Principal photography commenced in October 2013 in Thodupuzha, where the film was extensively shot. The cinematography was handled by Sujith Vaassudev whilst the film was edited by Ayoob Khan. The soundtrack was composed by Anil Johnson and Vinu Thomas.
Drishyam was released on 19 December 2013. The film received widespread critical acclaim with critics praising the cast performance, story, screenplay, and direction. It was the first Malayalam film to collect ₹50 crore. The film grossed over ₹62 crore worldwide.[6] It ran in theatres for more than 150 days. It also became the longest-running film in the United Arab Emirates, running for 125 days. The film remained the highest-grossing Malayalam film of all time until it was surpassed by Pulimurugan in 2016. It remained among the top 10 List of highest-grossing Malayalam films of all time for a decade until it was broken by Mohanlal and Jeethu Joseph's Neru.[7]
Georgekutty started out as an orphan who had dropped out of school after his 4th year. He is now a businessman running a cable television service in the village of Rajakkad. He is married to Rani and they have two daughters Anju and Anu. His only interest apart from his family is watching films, as he spends most of his time in front of the TV in his small office. Due to his knowledge of his films, he is respected by the locals.
During a nature camp, Anju gets photographed in the bathroom by a hidden cell phone held by Varun Prabhakar, who is the son of Inspector General of Police Geetha Prabhakar. Varun meets Anju and blackmails her to have sex with him. That same night, he arrives at their house, but Rani is informed by Anju and pleads Varun to leave Anju alone. He agrees on the condition that Rani have sex with him instead. In a successful attempt to destroy Varun's phone, Anju accidentally strikes Varun in the head, killing him. They bury his body in a compost pit, which is witnessed by Anu. Rani informs Georgekutty about the incident and he devises a way to save his family from the police. He removes the broken phone and disposes of Varun's car, which is seen by the local police constable Sahadevan, who hold a grudge against Georgekutty. As Georgekutty takes his family on a trip to attend a religious retreat, a movie and a restaurant, Geetha starts an investigation upon learning that Varun has gone missing.
After a preliminary investigation, Geetha calls Georgekutty and his family for questioning. Georgekutty had predicted that this would happen and taught his family how to change their alibi at the time of murder. When questioned individually, they reply the same thing and they had also shown the bill of the restaurant, the movie's and bus journey's tickets as a proof of their alibi. Geetha questions the owners of the establishments they have been to and their statements prove Georgekutty's alibi. However, Geetha realises that on the day of the incident, Georgekutty had taken the tickets and the bill, made acquaintance with the owners and had gone for the trip with his family the next day, thus proving his alibi and making the owners unwittingly tell the lie.
Georgekutty and his family are arrested and Sahadevan brutally tortures them, including Anu to make the truth come out. Geetha learns from Varun's friend Alex about Anju's video created by Varun. Eventually, Anu gives in and reveals the place where the body is buried. After digging the compost pit, they find the carcass of a cow, indicating that Georgekutty had moved the body. Before Geetha and Sahadevan could react to it, Georgekutty and Anu goes to the media and complains of Sahadevan's torture against his family. Enraged, Sahadevan tries to attack the family again, but Rani's brother Rajesh and the villagers saves them and subdues Sahadevan, who later ends up being suspended while Geetha resigns from her post. Geetha and her husband Prabhakar meet Georgekutty to ask forgiveness for their rude and violent behavior and of their son's perverted behaviour, but Georgekutty suspects there might be foul play involved and still does not reveal directly about Varun's death. Georgekutty, now in remand, signs a register at the newly constructed local police station and leaves. As the police inspector tells him that he will find the body and that the police are not fools, Georgekutty replies by telling the officer he believes that the police are there to help the people.
As he exits the police station, it is revealed that Georgekutty had buried Varun's body beneath the police station.
Cast
Mohanlal as Georgekutty, a local cable TV operator
Meena as Rani George, Georgekutty's wife and Anju's and Anu's mother
Ansiba Hassan as Anju George, George's and Rani's elder daughter
Esther Anil as Anumol George (Anu), George's and Rani's younger daughter
Asha Sharath as IG Geetha Prabhakar IPS, Prabhakar's wife and Varun's mother
Siddique as Prabhakar, Geetha's husband and Varun's father
In July 2013, it was reported that Jeethu Joseph will be directing a film titled My Family with Mohanlal in the lead.[13] In August 2013, Jeethu clarified that the film was titled Drishyam.[14] A thread similar to that of Drishyam has been with the director since the early 1990s. He was inspired by a conversation he had overheard about the plight of two families involved in a legal battle.[15] Jeethu had penned the story of Drishyam even before Memories (2013).[16] He says, "I started working on the subject some two years back. But I wanted to stick to the planned order and hence postponed the project till I finished Memories".[17] The script was initially planned to be filmed by another director but since that director could not find a producer, Jeethu took back the script and decided to direct it himself.[18] Drishyam contrasts from the director's previous films. He says, "Different films require different treatment. I toiled hard while filming Memories as the film was full of twists and turns and the handling of the subject mattered a lot. But Drishyam is a complete script-oriented film that does not require any special effort. We shot the film sticking completely to the script, and the shooting was completed effortlessly."[19]
Casting
Jeethu had initially approached Mammootty to play the lead, but he was unable to commit and asked Jeethu to proceed with the film with another actor.[20] According to the director, Mammootty was instrumental in casting actress Meena for the film.[15] The director, in an interview with The New Indian Express, stated that he wrote the screenplay with Mohanlal in mind and that the character was tailor-made for Mohanlal.[19] He later added that no changes were made in the script when Mohanlal agreed.[21]
Kalabhavan Shajohn, who previously worked in the industry as a comedian and the sidekick of the lead actors, was chosen for the main antagonistic role. The director stated, "I had two-three actors in mind, but at last decided to pick Shajon. I was very clear that I did not want anyone who has played negative characters so far to do the role. Shajon was a total revelation."[15]Roshan Basheer, who debuted through Plus Two (2010), was chosen after conducting a screen test.[22] Asha Sarath was later signed for the role of a police officer.[23] Child actors Ansiba Hassan and Esther Anil, along with Siddique, Irshad, Kunchan and Koottickal Jayachandran were also cast to play major supporting roles.[19]
Drishyam commenced principal photography in the first week of October 2013. Mohanlal joined the sets only from 10 October.[24] The film was shot at Thodupuzha in Kerala.[19] The road-side house shown in the film, which was a major location, is situated at Vazhithala, near Thodupuzha.[25] The shooting had to be halted for a while as Meena fainted on the location.[26]Drishyam was initially planned to be filmed in 52 days, though it was completed in 44 days.[15]
Themes
A reviewer from The Hindu noted, "The film takes off as a typical family drama. The first half of the film is intentionally slow-paced and shows to the audience the lighter moments in the family of Georgekutty. This half combines the elements of drama and comedy genres. The audience gets completely absorbed in the twist of events that begin to unfold from the end of the first half. The second half is more like a thriller and is about how the family, despite the vengeful villainy of a corrupt cop, stands its ground even as the law takes its course."[27] When asked whether this change in narrative style post-interval was intentional, Jeethu replied: "I really don't understand when people say the first half lacked pace. A story or a film has its own way of progression and it does travel in a zig-zag away, capturing all the ups and downs of our lives. Right from the start if you accelerate the pace, sooner or later, the story-telling will lose its steam."[15]
When asked whether he had kicked off a new genre in Malayalam—family thriller, a genre which combines the elements of a family drama and thriller, Jeethu replied, "I still believe it belongs to the genre 'drama', not a thriller."[15] He also stated in another interview, "We usually brand a film as a thriller, simply because there is some mystery in the narrative or the story unfolds through an investigation. But I don't subscribe to this. Although there are some twists in the tale and some suspense as well, Drishyam is essentially the story of a family."[28]
The film has also been said to be inspired by The Devotion of Suspect X, a Japanese novel written by Keigo Higashino. Ekta Kapoor, who had purchased the Hindi movie rights of the novel, sent a legal notice to the makers of the film. However, the director clarified, "After Ekta's legal team sent us the letter, I watched the Japanese film, Suspect X, which is an adaptation of the Japanese novel. There could be similarities between my film and that Japanese film, but my film is neither an adaptation nor a copy. The Japanese film is also about a murder cover-up and hence the allegation. Similarities are quite common in the works of creators and that shouldn't be made into an issue."[29]Rashomon (1950) was also cited as an inspiration for the film.[30]
The film was criticised for the use of some "sexist dialogues" in the first half which were playing to a certain "new generation" audience. Sowmya Rajendran of Sify criticised the same and stated about one of such scenes in the film, "it is such banter, which we often dismiss with a laugh, that helps perpetuate rape culture."[31] When asked about this, the director replied, "I firmly believe such conversations are part of our lives. I don't want to elaborate, but it also throws an insight into each character featured in the sequences. Yes, frankly, I was a bit worried how the family audience would react to those scenes. But then I read out that part of the script to a select group of women and they nodded their heads in approval."[15]
There were also allegations that Drishyam might provoke murder. KeralaADGPT.P.SenkumarIPS claimed that two people accused of murdering a woman from Nilambur in February 2014 admitted that their methods for disposing of the victim's body and mobile phone SIM card were influenced by the film.[32] The murder of a young girl in Irinjalakuda by her father and his mistress was also said to be influenced by Drishyam.[33]
Drishyam's soundtrack album features two songs used in the film, each of them were composed by Anil Johnson and Vinu Thomas, with lyrics penned by Santhosh Varma; the former provided the background score for the film. The album was released on 25 November 2013 by Muzik 247.[34]
Veeyen of NowRunning noted in his review of the film that the songs "have a refreshingly delightful tenor to them that deserve an applause for certain."[35] The reviewer of IndiaGlitz called the score "refreshing" and stated that it "builds the tempo" for the film.[36]
Drishyam was released on Blu-ray Disc, DVD and VCD on 9 May 2014. The film created a new record in the DVD and VCD sales on the first day of release itself.[41]
Plagiarism allegations
In August 2014, film director Satheesh Paul filed a copyright infringement suit against the makers, saying that it had similarities to his script titled Oru Mazhakkalathu, written in 2013. The court passed an order saying that the movie had prima facie similarities to Satheesh' script, but allowed the making of the Tamil version Papanasam to proceed, on the condition that the makers of Drishyam produce a ₹10 lakh bank guarantee before the court to ensure the compensation.[42] The case was dismissed in March 2015 as it was proved that Jeethu had written the script in 2011.[43]
Reception
Critical response
Mohanlal attracted positive reviews for his performance.
Sify's reviewer rated the film as "Excellent" and stated, "It is not often that you sit in a theatre with bated breath, never wanting to miss a moment of the film on screen. Writer director Jeethu Joseph's Drishyam is one such film, a gripping tale that leaves you spellbound with its skillful craft."[44] Veeyen of NowRunning rated the film 3/5 and commented, "In Drishyam Jeethu attempts a stunning mix of the real with the imaginary, and the result is an unpredictable cinematic artichoke that takes you by surprise at every turn."[35] Rating the film 3.5/5, Paresh C Palicha of Rediff said, "Drishyam can be credited for bringing Mohanlal back to form and pushing director Jeethu Joseph into the big league as he has made a cracker of a thriller."[45] Jabir Mushthari of The Hindu wrote: "It takes craft, intelligence, and the superior acumen of a genuine storyteller to pull off a film in such an engaging manner." He also noted that the film's "thread and treatment are new to Malayalam cinema in many ways" and its "principles go against the set rules film goers here are familiar with".[27]
Shibu B S of The New Indian Express wrote, "For his latest outing Drishyam, Jeethu attempts a splendid mix of emotions, relationships, suspense and thrill. End result: a spectacular cinematic experience."[46] Dalton L of Deccan Chronicle gave the film a 3-star rating, writing, "The limelight belongs entirely to Mohanlal. Like the versatile greats of Hollywood, this actor possesses such a vast repertoire that he isn't required to always attempt the radically new to stamp his towering persona."[47] Mythily Ramachandran wrote in her review for Gulf News: "Drishyam is an unforgettable picture, shorn of irrational fight sequences and mindless dance numbers."[48] Aswin J Kumar of The Times of India said, "Drishyam is an elegantly crafted piece of film which Lal and Joseph can proudly hold close to their hearts."[49]
Unni R. Nair noted in his review for Kerala9.com, "The care with which the script is done, the finesse with which the direction part is executed and the characterization and performance plus the thoughtful placing of the songs makes Drishyam worth real appreciation. That the film has almost zero-'filmy' humour is also worth noting. It's the logical manner in which the story unfolds and the very convincing manner in which the characters behave makes it impressive." The critic rated the film three in a scale of five.[50] IndiaGlitz's reviewer rated the film 8/10 and stated, "Drishyam is undoubtedly cladded with exceptional story telling combined with bravura performances. An undoubtedly exceptional film as far the content is concerned, the movie is a must watch for all the audiences of family and thriller movies."[36]
Box office
According to Sify, the film "started on a low key" but "swept the box-office" from its second day of release.[51] The film grossed ₹38 million in its first eight days.[52] In less than one month following its release, Drishyam became the highest-grossing Malayalam film of all time, beating the record of Twenty:20 (2008).[2][53] The film ran for more than 150 days in Kerala,[54] with collections of over ₹430 million.[55]
The film also grossed around ₹100 million from rest of India.[56] It showed for 100 days in Tamil Nadu.[57] It also had a 100-day theatrical run in multiplexes in Mumbai, Bengaluru, Ahmedabad and Hyderabad.[58] The collection from the overseas markets was more than ₹40 million, with around ₹10 million from England alone.[56]Drishyam became the second film to complete 100 days in the UAE after Titanic (1997)[59] and later emerged as the longest running film in the UAE by completing 125 days, beating the 110 days run of Titanic.[60][61] The film completed 100 days in 60 theaters in Kerala and rest of India.[56]
Drishyam was the first Malayalam film to collect ₹600 million.[62] The film collected more than ₹580 million in its theatrical run worldwide.[63]Drishyam held the record for box office gross until 2016 when Pulimurugan overtook it.[4]
Drishyam was remade into several languages. The Indian remake rights of the film were sold for ₹155 million. All the versions were commercially successful. Drishya (2014) in Kannada, Drushyam (2014) in Telugu, Papanasam (2015) in Tamil and Drishyam (2015) in Hindi. It was also remade in Sinhala language as Dharmayuddhaya (2017) and in Chinese as Sheep Without a Shepherd (2019) thereby becoming the first Indian film to be remade in Mainland China.[10] The Indonesian remake was announced in September 2021,[75] making it the first Indian film to be remade in Indonesian,[9] The Korean remake was announced in May 2023,[76] first Indian film to be remade in Korean.[11] The film be remade in English language that would be produced by India's Panorama Studios with U.S. companies Gulfstream Pictures and JOAT Films. Gulfstream's Karz and Bindley said, “The film is a timeless thriller that has entranced audiences across the globe. We can’t wait to bring the movie to fans here in the U.S.”.[12]
Jeethu Joseph and Mohanlal were filming for Ram prior to the COVID-19 lockdown in India, however the shooting of the film was stalled as some sequences they want to film in foreign locations, such as London and Cairo. As the crew realised that the filming would take time to continue, Jeethu decided to start the works for Sequel. Drishyam 2 was officially announced by Mohanlal on his 60th birthday, 21 May 2020. Mohanlal, Meena, Ansiba Hassan, Esther Anil, Asha Sarath, Siddique, Kozhikode Narayanan Nair, Mela Raghu, Aneesh G Menon, Shobha Mohan and Antony Perumbavoor reprise their roles.[79]
Principal photography began on 21 September 2020, and was shot for 46 days in Kochi and Thodupuzha and it was concluded on 6 November 2020.[80][81] The film was released directly through the OTT platform Amazon Prime Video on 19 February 2021.[82]
Notes
^Gautaman Bhaskaran of Hindustan Times claims the film's budget as ₹ 3.5 crore,[1] while IANS claims it to be ₹5 crore.[2]Sify claims the budget of the film to be ₹4.5 crore.[3]
Pertempuran VijithapuraBagian dari Kampanye Dutthagamani melawan ElaraTanggal162 atau 161 SMLokasiVijithapura (Vijitha Nagara)Hasil Kemenangan telak pasukan DutthagamaniPerubahanwilayah Kota Vijithapura ditangkap oleh pasukan DutthagamaniPihak terlibat Pasukan Dutthagamani Pasukan ElaraTokoh dan pemimpin Dutthagamani ElaraKekuatan Tidak diketahui Tidak diketahuiKorban Tidak diketahui Tidak diketahui Pertempuran Vijithapura merupakan sebuah pertempuran yang besar dan menentukan dalam kampanye ...
1985 Israeli attack on Lebanese village Zrarieh raidDate11 March 1985LocationSouthern LebanonWest BankGaza Strip33°34′21″N 35°33′27″E / 33.57250°N 35.55750°E / 33.57250; 35.55750Belligerents Israel Amal movementCasualties and losses 21-40 Lebanese residents killed vteSouth Lebanon conflict Engagements Iron Fist Zrarieh raid Night of the Gliders Naameh Raid Law and Order September 1992 clashes Accountability Grapes of Wrath (Qana * Nabatieh * Mansouri) 1997 ...
Cet article concerne les individus mâles de l'espèce humaine. Pour l'être humain, voir Homo sapiens. Pour les autres significations, voir Homme (homonymie). Si ce bandeau n'est plus pertinent, retirez-le. Cliquez ici pour en savoir plus. Cet article ne cite pas suffisamment ses sources (janvier 2019). Si vous disposez d'ouvrages ou d'articles de référence ou si vous connaissez des sites web de qualité traitant du thème abordé ici, merci de compléter l'article en donnant les réf...
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4th Volleyball Olympic TournamentMontreal 1976Tournament detailsOlympics1976 Summer OlympicsHost nation CanadaCityMontrealDates18–30 JulyMen's Medals(10 teams) Gold Poland Silver Soviet Union Bronze Cuba Women's Medals(8 teams) Gold Japan Silver Soviet Union Bronze South Korea Volleyball at the 1976 Summer Olympics was represented by two events: men's team and women's team.[1] Medal table RankNationGoldSilverBronzeTotal1 Japan1001 P...
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Typical post office sign with modern pillar box Old pillar box Cyprus Postal Services, or Cyprus Post, is the postal operator of Cyprus and operates the government-operated Post Office.[1] A legacy of British colonial rule is the use of pillar boxes (mail boxes) with the initials of the British monarch, although after independence they were painted yellow. History Modern postal services in Cyprus began with the takeover of the island by Britain in 1878. Almost immediately the British ...
Latin honorific meaning Father of the Fatherland Not to be confused with Parens patriae. The inscription on Trajan's Column includes Pater Patriae as one of the title of Trajan Pater Patriae (plural Patres Patriae) was an honorific title in ancient Rome. In Latin, it means father of the country, or more literally, father of the fatherland. The title was granted by the Roman Senate. During the Roman Republic, it was given only two times: to Camillus and Cicero. Under the Roman Empire, it was e...
Township in Ocean County, New Jersey, US For the town otherwise known as The Brick City, see Newark, New Jersey. Township in New JerseyBrick Township, New JerseyTownshipSouthward view of the Garden State Parkway in Brick Township SealNickname: Bricktown USALocation of Brick Township in Ocean County highlighted in yellow (right). Inset map: Location of Ocean County in New Jersey highlighted in black (left).Census Bureau map of Brick Township, New JerseyBrick TownshipLocation in Ocean Coun...
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كارل جوتسكوف (بالألمانية: Karl Gutzkow) معلومات شخصية اسم الولادة (بالألمانية: Karl Ferdinand Gutzkow)[1] الميلاد 17 مارس 1811(1811-03-17)برلين الوفاة 16 ديسمبر 1878 (67 سنة)فرانكفورت مواطنة مملكة بروسيا[1] الحياة العملية المدرسة الأم جامعة لودفيغ ماكسيميليانجامعة هايدلبرغجامعة ي�...
جزء من سلسلة حول تاريخ تركيا عصر ما قبل التاريخالأناضول ما قبل التاريخ أناضول الباليوثي 500,000–10,000 ق م أناضول الميسوليثي 11,000–9,000 ق م أناضول النيوليثي 8,000–5,500 ق م العصر البرونزيطروادة 3000–700 ق م Hattians 2500–2000 ق م الإمبراطورية الأكدية 2400–2150 ق م لوفيون 2300–1400 ق م الآشورية 1950–1750 ق �...
Study of language in historical sources Not to be confused with philosophy. Part of a series onLinguistics OutlineHistoryIndex General linguistics Diachronic Lexicography Morphology Phonology Pragmatics Semantics Syntax Syntax–semantics interface Typology Applied linguistics Acquisition Anthropological Applied Computational Conversation analysis Corpus linguistics Discourse analysis Distance Documentation Ethnography of communication Ethnomethodology Forensic History of linguistics Interlin...
Pour les articles homonymes, voir Arbitre. Si ce bandeau n'est plus pertinent, retirez-le. Cliquez ici pour en savoir plus. Cet article ne cite pas suffisamment ses sources (août 2011). Si vous disposez d'ouvrages ou d'articles de référence ou si vous connaissez des sites web de qualité traitant du thème abordé ici, merci de compléter l'article en donnant les références utiles à sa vérifiabilité et en les liant à la section « Notes et références ». En pratique ...
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