissance building was constructed on the site of a pre-existing Palaeochristian pieve dedicated to St. Mary and subsequently to St. Blaise. In the early 16th century only remains existed of the pieve, including a wall with a fresco of Madonna with Child and St. Francis, from a 14th-century Sienese painter. The project was supported by Pope Leo X, who had studied under Angelo Poliziano, a native of Montepulciano.
The construction lasted until 1580 and, after Sangallo's death, was directed by other superintendents.
Description
The church is a Greek cross plan, with a central dome supported by a drum. The side opposite to the entrance has a semi-circular apse.
The main façade, whose scheme is repeated (with some minor changes) on the two side ones, is divided into two sectors by a large entablature featuring a frieze with triglyphs and metopes which runs for the whole perimeter of the edifice. The lower sector houses the portal, on which is the foundation date. Above it is a window, in turn surmounted by a triangular pediment with, in the middle, a circular oculus. All the exterior is formed by travertine slabs.
The façade is flanked by the multifloor bell tower, with numerous decorative elements, which ends in a pyramidal cusp. The design included two symmetrical towers, but only one was built.
^Haegen, Anne Mueller von der; Strasser, Ruth F. (2013). "San Biagio". Art & Architecture: Tuscany. Potsdam: H.F.Ullmann Publishing. p. 409. ISBN978-3-8480-0321-1.
Sources
Barcucci, E. (2000). Il Tempio di San Biagio a Montepulciano. Le Balze.