Norbert Walter Peters
Peters (2019)
Born	March 17, 1954 Stolberg/district of Aachen
Nationality	German
Occupation(s)	Composer, sound artist and author for radio art

Norbert Walter Peters (born March 17, 1954) in Stolberg (Rhld.) / district of Aachen is a German composer, sound artist and author for Radio Art.

Norbert Walter Peters finished his musical education at the Aachen academy of music in the subjects of guitar, singing and Renaissance lute in 1981. The subjectmusic theatre^[1] as well as scientific research works^[2] had been a further main point in his musical education.^[3] He completed his education with studies of composition.^[4] Beside his pedagogic and artistic work Peters was just so active as music reviewer and free journalist.^[5]

Peters composed music for ensemble and made concerts as lute player until he 1987 came in contact to fine artists from the milieu of the Kunstakademie Düsseldorf. The artistic activity of Norbert Walter Peters thereupon distinctly changed: he created performances and sound installations just as picture objects. Some pictures are represented in collections and in the Suermondt-Ludwig-Museum of Aachen.^[6]

Also in this time Peters organized two events with international artists: the sound art event ...KLÄNGE at the castle of Stolberg (Rhld.)^[7] and the performing arts event of the Neuer Aachener Kunstverein of Aachen.^[8] Afterwards he was guest lecturer at the Saarbrücken Academy of Fine Arts (composition and space experience). From December 2020 to May 2023 he was artistic director of the successful streaming event series #coronawinter 2020/21/#klangraumFinkenberg 2021/22 / #klangraumFinkenbergZwei 2022/23 (streaming-hybrid) on the YouTube channel Stolberg Evangelisch in the Protestant Finkenberg Church in Stolberg.^[9]

Since 1999 Peters conceived hear pieces for the Radio Arts. Norbert Walter Peters has been able to realize a number of his sound installations,^[10][11][12] radio pieces,^[13] theatreproduction ^[14] and instrumental concerts^[15][16][17] by orders for composition. By radiophonic productions of the Deutschlandradio Kultur Berlin^[18][19] and Radio France Culture Paris.^[20]

Since about 2013 he has also been developing multimedia compositions, which he publishes as video art contributions on his YouTube channel. In addition to the video work Depot, a. o. t. Tide I - IV and other video works such as the multimedia composition # 137 belong to this complex of works.^[21]

• 1988 the composed performance DIN-S18 for the first international Xerox art exhibition of Switzerland^[22]
• 1991 the acoustic Way of the Cross EKSIT for the Art Station of St Peter's Church (Cologne)^[23]
• 1991 sound performance Rond in the Basilica of St. Vitus, Mönchengladbach, D, in the context of the ENSEMBLIA-Festival, subject is the Parikrama as an aid of locomtion or standstill.^[24]
• 1999 the sound installation vasí-on for the Donaueschingen Festival of Contemporary Musica; a. o. as abstracting reflection about the use of the Fibonacci Series, the Golden Section and the number five in the Nocturne Opus 37/1, No. 11 G-minor of Frédéric Chopin^[25]
• 2000 the radio play CavæTóna (voice, percussion) for the Saarländischer Rundfunk, topic is a. o. t. the special acoustics in the cave art of the paleolithic period and the rituals of the shamanism^[26]
• 2001 the picture object con’tinuo (presented in the Styrian autumn), this intermediary work refers a. o. t. to the circle figure S about the anima of the mediaeval philosopher und alchemist Ramon Llull^[27]
• 2005 the radio play nota.thión – after the Flood (voices, violoncello) for Radio France Culture Paris and Deutschlandradio Kultur Berlin; treats a. o. t. of the tale of the Flood in the Gilgamesh Epic from the Cuneiform script in Assyrian^[28]
• 2005/06 the radiophonic concert nota.thión – the lament of the repentant heart (flutes, voice, viola, to-play tape) for the Bayerischer Rundfunk, uses three fragments of texts of ancient oriental languages: oldEgyptian, Hurrian and Akkadian, which reflect three opinions of the Heart in the evolutionary principle of life, death and rebirth^[29]
• 2009 the radiophonic concert beau son.ge – An Electric Fayerie (voice, e-bass, e-guitar, clarinet, violoncello, slap-e-bass, percussion, to-play tape) for the Saarländischer Rundfunk, presented by the MOUVEMENT Festival for Contemporary Music Saarbruecken AMERICAN DREAMS – AMERIKANISCHE (T)RÄUME, as hommage to Jimi Hendrix^[30]
• 2010 the radio play dépôt de beau songe (voices, 5stringed e-bass con arco, noises) for Deutschlandradio Kultur Berlin, uses texts of the Passagenwerk of Walter Benjamin and works with the voices of aphasic diseased people^[31]
• 2015/20 the radio play D.A.S.H. (dash – the line) as in-house music production on the computer, Asphalt Music #1 according to grafic scores; Street Drawings of Italian migrant workers in the south of the Black Forest in Germany serve as graphic pattern, which were photographically documented by the German painter Herbert Falken in the year 2003; from 2009 to 2010 these asphalt photos were presented in the museum Kolumba of Cologne;^[32] published on his YouTube channel ^[33] D.A.S.H. as part of the soundtrack to the Dance Performance Revelación of the PRISMA DANCE THEATRE (Havana/Cuba): Festival Dancing Town 2024, Monschau (D), 2024-09-15 and Festival DZM 2024, Cáceres (Spain), 2024-09-29.^[34] Live 2024-09-15, Monschau ^[35]
• 2011/2019 three Ars Acustica musikproductions with the Joseph Beuys master student and visual artist Hartmut Ritzerfeld as Interpreter^[36]
• 2016/20 the experimental concert piece Kafka Is Writing Again as Asphalt Music #2 according to grafic scores is a ternary noise music for tenor trombone, double bass/bass guitar, electric guitar, percussion, to-play tape and prepared piano. The piece was performed first in the Neuer Aachener Kunstverein Live 2020-03-07^[37][38]
• 2022 Peppel Suite concert piece for pebble, shekere, voice. The piece was performed first for #klangraumFinkenberg ^[39]
• 2023 #fantasia (The Burning Cembalo) concert piece for harpsichord. The piece was performed first for #klangraumFinkenbergZwei ^[40]

• Katalog "Het Apollohuis 1985–1990: exhibitions, concerts, installations, performances, lectures, publication", Het Apollohuis, Eindhoven NL 1991, ISBN 90-71638-12-X^[41]
• "Kunst auf Zeit. Eine Recherche", Verlag Ars Nicolai, Berlin 1993, ISBN 3-89479-036-9^[42][43]
• Moltkerei Werkstatt Cologne, Projects 1981–1994, ISBN 3-923167-14-8, S. 144.^[44]
• "Donaueschinger Musiktage 1999 [Programm; 15. bis 17. Oktober 1999]", Pfau Verlag, Saarbrücken 1999, ISBN 3-89727-060-9
• "Handbuch der Musik im 20. Jahrhundert/Band 12", Helga de la Motte-Haber 1999, ISBN 3-89007-432-4
• "Eine andere Sammlung", Suermondt-Ludwig-Museum Aachen 2006, [mixing technique on paper] ISBN 3-929203-59-6^[45]
• "MOUVEMENT Festival für Neue Musik Saarbrücken AMERICAN DREAMS – AMERIKANISCHE (T)RÄUME", Pfau Verlag, Saarbrücken 2009, ISBN 978-3-89727-414-3
• Herbert Falken - Dunkler werden, um Licht zu sein..., Albert Gerhards/Adam C. Oellers (Hrsg.), Schnell & Steiner Verlag, Regensburg 2024, ISBN 978-3-7954-3976-7, p. 62/63 (Author)

• Music Documentation
• Norbert Walter Peters's channel on YouTube
• Compendio de musica's channel on YouTube
• Sound carrier of Norbert Walter Peters in the German National Library catalogue
• Entry for Norbert Walter Peters in the catalogue of Archive for Small Press & Communication
• Entry for Norbert Walter Peters in the catalogue of New York Public Library
• Entry for Norbert Walter Peters in the catalogue of Australian Music Centre