Joseph Denton "Jay" Miller (May 5, 1922 – March 23, 1996) was an American record producer and songwriter from Louisiana, whose Cajun, swamp blues, and swamp pop recordings influenced American popular culture.
Biography
Miller was born in Iota, Louisiana, on May 5, 1922,[1] and spent many childhood years in El Campo, Texas.[2] He lived most of his life in Crowley, where in the late 1930s he played guitar with several Cajun bands, including the Four Aces, the Rice City Ramblers, and the Daylight Creepers. In 1946,[3] he began to record Cajun musicians, using a studio belonging to the record producer Cosimo Matassa, in New Orleans.[4][5] In 1946, his new label, Fais Do Do Records, recorded most notably the string band Happy, Doc, and the Boys (Happy Fats and Oran "Doc" Guidry).[6] After a few records, in 1947, he changed the name of the label to Feature Records, which recorded Cajun musicians such as Amidie Breaux, Aldus Roger, Austin Pete and various other country musicians. Later, Miller would create and record for smaller labels for different genres of music: Rocko Records (originally Rocket), Zynn Records, Showtime Records, Reb Rebel Records, Kajun Records, Cajun Classics, Blues Unlimited, Swade,[7] Spot, Action, Kay, Ringo, Tribute, and French "Hits".[3]
Miller's recording studio attracted a handful of mainstream recording artists, including Paul Simon, who used the studio to record "That Was Your Mother", a track from his acclaimed album Graceland, and John Fogerty, who traveled to Crowley to record a cover of "My Toot Toot", by the zydeco musician Rockin' Sidney.[citation needed]
Although he claimed to be a segregationist, Miller nonetheless used interracial studio bands during the Jim Crow era, when black and white musicians in the South were not permitted to mingle onstage or elsewhere in public.[citation needed] He professed to enjoy African-American blues music more than any other musical genre, and he wrote blues songs under the pseudonym "Jay West" (a name he used to disguise his race).[citation needed] Yet in the 1960s he also produced and released several racist recordings on his own Reb Rebel label, most notably those of Johnny Rebel (the pseudonym of a local Cajun/country musician, Clifford "Pee Wee" Trahan).[citation needed]
Miller died in Crowley, on March 23, 1996, after complications following quadruple bypass surgery.[1][11] The Jay D. Miller Award, granted by the Louisiana Blues Hall of Fame, is named for him.[11]
"I'm A Lover Not A Fighter" – covered by The Kinks[13]
Compilation discography
Acadian All Star Special: The Pioneering Cajun Recordings of J.D. Miller (BCD 17206-1/2/3 CK Bear Family Records, 2011)[5]
References
^ abKingsbury, Paul; McCall, Michael; Rumble, John; Orr, Jay (2012). The Encyclopedia of Country Music (2nd ed.). Oxford University Press. ISBN978-0-19-539563-1.
^Miller, J. D. Interview by author, February 21, 1991. Crowley Louisiana. Tape recording. Acadian and Creole Folklore and Folklife Collection, University of Louisiana at Lafayette.