Mikola Jakaŭlievič Ravienski (Belarusian: Мікола Якаўлевіч Равенскі; Russian: Николай Яковлевич Равенский; 5 December 1886 – 9 March 1953) was a Belarusian composer, conductor and music critic who authored music for the famous hymn Mahutny Boža (Almighty God).
From the age of five he sang in a local church choir and was later invited to a church choir in Minsk where he received his primary musical education. In 1903 he was posted as a choir conductor to a Minsk monastery and then to Navahrudak where he collected over 500 folk songs.[1][2][3]
Later life
From 1919 Ravienski worked in Minsk as a choir conductor and a school teacher. At this time his first compositions appeared - songs based on poems by Maksim Bahdanovič, Kanstancyja Bujło, an introduction to the poem "Hapon" by Vincent Dunin-Marcinkievič, the song "Oh you, Neman River" based on poetry of Źmicier Žyłunovič. In 1922 a compilation of his music was published.[1]
In 1923 he went to Moscow to continue his musical education, where he lived for seven years, graduating from the Moscow conservatory. At the same time he was a corresponding member of the Belarusian Academy of Sciences. He wrote songs based on the poetry of Uladzimir Dubouka and Yanka Kupala and also turned to music criticism writing for Uzvyšša [be-tarask; eo] (Belarusian: Узвышша (High Ground)), a literary journal which was published between 1927 and 1931 in Soviet Belarus.[1]
All of Ravienski's manuscripts and print-outs were destroyed in a fire caused by German bombing of Minsk in 1941.[1][5] From 1943 he worked in a church choir and after World War 2 emigrated to Western Europe. He ultimately settled in Leuven in Belgium where he created an ensemble of Belarusian music at the local university.[1][4]
Ravienski died on 9 March 1953 in Leuven and is buried in a local cemetery.[7]
In November 2017, on Dziady (Grandfathers' Eve), the Belarusian community in Belgium and France installed a new tombstone on his grave. His resting place is used by the Belarusian community as a meeting place for commemorative events.[8][9]
However, there is no place of his commemoration in present-day Belarus.[4]
^Christianity and the Eastern Slavs, Volume I Slavic Cultures in the Middle Ages. by Boris Gasparov (Editor), Olga Raevsky-Hughes (Editor). 1993. p. 343
^Мікола Равенскі. Жыцьцяпіс / Лявон Юрэвіч // Беларуская мэмуарыстыка на эміграцыі. Нью-Ёрк: Беларускі інстытут навукі і мастацтва [Mikola Ravienski Biography / Liavon Jurevič // Belarusian memoirs on emigration. - New York: Belarusian Institute of Science and Art], 1999. p. 193-197 (in Belarusian)
^Максімюк, Ян. "Мікола Равенскі" [Mikola Ravienski, by Jan Maksimiuk]. Спадчына [Heritage] (in Belarusian). 4–1995: 176–178.
^Наталля Гардзіенка, Лявон Юрэвіч. Рада БНР (1947—1970). Падзеі. Дакументы. Асобы. [Natalla Hardzienka, Liavon Jurevič. The Rada of BDR (1947-1970). Events. Documents. Faces.] Minsk, 2013, p. 221 (In Belarusian)
^Арлоў, Уладзімер (2020). ІМЁНЫ СВАБОДЫ (Бібліятэка Свабоды. ХХІ стагодзьдзе.) [Uładzimir Arłou. The Names of Freedom (The Library of Freedom. ХХІ century.)] (in Belarusian) (4-е выд., дап. ed.). Радыё Свабодная Эўропа / Радыё Свабода - Radio Free Europe/Radio Liberty. pp. 246-247