Preston Reed (born April 13, 1955) is an American fingerstyle guitarist. He is noted for a two-handed playing style and compositional approach that uses the guitar's body as a percussion instrument.
Biography
Reed learned guitar as a child on his father's guitar and, for a short time, studied classical guitar. When he was 16 his interest was rekindled by Jorma Kaukonen's acoustic guitar-playing in Hot Tuna. He began to compose his own songs in the style of Leo Kottke and John Fahey.[1] His first public performance was at Smithsonian Institution in Washington D.C., in a concert with poet Allen Ginsberg.[2]
Reed plays with his fingers, thumbs, fists and hands at once. He is also a player of blues or ballads reminiscent of Bill Evans, one of his musical idols.[3]
As a teenager, Reed was initially influenced by Leo Kottke and John Fahey and in the beginning of his career was a more traditional fingerstyle player. In the late 1980s he began to experiment with his own highly individual and percussive style, shortly after Michael Hedges released his first records using some technically similar techniques. Reed's approach created a very distinctive style of music.[1][4]
His guitar style is characterized by the use of percussive effects he generates with both hands on various parts of the guitar body. He names them rim shots and bongo hits.[5] He uses slap and tap techniques like slap harmonics or the generation of notes or whole chords with his left hand (hammer-on, pull-off). He uses both hands for tapping (two-hand tapping) and frets chords with his right hand (right-hand fretting). He often plays with both hands from above the guitar's neck. In many of his compositions, Reed uses alternate tunings characterized by very low bass string tunings, for example BGDGAD or CGDGGD.[1][2]
Guitars and technical equipment
On his first recording Reed used a Martin D28 12-string and a Martin D28 6-string. He later used guitars made by the American luthier Michael Jacobson-Hardy.[6] Later he played Washburn guitars with Seymour Duncanpickups[5] and in the second half of the 1990s a custom Adamas Long NeckOvation. He now plays his signature models, acoustic Jumbo and Baritone from Bailey Guitars. Around 2000 he began using several different guitars, not only steel-string acoustic, but also solid body electric guitars, semi-acoustic guitars, electrical baritone guitars, 12-string and classical guitars.[1]
Reed recorded his 2007 album Spirit with a semi-acoustic Yamaha AE-2000 guitar.
