J. J. McCracken (born 1972[1] in Mifflin, PA) is an American artist who lives and works in Washington, D.C. McCracken creates "sculptures, performances, and immersive installations focused on free speech, social justice and resource equity."[2]
McCracken has been called "among the smartest artists in Washington" by the Washington Post.[3] Her work, installations and performances has been exhibited and performed in museums, galleries and universities.[3][4][5] In 2018, she was one of 10 artists selected for the "Identify" series of performance/lectures at the National Portrait Gallery's "Identify" series.[6]
Exhibitions
2005 - Solo MFA thesis exhibition -re-performed as part of the Academy 2005, exhibition at Conner Contemporary Art, Washington, DC[7]
2005 - Dissolve, The Dimock Gallery—The George Washington University; Washington, DC[2]
2007 - Artifacts for a New Millennium, Meat Market Gallery; Washington, DC[8]
2007 - A sketch for larger work, Performed at the entrance to KeyArena in Center City STASIS, Meat Market Gallery; Washington, DC[9]
2007 - The Wait (Counting), KeyArena, Seattle, Washington[2]
2008 - Living Sculpture, Project 4 Gallery, Washington, DC[10][11]
2010 - San Angelo Museum of Fine Arts, San Angelo, Texas[citation needed]
2010 - The Clay Studio, Philadelphia, Pennsylvania[12]
2010 - Earth To Table, The Kathryn E. Narrow Educational Resource Center, The Clay Studio, Philadelphia, Pennsylvania
2011 - Thirst, and the Martyr, (e)merge Art Fair, Capitol Skyline Hotel, Washington, DC[13]
2014 - 40 Years of Community Art, Arlington Arts Center, Arlington, VA[23]
2016 - The Mouth of the Scold (2016),[4] was commissioned by the National Portrait Gallery for the "IDENTIFY: Performance Art as Portraiture" series. Following the performance, McCracken's sculpture, The Dunlevy Medallion, was exhibited in the Gallery's Great Hall.[1][24]
2017 - Waiting for Godot, Gonzaga University - set features an art installation created by J.J. McCracken and Mat Rude, an assistant professor in Gonzaga’s art department.[25][26]