Jon Setzen of the San Francisco Chronicle describes the album as "an across-the-board mix of bleepy synths, crunch beats and ambient, dreamy vocals, with even a bit disco mixed in at times".[3] With the album, "Röyksopp balances the haunted atmospheres of Boards of Canada with the more traditional "songwriting" sensibility of downbeat specialists like Groove Armada or Koop", according to John Bush of AllMusic.[4] Andy Gill of The Independent said that Melody A.M. exemplifies the band's intention to combine "Satie-esque harmonies and melodies like those of Francis Lai with the best aspects of three decades of electronic dance music: that Seventies analogue warmth, those fat Eighties beats and that meticulous Nineties programming."[5] Nick DeCicco of Daily Republic also compared the record to the works of Air, Massive Attack, Tricky, Portishead and Moby.[6] The album features vocals by Anneli Drecker and Erlend Øye.[7]
The first track "So Easy", described as "eerie",[8] samples the refrain from Bobby Vinton's "Blue on Blue", said to be "recorded by some long-forgotten vocal chorus" and has "a chunky bassline" underneath.[4] The second track "Eple", has "a high-pitched sonic tickle that falls in and out of pitch", and "is pushed through with acoustic guitar and sluggish drums"[9] The "slow R&B" track "Sparks", said to be a "toned-down" Portishead", has "Drecker's vocals drift and hang over the lush bass lines and airy guitar riffs."[3] The "gentle drum and bass" track "In Space" has "rippling harps over sighing, sampled strings"[10][11] "Poor Leno" is a house song where Øye sings "a lullaby hook over a rich, subtly mutating" groove.[10][12]
"A Higher Place" is a downtempo track with "phosphorescent synth chords and a stinging guitar loop".[12][13] The next track "Royksopp's Night Out" is described as "tense, cinematic funk", where the band "allow themselves to break into a free-flowing and slightly less restrained darkness."[8][12] "Remind Me" is a club track influenced by acid house and explores easy listening music with "playground keyboard refrains and 60s vocal melody". It also has "squiggly bass lines, melancholic synth effects, and dreamy male vocals."[14][15] The next track "She's So", a track with "mournful saxophone and arcing synths to recall the dated tones of Tangerine Dream",[10] "places the swooning moogs and strings of Air" with an "otherworldliness" texture "reminiscent of Vangelis' soundtrack to Blade Runner."[14] The album closes with "40 Years Back/Come", a track with an "'80s sense of artificial ethereality" and "spindly, etiolated synth lines around rasping, squelchy beats before closing with warm fretless bass."[4][5]
Melody A.M. was met with universal acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 81, based on 21 reviews.[16]
Andy Battaglia of The A.V. Club called the album "a highly imaginative entry into the saturated realm of downtempo chill-out music."[9] Writing for Launch, Ken Micallef wrote that "Röyksopp spins ambienttrip hop into bedazzled and beautiful winter Muzak."[10] Ethan Brown remarked that the album "will at least remind some of its eccentric possibilities. Like Björk's Vespertine or bedroom auteurs like Luke Vibert, Melody A.M. wires us into a highly personal, almost cocoonlike sonic sensibility."[21] The album "settles into a stream of pastoral, boutique techno that’s both soothing and derivative", according to David Browne of Entertainment Weekly.[18]
Abebe Nitsuh of Pitchfork considered Melody A.M. to be "the most solid, confident, and generally pleasurable downtempo full-length you'll be hearing for a while. Whether that means it's a must-buy, more well-meaning nondescript bubbling, or end-of-the-world car-commercial music has to be left to you." However, he said that the worst moments of the album is when the duo "go generically downtempo and then miss the mark".[12] DeCicco found the album unoriginal, continuing that "there isn’t much here that wasn’t done better and more interestingly at the height of downtempo’s popularity than it was by Röyksopp’s contemporaries."[6]
On 21 November 2007, the album was included on The Guardian's series of the 1000 Albums to Hear Before You Die.[22] It is also listed in a similar selection, called 1001 Albums You Must Hear Before You Die, in a series of books by Quintessence Editions.[1] On 24 November 2009, Melody A.M. was named the best Norwegian album of the 2000s decade by the Norwegian newspaper Verdens Gang.[23]
^ abc"Best Dance"(PDF). MTV Europe Music Awards 2002. Music & Media. Vol. 20, no. 47. 16 November 2002. p. 21. OCLC29800226. Archived(PDF) from the original on 22 July 2022 – via World Radio History.
