Crossgrove was born in 1921 in Farnam, Nebraska, to parents Lynn E. Crossgrove (1896–1978) and Iva E. Crossgrove (1893–1976). He had a sister, Ardyce J., and a brother, Dale Eugene. His father was a farmer, and his mother was a self-taught artist. Both were Nebraska natives.[3]
In 1968, Crossgrove moved to Storrs, Connecticut, to teach at the University of Connecticut, where he chaired the art department until he retired in 1988.[6] Former students described him as patient, supportive, good-humored, and committed to imparting broad foundational knowledge to his pupils.[6] UConn named him a Professor of Art Emeritus, and the School of Fine Arts honored him with a Lifetime Achievement Award in 2008.[2]
In addition to teaching, Crossgrove had a national reputation as an artist. He lived and painted for two years in Mexico, in 1950 and 1965.[1] He spent more than fifty years painting watercolormonotypes, three of which were featured in the Smithsonian Institution's New American Monotypes traveling exhibit, which toured the US in 1978.[8] Starting in 1976, Crossgrove branched out into photography, focusing on the male nude and experimenting with timed-exposure light tracing, a technique also employed by Picasso, and which subsequently saw widespread adoption among photographic artists.[9]
In 2013, Crossgrove donated his papers to the Smithsonian Institution’s Archives of American Art.[1] Having become interested in children’s book illustrations in the later stages of his career, he donated his collections of photographs, posters, and children's books to the Northeast Children’s Literature Collection, part of the Archives and Special Collections at the UConn Library.[2]
Personal life
Crossgrove married Wynona McDermand (1927–2010) in 1948. The couple had six children: Cory, Chris, Cathy, Carolyn, Camilla, and Carl. His wife and son Cory predeceased him.[2]