Dărăscu traveled extensively and lived in the south of France (Toulon and Saint-Tropez, 1908), in Venice (1909), in Romania (in Vlaici, Olt County, 1913, and in Balcic, Southern Dobruja, 1919). He maintained permanent contacts with artists from other European cultures, visiting major art museums and extending his horizons to attempt new forms of artistic expression. Unlike many of his contemporaries, Dărăscu rarely painted interiors or still lifes.
Aside from his artistic pursuits, Dărăscu was a professor at the Academy of Fine Arts[4] in Bucharest between 1936 and 1950.[5] In 1940 and 1942, some of his paintings were exhibited at the Romanian pavilion for the Venice Biennale.[6] In 1944, his workshop and some of his paintings were destroyed during the bombing of Bucharest by the Allies.[7]
References
^Daly, Selena (2018). Berghaus, Günter (ed.). Handbook of International Futurism. Berlin: De Gruyter. p. 755. ISBN978-3-11-027356-4.
^Oprea, Petre (1969). Societăți artistice bucureștene (in Romanian). București: Editura Meridiane. pp. 74–78.
^Siani-Davies, Peter; Siani-Davies, Mary; Deletant, Andrea (1998). Siani-Davies, Mary; Siani-Davies, Peter (eds.). Romania. Oxford: Clio Press. p. 266. ISBN978-1-85109-244-4.
^Juvara-Minea, Ruxandra (2000), Participarea României la Bienala de la Veneția [Romanian Participations at the Venice Art Biennale] (in Romanian), Bucharest: Editura Vremea