Frances Halladay is a 27-year-old dancer who lives in New York City with her best friend from college, Sophie. Her life is upended when Sophie tells her she plans to relocate from Brooklyn to Tribeca, which Sophie considers her dream neighborhood, with a different friend. Frances, a struggling would-be dancer working as an apprentice at a dance company, is unable to afford the Brooklyn apartment alone and is forced to find someplace else to live.
She moves to Chinatown and shares an apartment with her friends Lev and Benji for a brief period. Sophie and Frances's relationship struggles as Sophie and her boyfriend, Patch, grow closer. Frances learns that the dance company does not need her to work their Christmas show, which means Frances can no longer afford the apartment. She visits her hometown of Sacramento for Christmas where she sees her family and reconnects with high school friends.
Rachel, a fellow dancer in the company, lets Frances stay with her for a few weeks. During dinner with Rachel's family, Frances discovers that Sophie has quit her job at Random House and is moving to Tokyo with Patch. Frances, on a whim, decides to spend an uneventful couple of days in Paris that she pays for with a credit card. She returns to Vassar, her alma mater, to work as a waitress and summer resident assistant. Overworked and not allowed to take classes, Frances reads Sophie's blog of her life in Tokyo.
One night, Sophie and Patch are at an alumni auction where Frances is waitressing. Frances learns they are engaged and sees the couple get into a fight. She lets a drunk Sophie stay with her in the dorm room she's been given, where Sophie reveals that she suffered a miscarriage while in Japan and is unhappy in her relationship. Sophie goes back to New York City the next morning, leaving a note for Frances. Some time later, Frances returns to Washington Heights in Manhattan.
Frances eventually reconciles with Sophie and enjoys a modest but satisfying existence as a fledgling choreographer, teaching dance to young children, and as a bookkeeper for her former dance company. She rents her own apartment. Upon moving in, Frances writes her name down onto a slip of paper in order to mark her new mailbox. Her full last name does not fit, so she folds the paper to read: "Frances Ha".
Frances Ha was directed by Noah Baumbach, and written by Baumbach and Greta Gerwig. Gerwig, who also stars in the film, announced it in April 2012, though Baumbach's involvement was not revealed until the film's listing in the Telluride Film Festival's lineup. Gerwig had starred in Baumbach's 2010 film Greenberg, and they decided to collaborate again.[4] They exchanged ideas, developed characters and eventually co-wrote the script. Gerwig has said that she did not anticipate starring in the film as well, but Baumbach thought she suited the part. Filming locations included New York City, Sacramento, Paris and at Vassar College in Poughkeepsie, Baumbach's alma mater.[5]
In the bonus features on the home-video release, the filmmakers said that the film was shot in the style of French New Wave cinema, with the tools of a student filmmaker. Even though the production had both the budget for and access to professional-level cinema cameras and lenses, they chose to use the Canon EOS 5D Mark II, a consumer-grade photographic camera that can record high-definition video. Instead of adapting professional cinema lenses, as other cinematographers have done when working with that camera, they used Canon L-series EF prime and zoom lenses designed for still photography. They mostly used a 50mm prime lens and a 70–200mm zoom lens, rarely employing 35mm and 85mm prime lenses because they lacked the mechanics and features common among cinema lenses (when paired with the camera’s large full-frame sensor, they make it difficult to maintain focus). By using a very small camera and extremely limited lighting equipment, the production could quickly and easily move locations without attracting much attention. Without large crews, elaborate sets, and special visual effects, the production could afford to shoot around the world on a fairly limited budget.
The review aggregation websiteRotten Tomatoes gives Frances Ha a 93% approval rating based on 186 reviews, with an average score of 7.80/10. The website's critical consensus is: "Audiences will need to tolerate a certain amount of narrative drift, but thanks to sensitive direction from Noah Baumbach and an endearing performance from Greta Gerwig, Frances Ha makes it easy to forgive."[15]Metacritic calculated an average score of 82 out of 100 based on 35 reviews, indicating "universal acclaim".[16]
Stephanie Zacharek of The Village Voice praised Gerwig's performance, writing, "It's a relief that Frances Ha isn't as assertively frank, in the 'Look, ma, no shame!' way, as Girls. And this is partly Gerwig's vision, too. No other movie has allowed her to display her colors like this. Frances is a little dizzy and frequently maddening, but Gerwig is precise in delineating the character's loopiness: Her lines always hit just behind the beat, like a jazz drummer who pretends to flub yet knows exactly what's up".[17]
Peter Debruge, reviewing for Variety, described Frances Ha: "This modest monochromatic lark doesn't present a story—or even a traditional sequence of scenes—so much as it offers spirited glimpses into the never-predictable life of Frances, a 27-year-old dancer." He said Frances was "a character whose unexceptional concerns and everyday foibles prove as compelling as any New York-set concept picture, delivering an affectionate, stylishly black-and-white portrait of a still-unfledged Gotham gal".[10] Sarah Galo of Mic also noted that Frances Ha “is really quite daring in its portrayal of female friendship. Frances and Sophie go through the motions of being BFFs to breaking up to being reunited in the end.”[18]
^Olsen, Mark (September 7, 2012). "'Frances Ha' bonds Noah Baumbach, Greta Gerwig". Los Angeles Times. ISSN0458-3035. Retrieved November 15, 2017. With this foray into screenwriting, Gerwig, 29, has become part of a current wave of actresses writing or co-writing their own material, a group that includes Zoe Kazan ("Ruby Sparks") and Rashida Jones ("Celeste and Jesse Forever").
