Bayswater is a largely residential district north-west of Charing Cross, bordering with the northern end of Kensington Gardens. Its essential character is now defined by the stuccoed terraces erected from 1827 onwards, which spread in a westerly direction over the course of the 19th century.[1]
The square is named after Edward Orme, a Bond Street print seller, who also sold two ship-loads of building gravel to Tsar Alexander I of Russia, when he visited London in 1814, and Orme built the square in the same year. The eagle dates from then. Its meaning is a mystery; it is not the eagle from the Orme family crest, and has only one head, so is definitely not the Russian imperial eagle.[2]
Unveiled 24 May 1934.[6] The inscription on the east face reads, "One King, One Empire, Empire Day"; that on the north, "To him the British Empire was a goodly heritage to be fashioned unto a city of God!"[7]
Paddington is the area west of Marylebone, in the postal district W2. Much of the recent public art in the area is connected to the Paddington Waterside developments.
Unveiled 11 November 1922 (Armistice Day) by Viscount Churchill.[23] The figure of a soldier stands reading a letter from home in front of a panel of black marble, suggesting the entrance to a trench dugout.[24]
Commemorates the Boy Scouts of Paddington killed in World War II. The symbol of a circle with a dot in the centre is a sign used by Scouts meaning "gone home".[27]
Public Art Workshop (Desmond Rochford and David Savage)[29]
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Murals
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Dedicated "to the working people of Paddington",[30] these were, at the time of their completion, the largest exterior murals in England.[31] A critic for the Observer noted shortly after their completion that "a large dose of social realism has done wonders for the grey desert of Royal Oak".[30]
Unveiled 26 May 1982. One of two statues of Brunel commissioned by the Bristol & West building society; its companion, a standing figure, was unveiled in Bristol the same day.[32] Originally stood on the main concourse at the entrance to the Underground; relocated in 1998.[22]
Unveiled 24 February 2000 by Michael Bond, the character's creator.[37] Represents his first appearance in A Bear Called Paddington (1958), sitting on a battered suitcase with a label round his neck reading "Please look after this bear. Thank you."[22]
Made of glass fibre painted bright yellow and lacquered, the sculpture is intended to invite a "corporeal reception by the public" and to "create a heart in the midst of an urban setting."[39]
The work consists of four towers made from stacked corten steel and layered glass, which are intended to reflect the changing levels of water in the lock.[40]
Pendant sculptures, located in water features at the extreme edge of the Paddington Central development, of metal frameworks which support "blobs" of steel, painted in bright colours.[36][39]
Three two-dimensional steel statues of notable people who lived in Paddington, as voted for by local residents. From the Portrait Bench series of similar sculptures, commissioned by the charity Sustrans to stand along new cycling routes.[44]
Bearing Up
Sheldon Square, Paddington Central
2014
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Statue
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Originally part of the Paddington Trail, which marked the release of the film Paddington. The blue colour represents the nearby Grand Union Canal.[45]
Also from the Paddington Trail, the statue is decorated all over with a pattern of London stock bricks, suggested by the architects of the surrounding development.[45]
Unveiled 11 September 2014 by Eric Pickles.[46] Milton played an instrumental role in the regeneration of Paddington Basin and was a friend of the sculptor.[47]
60 pastel drawings of clouds reproduced on 180 glass panels on a 120m-long canopy; one of the largest permanent artworks ever created in London. Installation began in 2017.[50][51]
^"Home News in Depth". 3rd Dimension. Public Monuments and Sculpture Association. 21 May 2014. Retrieved 9 July 2015.
^"Queensway Conservation Area Audit"(PDF). Westminster City Council, Department of City Planning and Development. 16 June 2008. p. 44. Retrieved 11 August 2014.
^"Léon Joseph Chavalliaud". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art and HATII. 2011. Retrieved 13 February 2012.
^ abcMatthews, Peter (2012). London's Statues and Monuments. Botley: Shire Publications. pp. 164–166.
^Kaufmann, Ben (28 April 2013). "Mural of the Month! Royal Oak Murals". London Mural Preservation Society's Blog. London Mural Preservation Society. Retrieved 30 August 2014.