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"**Maidenform**"
"Maidenform"
Mad Men episode
Episode no.	Season 2; Episode 6
Directed by	Phil Abraham
Written by	Matthew Weiner
Original air date	August 31, 2008
Guest appearances
	Joel Murray as Freddy Rumsen; Mark Moses as Herman "Duck" Phillips; Alison Brie as Trudy Campbell; Gabriel Mann as Arthur Case; Melinda McGraw as Bobbie Barrett; Peyton List as Jane Siegel; Rich Hutchman as Bud Campbell; Matt McKenzie as Crab Colson; Edmund L. Shaff as Chester Rockingham; Peter Jason as Len McKenzie; Alexandra Paul as Pauline Phillips; Gina DeVivo as Patricia Phillips;
Episode chronology
← Previous; "The New Girl"	Next →; "The Gold Violin"
	Mad Men season 2
	List of episodes

"Maidenform" is the sixth episode in the second season of the American television drama series Mad Men. It was written by Matthew Weiner and directed by Phil Abraham. The episode originally aired on the AMC channel in the United States on August 31, 2008.

Plot

Herman "Duck" Phillips informs Don that Sterling Cooper's client, Playtex, wants a new campaign more like the Maidenform "dream" campaign. Peggy, Salvatore, Ken Cosgrove, Paul Kinsey, and Frederick Rumsen discuss the Playtex campaign.

Don and Betty attend an event at a country club on Memorial Day 1962. The following morning, Betty is shown wearing a bikini purchased from the club fashion show, and Don tells her she looks desperate.

Duck is visited by his ex-wife, two children and the family dog, Chauncey. During the visit, Duck learns from his children that their mother is getting remarried but that Chauncey will be his. Bitter and hurt that another man has moved in with his family and that he has lost a close relationship with his children, Duck opts to abandon Chauncey in the street.

Peggy finds out that the others had had an informal, after-hours discussion about the Playtex campaign. Kinsey reveals his plan to compare women to Jackie Kennedy and Marilyn Monroe for the Playtex campaign, identifying women in the office as "Jackies" or "Marilyns". Peggy disagrees with his theory and is told she is more like Gertrude Stein or Irene Dunne. Peggy asks Joan Holloway why she isn't being included. Joan replies that Peggy needs to "learn to speak the language" and advises her to stop dressing like a little girl. Playtex executives turn down the campaign.

Bobbie reveals that women have been talking about Don's many affairs and abilities in the bedroom. When she keeps testing him after being told to "stop talking", Don ties her to the bed and leaves.

The creative team meet the Playtex executives at a strip club. Peggy surprises the team by showing up and, having taken Joan’s condescending advice, now looking glamorous and more grown-up. She sits on a Playtex executive's lap in view of a visibly jealous Pete.

In the last scene of the episode, Don is seen shaving, watched by his daughter Sally. Sally remarks that she "won’t talk" as not to disturb Don while shaving so he doesn’t cut himself. Reminded of the conversation he had with Bobbie about his reputation when he told her to "stop talking", Don asks Sally to leave and becomes upset while staring at himself in the mirror.

Reception

The episode was received positively by critics at the time. Noel Murray, writing for The A.V. Club, graded the episode an A− and commented on the surprising aspects of the episode, stating "I can’t imagine a more surprising start" and "I can’t imagine a more surprising turn". He also discussed the interesting use of mirrors in the episode. However, he criticized the episode saying that Betty fits into this episode "too neatly".^[1] Alan Sepinwall liked the episode but wasn't overwhelmed by it stating, ""Maidenform" is a less intense episode than last week's "The New Girl," but it features a number of typically beautiful, haunting "Mad Men" moments."^[2]

The episode was nominated for Outstanding Single Camera Picture Editing for a Drama Series at the 61st PrimeTime Emmy Awards.^{[citation needed]}

Production

The episode was written by Matthew Weiner. It was directed by Phil Abraham. During an AMC interview Matthew Weiner describes the idea between the two sides of a woman, in this case being Jackie and Marilyn, stemming from the sort of groups that men place people and more specifically women into, whether it being the "mom, Madonna, the whore, the slut". Saying "It’s really how we come across to other people". Elisabeth Moss then describes how Peggy is supposed to "resemble the first women who stand up with the men and do their job". She also describes the scene at the club, and how it is the point where Peggy realizes she will never be one of the boys. Weiner then discusses how the episode carries an idea of a blurred line between perception and reality, and how this is seen when Bobbie talks about her kids and when Betty wears a bikini. He also discusses how "Don is the only character to have a reputation" and how this is crushing to him.

Weiner said in 2019 that the episode is^[3]

the first episode of the show where I was like, "This cannot be done on any other show." Because it’s so psychological and it’s about an idea, which is, "How am I perceived by other people?"
It’s thematically hammered over and over — in the ad campaign, in Don and Bobbie Barrett’s relationship, Don versus Sally, Betty in the bathing suit. At the time, I was like, "Is anybody going to understand this?" Because we’re telling a story here that probably looks like something about Don’s busted romance, and conflict in the office, and Peggy trying to get ahead. But what it really is, is "I look in the mirror and I don’t like what I see. What do other people see?" And that’s because I’ve created this false self.
Just that sentence that I gave you right there — I would have never thought that was the subject of a TV show if I hadn’t sat in a room with David Chase for four years. Even though it is the substance of our lives.