Film director, actor, screenwriter, theater director, playwright, radio announcer
Years active
1963–2012
Parent(s)
Jaime O'Hara (father) Basilisa Herrero (mother)
Relatives
Jerry O'Hara Edwin O'Hara
Mario Herrero O'Hara[1] (April 20, 1946[2] – June 26, 2012) was a Filipino film director, film producer and screenwriter known for his sense of realism often with dark but realistic social messages.[3]
Early life
He was born in Zamboanga City on April 20, 1946. His mother, Basilisa Herrero, was a native of Ozamiz in Misamis Occidental and had Spanish ancestry. His father, Jaime O'Hara was the son of Irish-American Thomasite, and a former member of the University of the Philippines Dramatic club. Mario had eight brothers and three sisters, including Edwin (1948–2007), who was a television director.[4] Because Jaime was the son of an American citizen, Mario's family was eligible to apply for US citizenship; however, Mario rejected any such offers.[1]
From Zamboanga City, the O'Haras moved to a middle-class suburb in Pasay; behind their house was a slum area, and Mario claimed that some of his works were inspired by real-life incidents that happened there. He took up Chemical Engineering at the Adamson University, simultaneously auditioning for a radio show sponsored by Procter and Gamble. At the age of 17, Mario stopped attending classes in 1963 to focus on his work in radio drama with the Manila Broadcasting Company (MBC) and DZRH.
Career
1963–1979
From 1963 to 1970, besides working at radio stations, he also worked for channels 2 and 11. He directed the drama series Lovingly Yours, Helen, Flordeluna (featuring Janice de Belen) and Alitaptap sa Gabing Madilim.
While at the MBC, he met Lino Brocka, who offered him a job as an announcer for his TV drama anthology Balintataw. Since then, O'Hara and Brocka frequently collaborated. Brocka offered O'Hara a role in his 1971 film Tubog sa Ginto ("Goldplated) and also cast him in dramatic productions at the Philippine Educational Theater Alliance (PETA). O'Hara, in turn, wrote the screenplay for Brocka's Weighed but Found Wanting (Tinimbang Ka Ngunit Kulang, 1974), about life in a small provincial town; in the movie, he also played the role of Bertong Ketongin (Berto the Leper) vis-a-vis Lolita Rodriguez, who played Berto's love interest Koala.
He wrote a teleplay which became the basis for Brocka's Insiang (1976), which is about a woman who was raped by her stepfather. O'Hara claimed that the script was inspired by a real story which happened in the slum behind their backyard. The film later went on to be screened at the Director's Fortnight, the first time that a Filipino film was accorded such honor at the Cannes Film Festival.
On the same year, he directed Tatlong Taong Walang Diyos (Three Godless Years), considered as O'Hara's masterpiece, which starred Nora Aunor; the movie was the first of many other collaborations O'Hara and Aunor had. The movie earned O'Hara his first nomination (for Best Director) at the FAMAS Awards.
From 1976 to 1980, he directed Alma Moreno's weekly TV drama anthology Alindog, and Rosa Rosal's Weekly TV drama anthology Ulila for BBC Channel 2.
In 1978, he wrote the screenplay for Lino Brocka's Rubia Servos. This led to the first award in his film career (Best Screenplay at the Metro Manila Film Festival).
1980s
During the 1980s, O'Hara collaborated anew with Nora Aunor: Kastilyong Buhangin ("Castle of Sand", 1981), featuring Lito Lapid; Bakit Bughaw ang Langit? ("Why is the sky blue?", 1981), which gave O'Hara a FAMAS nomination for Best Director; and Condemned (1984). For Bulaklak sa City Jail (Flowers of City Jail, 1984), both O'Hara and Aunor garnered wins at the Metro Manila Film Festival (for Best Director and Best Actress, respectively); nominations at the Gawad Urian; and a nomination for O'Hara and a win for Aunor at the FAMAS Awards.
In 1986, after the first EDSA Revolution, he filmed Bagong Hari ("New King") starring Dan Alvaro. The film was censored by the MTRCB and enjoyed a limited run in the theaters after an appeal with the MTRCB was overturned.
1990s
Under the auspices of Lily Monteverde and her pito-pito system (lit.'"seven-seven"', wherein a filmmaker is given a modest budget to shoot a film in 7 days and complete 7 days of post-production, hence the name), O'Hara created two films in just single span of the allowed time.
The first pito-pito was the drama Babae sa Bubungang Lata featuring veteran actress Anita Linda and set at the Manila North Cemetery.
The second one was the historical fantasy fiction Sisa. It is loosely based on the life of Philippine national hero Jose Rizal and the Sisa, a character in Rizal's novel Noli Me Tangere; in the movie, both Rizal and Sisa met and shared scenes.
2000s–2012
O'Hara's 2004 film Babae sa Breakwater addressed issues of poverty in Manila and was met with some considerable success.
When not doing films, he wrote, directed and acted in a number of plays. He has collaborated with the Tanghalang Pilipino and Philippine Educational Theater Alliance theater groups.[5] He was supervising the production of his play "Stageshow", which is scheduled in October 2012, up until he was confined in the hospital until his death.[2]
Translation: "The Trial of Andres Bonifacio" Presented at the 2010 Cinemalaya Film Festival - Directors' Showcase
2003
Babae sa Breakwater (Woman at the Breakwater)
Yes
Yes
Cinemanila International Film Festival - Best Director (nominated) Gawad Urian - Best Direction and Best Screenplay (nominated) Young Critics' Circle - Best Screenplay (nominated)
2000
Pangarap ng Puso (Demons)
Yes
Yes
Translation: "the dream of the heart" Co-written with Red de Castro and Rosario Cruz Lucero. Uses poems by Amado Hernandez, Florentino Collantes and Denise O'Hara
Tatlong Ina, Isang Anak (Three Mothers, One Child)
Yes
Yes
co-written with Frank Garcia
1987
Takot Ako, Eh!
Yes
Yes
Translation: "I'm afraid, eh!" Co-written with Tito Rey
1987
Prinsesang Gusgusin
Yes
Translation: "Scruffy Princess"
1986
Halimaw (segment "Halimaw sa Banga")
Yes
Yes
As "Abe" Other segments directed by Christopher de Leon Metro Manila Film Festival - Best Director (won) Main title means "monster", while the segment title translates to "monster in the big jar"
Translation: "The Flower in City Jail" FAMAS Awards - Best Director (nominated) Gawad Uwian - Best Director (nominated) Metro Manila Film Festival - Best Director (won)
Can also be translated as "Three Years Without God" FAMAS Awards - Best Director (nominated) NB: accent placed on the "o" in "Taong" because there is a similar Tagalog word (with a different accent) which means "person/human being" (táo/táong)
2004 - Netpac Award (awarded)- For a lifetime of achievement and dedication to the advancement of Philippine films, which are lauded and appreciated by film audiences around the world.
2004 - Babae sa Breakwater - Lino Brocka Award/Best Director (nominated)
2000 - Lifetime Achievement Award (awarded)
Cinema One Digital Film Festival (Cinema One Originals)
2011 - Honorary Awardees for Pioneering Efforts in Independent Cinema[10][11]
