Hambone's Meditations was created by J.P. Alley, the first editorial cartoonist of The Commercial Appeal. The character of Hambone was inspired by Alley's encounter with a philosophical former slave, Tom Hunley of Greenwood, Mississippi. Hunley told a Works Progress Administration interviewer how he met J. P. Alley:
Mr. J.P. really did stay here in Greenwood once. You say you heard dat an' didn't know whether to believe or not? Well, yes ma'am, he was here sho nuff. Dat's been somethin' like 25 year ago. He had an office over de Crumont—does you remember de Crumont? You mus' have been jest a li'l chile when it closed up. Well, upstairs, dat was where Mr. J.P. had his office—leastways his li'l room where he did his drawin' at. Twan't no regular office. I cleant up that place in dem days, an' I come trompin' up de stairs wit my mop an' bucket de fust time Mr. J.P. ever seed me. He cotch one glimpse of me, an' he jump an' holler: "Bless goodness, uncle! You stand right there 'til I can git yo' picture." Den he hole up his fingers like dis and squinch he eye at me, and fus' thing I knowed he had my picture. "Now," he says, "I got to get a name for you." And sho nuff, I'se comin' up de stairs one day a-gnawin' on a big ham-bone what a white lady had guv me. "I got it!" he hollers, "Hambone! From now on yo' name is Hambone!" An' dats what I been ever since, wit my picture in de Commercial Appeal ever' morning. Mr. J.P. he went on back to Memphis, and he dead now, but Young Mister an' his momma what was Mr. J.P.'s lady, dey draws my picture now. Hambone! Yassuh, Mr. J.P. Alley was sho one fine young white man.[2]
The strip and character were popular enough that Hambone's image was used on a variety of products, including sweets and cigars, in the 1920s and 1930s.[3]
When the elder Alley died April 16, 1934, his wife Nona and sons Cal Alley and James P. Alley, Jr. took over the strip.
Four Hambone's Meditations strip collections were published, in 1917, 1919, 1934, and 1972.[1]
Story and characters
Hambone's Meditations was inspired by cartoonist Kin Hubbard's Abe Martin of Brown County (syndicated 1904 to 1930), a hillbilly antihero prone to wisecracks jokes and the utterance of popular sayings.[3] The thrust of Hambone's Meditations was essentially similar, transposed onto a Southern rural African-American stereotype. Hambone was depicted as disheveled in appearance, with wide eyes and exaggerated large lips.
The introduction to the 1919 strip collection, published by Jahl & Co., typifies the majority white readership's relationship to Hambone's Meditations:
The Negro of the South lives close to the soil and retains his racial originality—his superstitions, his quaint idiosyncrasies of thought and action. Such a Negro is Hambone, chosen by Mr. J. P. Alley as the original of his delightful cartoons. He is a clearcut type of the old time darky, unspoiled by the equality ideas of the younger generation about him.
Controversy and cancellation of the strip
Historian Michael Honey described the humiliation felt by African Americans due to by Hambone's Meditations:
The grinning simpleton Hambone, through his exaggerated lips, spoke in dialect, saying such things as, 'Ef tomorrow evuh do come, I reck'n Ole Tom gwine be de busies' man in de whole worl'!!!' Judge and civil rights leader Benjamin Hooks related this image to 'total and colossal indifference to negroes and their accomplishments.'[4]
^ abcDrew, Bernard A. "James P. Alley (1885–1934) and Calvin Alley (1915–1970)," Black Stereotypes in Popular Series Fiction, 1851–1955: Jim Crow Era Authors and Their Characters (McFarland, 2015), pp. 107–112.
