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Downtown
Downtown
	Theatrical movie poster
Directed by	Richard Benjamin
Written by	Nat Mauldin
Produced by	Charles H. Maguire
Starring	Anthony Edwards; Forest Whitaker; Penelope Ann Miller; Joe Pantoliano;
Cinematography	Richard H. Kline
Edited by	Jacqueline Cambas; Brian L. Chambers
Music by	Alan Silvestri
Distributed by	20th Century Fox
Release date	January 12, 1990;
Running time	96 minutes
Country	United States
Language	English
Budget	$10,000,000 (estimated)
Box office	$2,346,150

Downtown is a 1990 American buddy cop action comedy film directed by Richard Benjamin. The film starred Anthony Edwards, Forest Whitaker, Penelope Ann Miller and Joe Pantoliano.

Plot

Police Officer Alex Kearney is a patrolman in Bryn Mawr, an affluent, plush suburb of Philadelphia—until he stops an important businessman and his account of the incident is not believed. As punishment, he is assigned to work Downtown, considered the most dangerous, high-crime precinct in the city. Everyone at the precinct is certain that the 'by the book' suburban, pampered cop is going to get himself (and whoever is assigned as his partner), killed.

Sergeant Dennis Curren draws the unfortunate 'babysitting' assignment. However, when Alex's best friend is killed investigating a stolen car, Alex throws the book out the window tracking down the killer.

Cast

Anthony Edwards as Officer Alex Kearney
Forest Whitaker as Sergeant Dennis Curren
Penelope Ann Miller as Lori Mitchell
Joe Pantoliano as White
David Clennon as Jerome Sweet
Art Evans as Henry Coleman
Rick Aiello as Mickey Witlin
Roger Aaron Brown as Lieutenant Sam Parral
Ron Canada as Lowell Harris
Wanda De Jesus as Luisa Diaz
Francis X. McCarthy as Inspector Ben Glass (credited as Frank McCarthy)
Kimberly Scott as Christine Curren
Danuel Pipoly as Skip Markowitz
Ron Taylor as Bruce Tucker
Vinnie Curto as Mr. Lopez

Production

This was the theatrical debut of scriptwriter Nat Mauldin, a writer on Barney Miller and a writer-producer of Night Court.^[3]

Principal photography began 17 April 1989, according to the 19 April 1989 Daily Variety^[4] and 25 April 1989 Hollywood Reporter,^[4] with a scheduled wrap date of 30 June 1989.^[4]

Though the plot of the movie references a Philadelphia suburb, Bryn Mawr, most of the exterior filming is done within the City of Philadelphia. The beginning of the film features Cresheim Valley Road, Stenton, and Germantown Avenues. This is in the Mount Airy and Chestnut Hill neighborhoods.

There are a few early scenes that are filmed in and around Los Angeles. The scene where Anthony Edwards pretends to pull over Penelope Ann Miller is filmed on Yale Street, in Claremont, CA.^[4] Later portions of the film are in the Fairhill and Norris Square neighborhoods which are now known as "The Badlands" circa 2000. Diamond Street is within this area, but Philadelphia police districts are numbered, not named for streets or neighborhoods.

Locations

Philadelphia, Pennsylvania^[4]
La Canada, California ("Bryn Mawr")^[4]
Claremont, California^[4]
Pasadena, California^[4]
University Park, Los Angeles ("Dennis Curren's" home)^[4]
Los Angeles, California^[4]
Ports O' Call in San Pedro, California^[4]
Woodland Hills, California (the "Sweet" estate)^[4]
stage 6 at the Warner Center in Woodland Hills, California^[4]
stage 14 at the Warner Center in Woodland Hills, California^[4]

Reception

The film received mostly negative reviews. Hal Hinson of The Washington Post called the film racist for picturing "the inner city as an all-black criminal hell-town where the men who walk the streets are much less human than the people in the all-white suburbs."^[5] David Nusair of Reel Films called it "[r]elentlessly bland and hopelessly unfunny."^[6]

On 13 January 1990, Washington Post called it "just a B-grade movie, aimed at the lowest common entertainment denominator".^[4] On 16 January 1990, Chicago Tribune wrote "lurches crudely and disruptively between sitcom flippancy, sickening violence, cartoonish physical comedy and oozing sentimentality."^[4] On 17 January 1990, USA Today wrote "derivative, dull, dopey, degrading, dumb, deplorable", and panned Anthony Edwards as "so bland he makes Wonder Bread look funky"^[4]

"the wimp starts to toughen up, while the rebel becomes a sensitive, sharing, family man" — Adrian Martin, November 1992.^[7]

"cluttered, with too much noise on the soundtrack and too much aimless, frenetic and at times ugly action" — Janet Maslin, January 1990.^[8]

"crass uptown film about downtown" – Dennis Schwartz Reviews.^[9]

References

^ "DOWNTOWN". Jazz on the Screen Filmography, Performing Arts Encyclopedia. Washington, D.C.: Library of Congress. Retrieved 15 October 2023.
^ Downtown at Box Office Mojo
^ Thomas, Kevin (15 January 1990). "Calculated 'Downtown' Shows Off Its Stars". Los Angeles Times. Retrieved 15 October 2023.
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q Downtown at the AFI Catalog of Feature Films
^ Hal, Hinson (1990-01-13). "'Downtown'". Washington Post. Archived from the original on 2021-04-06. Retrieved 2021-04-06.
^ Nusair, David. "Downtown". Reel Film Reviews. Retrieved 2021-04-06.
^ "Downtown". filmcritic.com.au. Retrieved 15 October 2023.
^ Maslin, Janet (13 January 1990). "Review/Film; A Preppy Policeman Cast Into the Inner City". The New York Times. Retrieved 15 October 2023.
^ "DOWNTOWN". Dennis Schwartz Reviews. 5 June 2021. Retrieved 15 October 2023.