David and Catherine Robinson have inherited a large but rundown country house. David suggests they now have room to increase their family beyond their son, but, after a number of his previous business ventures have failed, his wife demurs. However, she does agree to his idea to use the house as a summer holiday home for the children of the wealthy. By advertising in The Times, they attract a number of customers, and hire a matron and a cook, but immediately fall foul of a local councillor, Mrs Spicer, who wants the local authority to compulsorily purchase the house for a project of her own.
The children arrive, and while some are polite, scared and helpful, others are wild, spoilt, and rebellious, including an American brother and sister, and an English girl who insists (falsely) that she has been maltreated by her parents.
As the children grow increasingly ill-disciplined, the Robinsons and the staff struggle to keep them under control. David advocates a tough approach, while Catherine believes that the children should be allowed their freedom, but they are both undermined by a cook who is drunk most of the time.
After an illicit midnight trip out to a nearby café, the children are grounded for two days. Then the Robinsons hear that the local council is sending an inspector, who may close them down if they fail the test. They rally the staff and children, who all behave correctly when the inspector and Mrs Spicer visit.
When the time arrives for the children's parents to come to collect them, David tells them that the children are refusing to leave unless their parents promise to spend more time with them and not send them away to holiday homes and boarding schools. After the parents agree, all the children depart. Impressed by what she has seen, Mrs Spicer says she will no longer oppose the holiday home business. When their son protests at having lost his playmates, Catherine tells David that perhaps they should now have more children of their own.
Janet Bradbury (as Jeanette Bradbury) as Dandy Little Treadgold
Keith Lacey as Hassan
Mark Milleham as Suleiman
Millicent Kerr as Eileen
Louise Redman as Margaret
Critical reception
The Monthly Film Bulletin wrote: "A rag-bag of hackneyed situations thrown together with an almost demented lack of consequence, No Kidding shifts the basis of the Peter Rogers-Gerald Thomas brand of comedy from slapstick to sentiment, losing pace, construction and edge in the process. A piquant Geraldine McEwan and a subdued Leslie Phillips do what they can to bolster up the more limp and feeble aspects of the plot, but the film remains little more than a calculated tug at the sloppiest of heart-strings. "[4]
The film has been interpreted by film scholar Wheeler Dixon as "a gentle critique" of A. S. Neill's Summerhill School[5] theories, published in America in the same year as the film's release.
Harrison's Reports gave it a good review, calling it an "uneven but well-enacted comedy by the 'Carry On ...' series film-makers ... Unobjectionable for all."[6]
References
^"No Kidding". British Film Institute Collections Search. Retrieved 14 January 2024.
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