Born into a poor family in Mississippi, a young black man experiences discrimination in looking for work and eventually seeks to escape to New York City (alluding to the Second Great Migration) in hopes of finding a new life. Through a series of background noises and spoken dialogue, the man reaches New York by bus, but is then promptly framed for a crime, arrested, convicted and sentenced to ten years in prison.[5]: 236[6]: 62
Wonder played all the instruments on the song and was assisted by Malcolm Cecil and Robert Margouleff for recording engineering and synthesizer programming.[7] Tenley Williams, writing in Stevie Wonder (2002), feels it was "one of the first soul hits to include both a political message and ... sampling ... of the sounds of the streets - voices, buses, traffic, and sirens - mixed with the music recorded in the studio."[1]: 44
Reception
Billboard described "Living for the City" as a "spectacular production of a country boy whose parents sacrifice themselves for him," and also praised the vocals and horn playing.[8]
Dance music artist Sylvester covered the song on his 11th studio album, Mutual Attraction (1986), his major label debut album. Sylvester's "Living for the City" was released as the album's lead single and peaked at #2 on Billboard's Dance Club Play Chart.[citation needed]
^ abcHogan, Ed (n.d.). "Stevie Wonder | Living for the City". AllMusic. Archived from the original on 17 October 2015. Retrieved 1 September 2021. Along with his frequent creative partners, the engineering/synth programming duo of Malcolm Cecil and Robert Margouleff, Wonder crafted a tantalizing track that is enthralling, vividly drawn, and deeply poignant. Cecil's film business experience played a big part in the "wide screen" feel of "Living for the City," which tells a story in a way that few songs do. Margouleff's father was the mayor of Great Neck, NY, while some of the song's "scenes" were shot (actually recorded by a portable Nagra tape recorder). Though Wonder plays all of the instruments, "Living for the City" wasn't a one man show. The singer recruited his brother Calvin, road manager Ira Tucker Jr., a New York police officer, and attorney Jonathan Vigoda. Cecil and Margouleff acted in a role as semi-directors who were trained in "the method."
^"STEVIE WONDER—Living For The City". Top Single Picks (Pop). Billboard. Vol. 85, no. 44. 3 November 1973. p. 59. ISSN0006-2510. Retrieved 1 September 2021 – via Google Books. Stevie's "Innervisions" LP produces this spectacular production of a country boy whose parents sacrifice themselves for him. Stevie's voice soards and glides with a gutsy reality. Lots of catchy horn, background voices and cymbals in the picture also.