The entire project was described by architecture critic Charles Jencks as an adaptation of Versailles as a "Versailles for the people" while noting influences of Claude Nicolas Ledoux in the detailing of the elevations.[2] Bofill's design intention was to offer a contrast between the new housing of the 1970s and 1980s and the earlier Le Corbusier-inspired housing projects of the 1950s and 1960s.[3]