Scarfe was born in St John's Wood, London.[3] As Scarfe was severely asthmatic as a child, he spent many of his early years bed-ridden,[4] so drawing became a means of entertainment as well as a creative outlet. Scarfe speculated that the dark and grotesque images that often characterise his work are a result of his loneliness and asthma.[4] Scarfe has stated that the irreverence apparent in much of his work can be traced back to "dodgy treatments" and a reliance on what he feels were incompetent doctors.[5]
After briefly working in advertising, a profession he grew to dislike intensely, Scarfe's early caricatures of public figures were published in satirical magazine Private Eye throughout the 1960s and 1970s. Beginning in 1960, he produced illustrations for Punch, The Evening Standard and The Daily Sketch. The Sunday Times magazine assigned Scarfe to cover the 1964 US presidential election. He continued to work for The Sunday Times for two years, also producing several cover illustrations for Time magazine, including caricatures of The Beatles in 1967.[9]
In the mid-1960s he took a job at the Daily Mail following a Dutch auction for his services with the Daily Express. His decision to work for the Daily Mail led to his estrangement from fellow cartoonist Ralph Steadman, alongside whom he had studied art at East Ham Technical College. Soon after, Steadman was commissioned to illustrate Scarfe and "produced an image that was half saint and half Superman, but with a disconnected heart".[10] Scarfe spent only one year working for the Daily Mail, during which time he was sent to provide illustrations from the Vietnam War.
Pink Floyd and Roger Waters
Scarfe was approached to work with Pink Floyd after Roger Waters and Nick Mason both saw his animated BBC film A Long Drawn Out Trip. Pink Floyd's 1974 programme for their tour in the UK and US, in the form of a comic, included a centre-spread caricature of the band.[11] Scarfe later produced a set of animated short clips used on the 1977 In The Flesh tour, including a full-length music video for the song Welcome to the Machine.[12]
Scarfe continued to work with Roger Waters after the latter left Pink Floyd, creating the graphics and animation for Waters' solo album The Pros and Cons of Hitch Hiking (1984) and its supporting tour.[13] Scarfe was also involved in subsequent theatrical adaptations of The Wall, including The Wall Concert in Berlin (1990),[13] and Waters' worldwide The Wall Live (2010-2013) tour, where his animations were projected on a vast scale. Scarfe's collaboration with Waters was marked in 2008 by the release of a signed limited-edition eight-print series, "Scarfe on the Wall", which contained a monograph book with an extended new interview with Scarfe and was signed by Roger Waters. Early editions of "Scarfe on The Wall" (by date of pre-order, not issue number) came with an additional print giving a total of nine in the set – making these the rarest and most valuable sets. In 2010, Scarfe's book The Making of Pink Floyd: The Wall was published, detailing the artist's work with Pink Floyd and Roger Waters from 1974 to 2010. The book contains contributions from Floyd members Roger Waters, Nick Mason, and David Gilmour, as well as director of the film, Alan Parker.[14]
Scarfe was approached to work on the 1997 Disney film Hercules by Ron Clements and John Musker, longtime fans who had risen to prominence within Disney following the success of The Little Mermaid. Scarfe worked as a conceptual character artist, designing almost all of the characters and then supervising the 900 Disney artists charged with adapting his designs for the film.[16]
He was invited to create a sculpture for the Millennium Dome, which was entitled "Self Portrait". The Dome's chief executive PY Gerbeau said "it mirrors what we like – and what we don't – about our nation".[19]
Unaware the cartoon would appear on Holocaust Memorial Day,[24] Scarfe argued that the cartoon was clearly aimed specifically at Netanyahu and his policies, and were in response to his election, rather than being related to Holocaust Memorial Day.[25][26] The newspaper's proprietor, Rupert Murdoch, apologised for the cartoon on Twitter, and acting editor Martin Ivens promised to be more vigilant in future.[27]
The cartoon was published in the Israeli newspaper Haaretz, where Anshel Pfeffer discusses the cartoon in great detail, giving four reasons why, in his opinion, the cartoon is not antisemitic.[28] Writer Howard Jacobson claimed the cartoon was not antisemitic.[29] British Chief Rabbi Lord Sacks condemned the cartoon.[30]
Recycled Radio
Since June 2013, Scarfe has presented a programme on BBC Radio 4 called Recycled Radio,[31] which is described as "the chopped-up, looped-up, sped-up world...where old programmes are reused to explore a series of weighty subjects".[32]
Bristol Charity Auction
In October 2013 Scarfe donated his time to decorate one of the large Wallace & Gromit statues to be auctioned for the Bristol hospital charity that was featured live on the BBC.[33] His contribution finally ending up being sold to an internet bidder from Miami Florida where the statue was exported into a private collection, ultimately topping all estimates on value with a bid second highest only to the Pixar statue contribution.
Scarfe's Bar
In 2014, Scarfe's Bar was opened in the Covent Garden area of London, in the Rosewood London, where his "distinctive caricatures not only decorate the walls but also influence the creative thrust behind their menus."[34]
Personal life
He is married to actress Jane Asher, whom he met in 1971.[35] The couple wed in 1981[36] and have a daughter and two sons.[37]
Awards and accolades
On 22 November 2005 the United Kingdom's Press Gazette named its 40 most influential journalists, and included Scarfe alongside just two other cartoonists, Carl Giles, and Matt Pritchett.[38]
^Mark Gardner and Anshel Pfeffer "Is the Sunday Times cartoon antisemitic?"Archived 26 November 2016 at the Wayback Machine, The Guardian, 29 January 2013. The citation featured a reprint of the Haaretz article by Pfeffer, which is only available via subscription on the original site.