Music ensembles typically have a leader. In jazz bands, rock and pop groups, and similar ensembles, this is the band leader. In classical music, orchestras, concert bands, and choirs are led by a conductor. In orchestra, the concertmaster (principal first violin player) is the instrumentalist leader of the orchestra. In orchestras, the individual sections also have leaders, typically called the "principal" of the section (e.g., the leader of the viola section is called the "principal viola"). Conductors are also used in jazzbig bands and in some very large rock or pop ensembles (e.g., a rock concert that includes a string section, a horn section, and a choir that accompanies a rock band's performance).
The string quintet is a common type of group. It is similar to the string quartet, but with an additional viola, cello, or more rarely, the addition of a double bass. Terms such as "piano quintet" or "clarinet quintet" frequently refer to a string quartet plus a fifth instrument. Mozart's Clarinet Quintet is similarly a piece written for an ensemble consisting of two violins, a viola, a cello, and a clarinet, the last being the exceptional addition to a "normal" string quartet.[citation needed]
Some other quintets in classical music are the wind quintet, usually consisting of flute, oboe, clarinet, bassoon, and horn; the brass quintet, consisting of two trumpets, one horn, a trombone, and a tuba; and the reed quintet, consisting of an oboe, a soprano clarinet, a saxophone, a bass clarinet, and a bassoon.[1]
Classical chamber ensembles of six (sextet), seven (septet), or eight musicians (octet) are fairly common; the use of latinate terms for larger groups is rare, except for the nonet (nine musicians). In most cases, a larger classical group is referred to as an orchestra of some type or a concert band. A small orchestra with fifteen to thirty members (violins, violas, four cellos, two or three double basses, and several woodwind or brass instruments) is called a chamber orchestra. A sinfonietta usually denotes a somewhat smaller orchestra (though still not a chamber orchestra). Larger orchestras are called symphony orchestras (see below) or philharmonic orchestras.[2]
A pops orchestra is an orchestra that mainly performs light classical music (often in abbreviated, simplified arrangements) and orchestral arrangements and medleys of popular jazz, music theater, or pop music songs.[clarification needed] A string orchestra has only string instruments, i.e., violins, violas, cellos, and double basses.
A symphony orchestra is an ensemble usually comprising at least thirty musicians; the number of players is typically between fifty and ninety-five and may exceed one hundred. A symphony orchestra is divided into families of instruments. In the string family, there are sections of violins (I and II), violas, cellos (often eight), and basses (often from six to eight). The standard woodwind section consists of flutes (one doubling piccolo), oboes (one doubling English horn), soprano clarinets (one doubling bass clarinet), and bassoons (one doubling contrabassoon). The standard brass section consists of horns, trumpets, trombones, and tuba. The percussion section includes the timpani, bass drum, snare drum, and any other percussion instruments called for in a score (e.g., triangle, glockenspiel, chimes, cymbals, wood blocks, etc.). In Baroque music (1600–1750) and music from the early Classical period music (1750–1820), the percussion parts in orchestral works may only include timpani.[clarification needed]
A wind orchestra or concert band is a large classical ensemble generally made up of between 40 and 70 musicians from the woodwind, brass, and percussion families, along with the double bass. The concert band has a larger number and variety of wind instruments than the symphony orchestra but does not have a string section (although a single double bass is common in concert bands). The woodwind section of a concert band consists of piccolo, flutes, oboes (one doubling English horn), bassoons (one doubling contrabassoon), soprano clarinets (one doubling E♭ clarinet, one doubling alto clarinet), bass clarinets (one doubling contrabass clarinet or contra-alto clarinet), alto saxophones (one doubling soprano saxophone), tenor saxophone, and baritone saxophone. The brass section consists of horns, trumpets or cornets, trombones, euphoniums, and tubas. The percussion section consists of the timpani, bass drum, snare drum, and any other percussion instruments called for in a score (e.g., triangle, glockenspiel, chimes, cymbals, wood blocks, etc.).
When orchestras perform baroque music (from the 17th century and early 18th century), they may also use a harpsichord or pipe organ, to play the continuo part. When orchestras perform Romantic-era music (from the 19th century), they may also use harps or unusual instruments such as the wind machine or cannons. When orchestras perform music from the 20th century or the 21st century, occasionally instruments such as electric guitar, theremin, or even an electronic synthesizer may be used.
A vocal group is a performing ensemble of vocalists who sing and harmonize together. The first well-known vocals groups emerged in the 19th century, and the style had reached widespread popularity by the 1940s.[3]
Vocal groups can come in several different forms, including:[4]
Based on genders
Boys' choir – vocal group of boys who have yet to begin puberty
Boy band – vocal group consisting of (young) males
Girl group – vocal group consisting of (young) females
Co-ed group – vocal group consisting of both males and females, typically in their teens or early twenties
Based on project type
Sub-unit – a group that is descended from the main group, with smaller number of members. Usually, all the members are from the main group.[5][6][7]
Supergroup – a musical group formed with members who are already successful as solo artists or as members of other successful groups.
Others
Choir – a group of voices. By analogy, sometimes a group of similar instruments in a symphony orchestra is referred to as a choir. For example, the woodwind instruments of a symphony orchestra could be called the woodwind choir.
A group that plays popular music or military music is usually called a band; a drum and bugle corps is a type of the latter. These bands perform a wide range of music, ranging from arrangements of jazz orchestral, or popular music to military-style marches. Drum corps perform on brass and percussion instruments only. Drum and Bugle Corps incorporate costumes, hats, and pageantry in their performances.
Other band types include:
Brass bands: groups consisting of around 30 brass and percussion players;
Mexican Mariachi groups typically consist of at least two violins, two trumpets, one Spanish guitar, one vihuela (a high-pitched, five-string guitar), and one Guitarrón (a Mexican acoustic bass that is roughly guitar-shaped), and one or more singers.
Women have a high prominence in many popular music styles as singers. However, professional women instrumentalists are uncommon in popular music, especially in rock genres such as heavy metal. "[P]laying in a band is largely a male homosocial activity, that is, learning to play in a band is largely a peer-based... experience, shaped by existing sex-segregated friendship networks."[8] As well, rock music "...is often defined as a form of male rebellion vis-à-vis female bedroom culture."[9] In popular music, there has been a gendered "distinction between public (male) and private (female) participation" in music.[9] "[S]everal scholars have argued that men exclude women from bands or the bands' rehearsals, recordings, performances, and other social activities."[10] "Women are mainly regarded as passive and private consumers of allegedly slick, prefabricated – hence, inferior – pop music..., excluding them from participating as high-status rock musicians."[10] One of the reasons that there are rarely mixed gender bands is that "bands operate as tight-knit units in which homosocial solidarity – social bonds between people of the same sex... – plays a crucial role."[10] In the 1960s pop music scene, "[s]inging was sometimes an acceptable pastime for a girl, but playing an instrument...simply wasn't done."[11]
"The rebellion of rock music was largely a male rebellion; the women—often, in the 1950s and '60s, girls in their teens—in rock usually sang songs as personæ utterly dependent on their macho boyfriends..."[12] Philip Auslander says that "Although there were many women in rock by the late 1960s, most performed only as singers, a traditionally feminine position in popular music." Though some women played instruments in American all-female garage rock bands, none of these bands achieved more than regional success. So they "did not provide viable templates for women's on-going participation in rock".[13]: 2–3 About the gender composition of heavy metal bands, it has been said that "[h]eavy metal performers are almost exclusively male"[14] "...[a]t least until the mid-1980s"[15] apart from "...exceptions such as Girlschool".[14] However, "...now [in the 2010s] maybe more than ever–strong metal women have put up their dukes and got down to it,"[16] "carv[ing] out a considerable place for [them]selves".[17]
When Suzi Quatro emerged in 1973, "no other prominent female musician worked in rock simultaneously as a singer, instrumentalist, songwriter, and bandleader."[13]: 2 According to Auslander, she was "kicking down the male door in rock and roll and proving that a female musician ... and this is a point I am extremely concerned about ... could play as well if not better than the boys".[13]: 3
^ abBrake, Mike (1990). "Heavy Metal Culture, Masculinity and Iconography". In Frith, Simon; Goodwin, Andrew (eds.). On Record: Rock, Pop and the Written Word. Routledge. pp. 87–91.
^Walser, Robert (1993). Running with the Devil:Power, Gender and Madness in Heavy Metal Music. Wesleyan University Press. p. 76.
^Eddy, Chuck (1 July 2011). "Women of Metal". Spin. SpinMedia Group.
^Kelly, Kim (17 January 2013). "Queens of noise: heavy metal encourages heavy-hitting women". The Telegraph.