Larry Katz of the Boston Herald said that the album was an "unforgettable" album of 1997, despite being relatively little-known, and that the band's gimmick of recording cross-genre covers was a "darn good" joke.[5] Noel Murray, writing in Nashville Scene, praised the record as being fun while not overly long, and said that the rearrangements of familiar older songs allowed listeners to better appreciate the writing of those songs.[6]