Helen Farnsworth Mears (/mɪərs/; December 21, 1872 – February 17, 1916) was an American sculptor.[1]
Early years
Mears was born December 21, 1872, in Oshkosh, Wisconsin, daughter of John Hall Mears and[2] Elizabeth Farnsworth Mears (pen names "Nellie Wildwood" and "Ianthe", called the first Wisconsin woman poet[3]) and youngest sister to Louise and Mary Mears. Mears studied at the State Normal School in Oshkosh,[4] and art in New York City. In New York, she studied under Augustus Saint Gaudens for two years and worked as his assistant[5] before heading to Paris in 1895 to continue working with Denys Puech (sometimes Puesch), Alexandre Charpentier, and Frederick MacMonnies.[6][7]
Career
Her first success, before any formal art training, was "Genius of Wisconsin", a work commissioned by the State of Wisconsin when she was just 21. The work was exhibited in the Wisconsin Building at the World's Columbian Exposition in 1893.[8] The 9-foot (2.7 m) marble sculpture was executed by the Piccirilli Brothers.[9] It is now housed in the Wisconsin State Capitol.[10] Both she and sculptor Jean Pond Miner were named "artists in residence" at the Wisconsin Building, and that is where she created The Genius of Wisconsin, while Miner produced Forward.[11]
In 1910, George B. Post, the architect of the Wisconsin State Capitol then being designed, attempted to secure the services of the well-known sculptor Daniel Chester French to create a statue of Wisconsin to be placed on top of the dome. French, having as much work as he desired, turned the commission down, and Post recommended Mears for the job. With the belief that she had the contract, she began working on a model; she ultimately created three models, with two of them receiving feedback from the commission.[14]
By August 1911, Post suggested that Mears could not complete the design in their time frame, and the commission ultimately selected French to complete the sculpture.[14] Mears was paid $1,500 for the work that she had already done, but the loss of the commission was a shock from which she never recovered.[15][16]
Death
Following the debacle surrounding the Wisconsin Capitol statue, Mears's health declined, as did her financial well-being. She died of heart disease on February 17, 1916, at the age of 43.[7][17][18] At the time of her death, she was working in her studio at 46 Washington Square South, in Greenwich Village.[citation needed]
Gallery
Genius of Wisconsin Helen Farnsworth Mears
Death Uncovering Its Face and Showing It To Be Life by Helen Farnsworth Mears, 1916
Sketch for Fountain of Silence and Meditation by Helen Farnsworth Mears, 1915
Armless Angel by Helen Farnsworth Mears, 1916
The Awakening by Helen Farnsworth Mears, 1916
Edward Alexander MacDowell by Helen Farnsworth Mears, 1906
References
^Women's Auxiliary, State Historical Society of (1971). "Helen Farnsworth Mears". Famous Wisconsin Women. Archived from the original on 2017-10-01. Retrieved 2013-10-25.
^"Helen Farnsworth Mears". Wisconsin History Bulletin. 13 (11). March 1927. Retrieved October 25, 2013.
^Charles Rounds (1918). "Elizabeth Farnsworth Mears-- James Gates Percival". Wisconsin Authors and Their Works. Retrieved October 25, 2013.
^Rajer, Anton and Christine Style. Public Sculpture in Wisconsin: An Atlas of Outdoor Monuments, Memorials and Masterpieces in the Badger State. Madison Wis.: SOS! Wisconsin, Save Outdoor Sculpture and Fine Arts Conservation Services, 1999, pp. 23 & 107.
^"Helen Farnsworth Mears". Hartford Courant. February 21, 1916. ProQuest556308011. Retrieved November 23, 2013. Helen Farnsworth Mears Helen Farnsworth Mears, a famous sculptor, died Thursday in her home in New York. She was a pupil of St. Gaudens and afterwards of ...
Further reading
Levy, Hannah Heidi (2004). Famous Wisconsin: Artists and Architects. Oregon, WI: Badger Books.
Rubenstein, Charlotte Streifer. American Women Sculptors. G. K. Hall & Co., Boston 1990.