Minkoff was born to a Jewish family[2] in Palo Alto, California to Jack Robert Minkoff (1922–1998) and Tola Fay Minkoff (née Stebel).[3] When he was 15, during a babysitting job, he discovered the book The Art of Walt Disney by Christopher Finch on a coffee table. Minkoff recalled, "I cracked it open and it was filled with so much incredible artwork from the golden age of animation." Enamored with the art of animation, he asked his parents for a copy, which he received for his next birthday.[4]
He studied at Palo Alto High School and graduated from the California Institute of the Arts in the early 1980s in the Character Animation department. During his studies, Minkoff met Chuck Jones and credited him as an inspiration. He remembered, "I met Chuck during my first year at CalArts and he became a mentor to me ... I had always been a big fan of his and having the opportunity to learn from him has really meant a great deal to me professionally as well as personally."[5]
Career
During the summer of 1982, Minkoff received an internship at Walt Disney Productions, and was apprenticed by Eric Larson, a senior animator who was one of the "Nine Old Men". The following year, he was employed as an in-between artist for The Black Cauldron (1985). He was then a supervising animator for The Great Mouse Detective (1986) for the character Olivia, before working as a character designer for The Brave Little Toaster (1987). He also wrote the song "Good Company" for Oliver & Company (1988), and subsequently served as a character animator for The Little Mermaid (1989). On the film, he provided character designs and early animation tests for the villain Ursula.[5]
Eager to direct a live-action film, Minkoff was handed the script for a feature-length Roger Rabbit sequel, and was hired to develop the project. However, after a year in development, the project was cancelled.[11] On April 1, 1992, he became the co-director for The Lion King (1994) alongside Roger Allers.[5] On the film, the directorial process began with several sequences divided between Allers and Minkoff. Each director brought their own vision to the sequences, but there was a constant exchange of viewpoints to better ensure a stylistic uniformity.[12] In a 2011 interview, Minkoff stated he had directed the "Circle of Life" sequence while Allers directed the "I Just Can't Wait to Be King" sequence.[13]
In January 1995, it was reported he was to direct an untitled "fantasy feature" film that was meant to be his first live-action project.[14] The project went unproduced, in which Minkoff explained: "I had told Jeffrey [Katzenberg] before he left Disney that I wanted to do a live-action picture, and he was trying to get me to commit to doing an animated picture before that ... We were in the middle of figuring out what was the right step to take when he resigned [in 1994]."[15] Sometime later, he worked briefly with Robert Zemeckis on a film project with Universal Pictures and a version of Mr. Popper's Penguins with producers Craig Zadan and Neil Meron.[16] In 1997, Minkoff re-teamed with Zadan and Meron on a film adaptation of Into the Woods for Columbia Pictures.[17] When development had stalled, Minkoff learned from the studio's production head about Stuart Little. After subsequently reading M. Night Shyamalan's script for the film, he agreed to direct.[16]
In 1998, Sony Pictures had announced Minkoff was directing Stuart Little (1999).[18]Principal photography had spanned 12 weeks before wrapping in mid-November 1998.[19] Released in December 1999, Stuart Little was a commercial success, grossing $300 million worldwide. In November 2000, Minkoff, along with his producing partner Jason Clark, had signed a three-year first-look deal at Columbia Pictures, in which he also agreed to direct the sequel, Stuart Little 2 (2002).[20]
Soon after, Minkoff was attached to direct a live-action Jetsons film and a remake of The Sorcerer's Apprentice,[21][22] which both went unproduced. In 2002, Minkoff was hired to direct The Haunted Mansion (2003) starring Eddie Murphy. The film reunited him with producer Don Hahn, who both had worked on The Lion King (1994).[23]
Sometime in the 2000s, Minkoff founded his own production company, Sprocketdyne Entertainment. In June 2003, it was reported that Minkoff's Sprocketdyne
Entertainment was developing a live-action/CGI feature film titled Mr. Peabody & Sherman (based on Mister Peabody from the animated series The Adventures of Rocky and Bullwinkle and Friends) with Sony Pictures.[24][25] At one point, he took the project to Walden Media, but the studio was occupied with The Chronicles of Narnia film series. Minkoff then toyed with self-financing the film himself, before bringing the film to DreamWorks Animation in 2005. In 2011, DreamWorks Animation announced it was producing the project as a computer-animated film, which reunited Minkoff with Jeffrey Katzenberg.[26]Mr. Peabody & Sherman was finally released in March 2014.[27][28]
In 2010, Minkoff had been attached to direct the fantasy action adventure Chinese Odyssey.[29] Minkoff served as a director on the 2018 animated Netflix original animated series of the late Anna Dewdney picture book franchise Llama Llama, overseeing all aspects of production.[30] In November 2015, Minkoff and his producing partner Pietro Ventani had signed a two-picture deal with Le Vision Pictures to co-develop and produce a CGI-animated adaptation of Wolf Totem based on the Jiang Rong novel and a live-action comedy titled Silkworms.[31]
In 2010, Minkoff was pitched the idea for Blazing Samurai by writer Ed Stone, who had initially envisioned an all-human cast. However, Minkoff suggested an all-animal cast, and in 2014, he was attached as a producer.[32][33] After years in development, Minkoff took the director's chair after Chris Bailey had stepped down. The film was retitled Paws of Fury: The Legend of Hank, and released in theaters on July 15, 2022.[34]
He participates as a member of the jury for the NYICFF, a local New York City film festival dedicated to screening films for children between the ages of 3 and 18.[38]
^ abcd"The Lion King: Film Notes" (Press release). Walt Disney Pictures. May 25, 1994. Archived from the original on April 2, 2022. Retrieved July 27, 2022 – via LionKing.org.
^Beyond Beauty: The Untold Stories Behind the Making of Beauty and the Beast (Blu-Ray). Beauty and the Beast Diamond Edition: Walt Disney Home Entertainment. 2010.
^ abKroyer, Bill; Sito, Tom (2019). "Rob Minkoff Interview". In Diamond, Ron (ed.). On Animation: The Director's Perspective Volume 2. CRC Press. pp. 218–219. ISBN978-1-351-65779-2.
^Desowitz, Bill (July 19, 2013). "Immersed in Movies: 'How to Train Your Dragon 2' Wows Comic-Con". Animation Scoop. Retrieved April 8, 2022. Minkoff then admitted that he is now the father of a 10-month-old son and that the movie has special meaning with the bonding of father and son.
